Time's Scores

For 2,984 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2984 movie reviews
  1. Jason Patric is the chief sleaze; Ben Stiller adds to his gallery of wormy guys; and Aaron Eckhart is the doleful husband who, when asked who his best lay was, unabashedly answers, "Me." [24 August 1998, p. 85]
    • Time
  2. A war film that, entirely aware of its genre's conventions, transcends them as it transcends the simplistic moralities that inform its predecessors, to take the high, morally haunting ground.
  3. For those who park their sense and sensibility at the 'plex door, there's plenty to enjoy in the performances, the rowdy innocence of the whole thing, the closing sing-along of Build Me Up Buttercup--and the vision of Cameron Diaz in giggly, gangly bloom.
  4. This says nothing about Gallo's own demonic charm as Billy or his directorial boldness in juxtaposing the emotional surreality of his story with the bleak reality of his hometown in winter, creating a sort of casual but strangely haunting weirdness.
  5. A shrewd portrait, sly, casual yet palpably authentic, of the principal ways members of any minority try to respond to an uncomprehending world. [29 Jun 1998, p. 69]
    • Time
  6. What makes this movie work is the kind of cool that made Get Shorty go so nicely: an understanding that life's little adventures rarely come in neat three-act packages, the way most movies now do, and the unruffled presentation of outrageously twisted dialogue, characters and situations as if they were the most natural things in the world.
  7. It is pristinely acted; and its range and heart dwarf other summer films, so cogent is it about our common aches and dreams.
  8. It's all so predictable. And you begin to wonder, as you so often do at the movies these days, why did they bother? And more to the point, why should we bother? [15 June 1998, p.72]
    • Time
  9. Hollywood's smartest media satire in years--and a breakthrough for Jim Carrey.
  10. This is a declaration of love: The Opposite of Sex is the smartest, edgiest, most human and handsomely acted romantic comedy in elephant years.
  11. One of this movie's implications--and it's a common enough one these days--is that sensitivity is a quality impossible to find in straight guys. [20 April 1998]
    • Time
  12. Nichols and his once and current partner, screenwriter Elaine May, can make a funny, knowing, ultimately judicious film from the deliciously satyric satire.
  13. So even when they don’t achieve the glorious farce of a Fargo, there is always something fascinating about following the Coens’ rapt gaze as they peer into the American nut bowl.
  14. It is as cool and distant as the planet the Strangers come from. But, Lord, is Dark City a wonder to see. [2 March 1998]
    • Time
  15. Obsession has seldom looked as gaudy or thrilling as here.
  16. Its business is to turn sure-thing expectations into a game of chance, and provide us with that rarity--a genuinely eccentric yet deeply insinuating film.
  17. Christie has already won prizes for the knowing weariness of her performance, and Flynn Boyle probably deserves some for her ferociously stated frustrations. But their clarity can't quite cut through the thickness of the film's air or compensate for the wooziness it induces.
  18. At 2 1/2 hours, it all plays like the rough assembly of a 90-min. caper film--an anecdote told at epic length. Grier, foxy lady of '70s blaxploitation, is given little chance to radiate. [22 Dec 1997, p.80]
    • Time
  19. This is rapture in pictures. [22 December 1997, p. 81]
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  20. Ultimately, Titanic will sail or sink not on its budget but on its merits as drama and spectacle. The regretful verdict here: Dead in the water.
  21. Alive to the--yes--sometimes humorous, and therefore humanizing, struggles of the slaves and their would-be rescuers to surmount the language and cultural barriers that separate them. [15 Dec 1997, p. 108]
    • Time
  22. Hearts sinking, we are obliged to endure much pseudo-serious gabble as we head toward another painfully predictable triumph of the human spirit. There must be some better way of hunting our--and Oscar's--goodwill. [Dec. 1,1997]
    • Time
  23. On the whole, the eek-for-yuks trade-off is more than fair--hip without being campy or condescending to one of the better movie franchises. [1 Dec 1997, p. 84]
    • Time
  24. This could have turned out to be an exercise in easy sentiment, easy to shrug off. But Frank Cottrell Boyce's script is carefully understated, and director Michael Winterbottom has achieved a remarkably seamless blend of fictional and factual footage.
  25. A solemn, subtly structured, beautifully acted and ultimately hypnotic movie.
  26. It is likely to disappoint the book's acolytes and tax the patience of newcomers. [1 December 1997, p.84]
    • Time
  27. Maybe the filmmakers are so lost in their slambang visual effects that they don't give a hoot about the movie's scariest implications. [10 Nov 1997, p.102]
    • Time
  28. The poise and passion in Eve's Bayou leave one grateful, exhausted and nourished. For the restless spirit, here is true soul food.
  29. [A] sexy, spiky love story.
  30. But that's the thing about this movie. It never leaves well enough, or good enough, alone. It keeps looking--sometimes a little too hard--for ways to transform the ordinary into the discomfiting.

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