For 2,984 reviews, this publication has graded:
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53% higher than the average critic
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2% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | Paterson | |
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| Lowest review score: | Life Itself |
Score distribution:
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Positive: 1,815 out of 2984
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Mixed: 939 out of 2984
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Negative: 230 out of 2984
2984
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Richard Corliss
This agitated comedy could be called "The Big Chillin'" if it had a smidge of the 1983 film's wit and charm.- Time
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Reviewed by
Richard Schickel
Like its title -- blunt, thruthful, uncompromising. It is hard on an audience, even harrowing. But that's exactly what Martin Scorsese was put on earth to do.- Time
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Reviewed by
Richard Corliss
Mostly the movie is like the marriage: good casting, golden promise, yet somehow a grating ordeal.- Time
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Reviewed by
Richard Corliss
Alvin's tragic memories give perspective to the triumph of his trek, even as Farnsworth's weathered brilliance makes this movie a G as in gem.- Time
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Reviewed by
Richard Schickel
Both actors are excellent--but there's something conventionally gimmicky about the way it plays its reality/unreality game.- Time
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- Critic Score
Given its budget, the quality of its writing, acting and production is remarkably high--about miniseries level.- Time
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Reviewed by
Richard Schickel
A grim and draggy romance in which even the clothes and sets are dismal.- Time
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Reviewed by
Richard Corliss
Soderbergh slices, dices and Cuisinarts the script into flashbacks, scene shifts, stop motion and other distracting foolery.- Time
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The movie lets down the material. It's to cool: all attitude, no sizzle.- Time
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Reviewed by
Richard Corliss
An easy charm, a cleverly unforced sense of humor and a benignity toward all its genially oddball characters. If moviegoers skip this one, they'll be missing a real treat.- Time
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Reviewed by
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- Time
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- Time
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Reviewed by
Richard Corliss
You will simply want to shoot yourself by the third inning.- Time
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Reviewed by
Richard Schickel
Not a bad concept, and Martin Lawrence is appealing. Unfortunately, the writers have no gift for comic writing.- Time
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Reviewed by
Richard Corliss
Fond, zippy new documentary about the Bruce who, on the Hollywood circuit, is the real Boss.- Time
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- Time
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Reviewed by
Richard Corliss
It's too empty to applaud, too insignificant to deplore.- Time
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Reviewed by
Richard Schickel
Director Kelly Makin has a gift for casually tossed-off farce.- Time
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- Time
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- Time
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Reviewed by
Richard Schickel
Unfolds with a patient intelligence. The Sixth Sense might not scare you out of your wits, but it could reward them.- Time
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Reviewed by
Richard Schickel
Sells out real satirical possibilities to its marketing potential as teen fluff. Everyone loses -- except Hedaya, who keeps faith with his character's nutsiness.- Time
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Richard Schickel
Bringing Gonzo to his senses gives the Muppets briskly economical opportunities to satirize government, media excesses and cult sci-fi's more tiresome tropes.- Time
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Reviewed by
Richard Corliss
Here's another warning: you may laugh yourself sick--as sick as this ruthlessly funny movie is.- Time
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Reviewed by
Richard Corliss
Invigorating and annoying, Lola could use a dose of Ritalin. Best to take this 76-minute riff on alternate destinies as an antidote to Europe's minimalist art-house cinema and to enjoy Potente's sweaty radiance.- Time
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- Time
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Reviewed by
Richard Schickel
These stories, alas, are utterly predictable. Still, Samuel L. Jackson breaks through the crust of cliches as an expert called in to verify the instrument's provenance, and violinist Joshua Bell plays and Esa-Pekka Salonen conducts John Corigliano's score ravishingly.- Time
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Reviewed by
Richard Corliss
AP2 starts out bright and clever--shagnificent, we might almost say--before sinking into a swamp of shagnation.- Time
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Reviewed by
Richard Schickel
Maggie Smith and Judi Dench are glorious comic actresses, while Joan Plowright provides a firm, touching moral center to the film. They almost make you forget Cher's totally out-of-it work as a disapproved-of American and carry the film to its destiny, which is one of inoffensive inconsequence, prettily staged. [24 May 1999, p.88]- Time
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Reviewed by
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- Time
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