For 2,973 reviews, this publication has graded:
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53% higher than the average critic
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2% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | Paterson | |
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| Lowest review score: | Life Itself |
Score distribution:
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Positive: 1,806 out of 2973
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Mixed: 937 out of 2973
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Negative: 230 out of 2973
2973
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Richard Schickel
When our sympathies shift to [Cameron Diaz's Kimmy], the movie sours. It is no help either that Ronald Bass neglected to write (or Mulroney was unable to find) a character in Michael. Why all this fuss over this lox, we keep wondering.- Time
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Reviewed by
Richard Schickel
The screenwriters, Randall McCormick and Jeff Nathanson, and the director, Jan de Bont, have no interest in providing their actors with stuff to act.- Time
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Reviewed by
Richard Schickel
Nunez's film neither floats like a butterfly nor stings like a bee. It just drones on.- Time
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Reviewed by
Richard Corliss
Wu is a fine, supple tabula rasa; McGregor (Trainspotting) shows again that he is one of the boldest, most charming young actors.- Time
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Reviewed by
Richard Schickel
A fine--but not entirely uninteresting—mess. [2 Jun 1997, p. 74]- Time
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Reviewed by
Richard Schickel
In its soft-spoken way, it is fierce, shaggy and deeply weirded out.- Time
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Richard Corliss
The film has such a weakness for the easy incongruity (short men dancing with tall women--isn't that hilarious?) that it could almost be Australian. But Shall We Dance? also has an emotional gravity; it is grounded in a middle-aged man's nagging belief that he has one last chance to grab at life. [16 June 1997, p.76]- Time
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Reviewed by
Richard Schickel
But in shaping their tale for the screen, shouldn't he have honored their courage--and, yes, inventiveness--with something other than cliches?- Time
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Richard Schickel
A true movie rarity: a brutally honest romance. If you loved "Sleepless in Seattle," you'll just hate it.- Time
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Reviewed by
Richard Schickel
The goofy hysteria of something like "A Summer Place" was infinitely more entertaining and emotionally authentic than the distant smugness of this failed clone. [7 April 1997, p. 76]- Time
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Richard Schickel
More important, we should take into account the fact that this is really quite a good movie--a character-driven (as opposed to whammy-driven) suspense drama--dark, fatalistic and, within its melodramatically stretched terms, emotionally plausible.- Time
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Richard Corliss
An intellectual and a sensualist, Cronenberg graces Crash with philosophical musings, acres of pretty flesh and even more penis talk than on some 8 o'clock sitcoms. For all that, Crash doesn't work.- Time
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Reviewed by
Richard Corliss
In an era when films reduce the aged to comic cranks, Rifkin is heroic--the Lear of grumpy old men.- Time
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Richard Schickel
Ordinarily such trespasses against truth would be enough to condemn such a movie, but Rhames' gravity and grace, Voight's pinched anguish as he wills himself to do right, the moving work of actors like Don Cheadle and Esther Rolle do much to redeem this film for human if not historical reality.- Time
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Richard Corliss
The warming, nicely played relationship of the burglar and his lawyer daughter (Laura Linney) is the source of the film's absolute power. [24 Feb 1997, p. 67]- Time
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Richard Schickel
Writer Leslie Bohem and director Roger Donaldson brush briskly through the standard scientific and romantic blather. They know that in movies like this, complexity is the province of the special-effects people.- Time
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Richard Schickel
This good-natured movie is very much in the spirit of those ancient comedies from Ealing Film Studios in which nice, silly people defend some enclave of old-fashioned sanity against the forces of brute modernism. [27 January 1997, p. 68]- Time
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Richard Corliss
Jogs from one incident to the next, amassing information and dispensing attitude but rarely creating real characters. That's supposed to be director Milos Forman's forte; here, though, nearly everyone is an enemy or a stooge.- Time
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Richard Corliss
But this Evita is not just a long, complex music video; it works and breathes like a real movie, with characters worthy of our affection and deepest suspicions.- Time
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- Time
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Richard Corliss
Marvin's Room, the 1991 Scott McPherson play, filmed by Jerry Zaks, is an old-fashioned weepie of noble mien with many bright moments and a superb cast.- Time
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Reviewed by
Richard Schickel
Perhaps they don't create quite enough deeply funny earthlings to go around, but a thoroughly meanspirited big-budget movie is always a treasurable rarity. And those little guys from far away are a hoot. [30 Dec 1996]- Time
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Richard Corliss
Payne cannot shape or propel his own good material. He lets things dawdle when briskness would be a boon, and defeats the gung-ho efforts of Dern and other worthy actors. [9 December 1996, p.82]- Time
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Richard Schickel
For us dog saps, it is especially nice to see cuddlesomely real pooches instead of drawn ones doing smart-pet tricks.- Time
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Richard Corliss
Under the suave direction of Jonathan Frakes, who also plays the Enterprise's second-in-command, the movie glides along with purpose and style.- Time
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Richard Corliss
Ceases to be a cogent study of the disease of genius and devolves into two lesser creatures: an ordinary weepie and an Oscar contender.- Time
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Richard Corliss
To transport picturegoers to a unique place in the glare of the earth, in the darkness of the heart--this, you realize with a gasp of joy, is what movies can do.- Time
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Richard Corliss
The movie could have been a gleaming showcase for cartoon wit. Instead it's an 87-minute commercial peddling sainthood for Michael Jordan.- Time
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Reviewed by
Richard Corliss
In its pagan fervor, this is an almost religious experience.- Time
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