Willis and Pfeiffer do manage to keep you awake, but you're essentially watching your own marriage up there. And you don't need to pay a sitter to do that.

Without any trustworthy characters for young Joe and no actual story development, the movie drags.

A snail-paced story in all of its glorious ... slowness.

Frighteningly intelligent and visually stunning film.

It risks the believability factor for anyone who's ever been cheated on or lost a loved one.

Soderbergh, like Tarantino, has a knack for making every shady character onscreen fascinating.

It's dumb, but I laughed out loud a few times, chuckled a few more, and would gladly sit through it again before watching any film with Demi Moore.

It's essentially a play-by-play of events that's so cheaply made it reeks of made-for-TV status.

I'd wait for video unless your kid's just dying to see "Sesame Street" characters on the big screen.

Zahn, however, is definitely the star of the film, with his quirky portrayal of Wayne Wayne Wayne Jr. getting all of the laughs, and none of the credit.

An empty void of tasteless action, formula plot, and dull dialogue set in a sadly under-utilized time period.

A poor excuse to put out a soundtrack of teen pop songs.

It's full of energy and drops an emotional bomb with its unexpected tale of reluctant heroes.

Jones' pursuit of Judd follows the tried-but-true plotline of winding cat-and-mouse chases that lead to big climaxes.

If a good laugh is needed on the next trip to the theater, please avoid this quack.

Words cannot do justice for this homage to Ed Wood.

Polley's doe-eyed innocence is in overdrive.

A mangy dog of a movie that should have been re-scripted by a better writer and directed by a better filmmaker.

A hyped-down, no frills VH1 "Behind the Music" story...that is no doubt closer to reality than the fodder in the pages of "Rolling Stone."

The film so strongly fixates on strange, explicit sexual acts that it forgoes any emotional (i.e. romantic) aspects of sex.

A bona fide, no-doubt-about-it love story disguised as a sports movie.

Lawrence goes the extreme distance to make you fall out of your chair laughing.

A dark comical masterpiece that single-handedly announces the collapse of the American family infrastructure as it exists on the brink of Y2K.

Really a big fat zero. Hampton Fancher has done the unthinkable -- he's made a boring serial killer movie.

Ranks with the best of the bunch, given its spooky storyline that fuses religion with down-to-earth characters.

Little more than an amusing, predictable story we've seen done better a dozen times.

"Speed" with a thermometer, only a whole lot worse.

My biggest complaint: Following two nasty bloodbaths and an invasion of the creatures' lair, the final showdown seems anti-climactic.