A devilishly fun blow-em-up that pits The Terminator vs. The Fallen One.

One of those rare sequels that's even better than the original.

It's clear that Schumacher has risen from the self-imposed dreck of "Batman & Robin" and has returned to Hollywood to tell a good story.

James Bond hasn't been this boring since Timothy Dalton carried the license to kill.

In between all this head-scratching nonsense, Sleepy Hollow can be fun, usually whenever the Headless Horseman shows up for swordplay that's better than anything in "The Phantom Menace."

Emerges as a thoughtful reflection on the many roles women must play throughout their lives.

The only fault I found was a lengthy build to the story's political climax (there's a subplot about slavery), after which the film quickly seams up its unravelings and ends.

This may be what life was like for Levinson back in the day, but it makes a boring movie for the rest of us.

Frequently hilarious, often profound, and occasionally stupid.

Haunting character study filled with fascinating personalities, robust images, and eccentric behaviors that will please art-house fans.

Sarandon and Portman have sizzling electricity that makes every funny, touching or sad moment between them seem even more fascinating than the last.

If all history lessons were this stylish, elementary school would have been a better place.

Would have been better suited as a television movie of the week.

Why do I keep having to see such awful movies?

A wildly silly goose chase.

Both leads perform admirably.

The actors share much of the screen time but the viewer never quite gets the chance to relate to each one individually.

Overall, a solid piece of film that not only entertains but also educates.

Near-perfect editing, and cleverly poignant dialogue.

A miserable failure.

Bring two boxes of tissue and a girlfriend to lean on for this blowout tearjerker.

Lucky for you, it won't cost a thing to get up and walk out at any point after the credits.

Like a lot of anime, it's overlong and gets way too metaphysical at the end, but ultimately, this is a Princess worth worshipping.

Unfortunately, no awards committee is hip enough to praise this strange masterpiece.

A perfect date movie for boys and girls, boys and boys, and boys just pretending to like boys.

All it really propagates is overly dramatic scenes plagiarized from last month's high school date rape seminar.

Banderas has taken a brilliant novel and made a small movie with lots of bright moments, and honestly, that's quite an accomplishment for his debut.

Oversimplifies the concept of unrequited love, and over-romanticizes the notion of everlasting love.