Time's Scores

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For 2,984 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
  1. Positive: 1,815 out of 2984
  2. Mixed: 939 out of 2984
  3. Negative: 230 out of 2984
2984 movie reviews
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  1. Leaving Las Vegas
    A movie that may be just a bit too pleased with its own artful bleakness.
  2. Copycat
    Copycat, directed by Jon Amiel ("The Singing Detective", "Sommersby"), means to be a Greatest Hits album of atrocities. A sick mind is a terrible thing to waste. [13 Nov 1995, pg.120]
    • Time
  3. Get Shorty
    A smart, shrewdly crafted movie.
  4. Mallrats
    The humor is gross-out but inoffensive, since it's rooted in whimsy, not malice. Smith finesses the sophomore jinx with sophomoric high jinks. [6 Nov 1995]
    • Time
  5. Kicking and Screaming
    But the writer-director is canny enough to salt the stew with poignance, so that by the end these attitude machines have become human beings -- more than the sum of their chiseled jokes.
  6. Devil in a Blue Dress
    Writer-director Carl Franklin's cool, expert adaptation of Devil in a Blue Dress, Mosley's first novel, evokes the spirit of '40s film noir more effectively than any movie since Chinatown.
  7. Seven
    It is very tiresome peering through the gloom trying to catch a glimpse of something interesting, then having to avert one's eyes when it turns out to be just another brutally tormented body.
  8. Showgirls
    Obscene level of incompetence, excessive inanity in the story line, gross negligence of the viewer's intelligence, a prurient interest in the quick buck. [2 Oct 1995]
    • Time
  9. Unstrung Heroes
    Diane Keaton, directing her first fictional feature, gets us safely through a movie that could have turned to mush at any moment.
  10. Clockers
    The film is more than a murder mystery and more than a study in character conflict. At its best, it is an intense and complex portrait of an urban landscape on which the movies' gaze has not often fallen.
  11. Clueless
    It's like a restaurant where you go for the food and go back for the atmosphere. Or for the waitress. [13 July 1995]
    • Time
  12. Apollo 13
    The result is that rare Hollywood achievement, an adventure of the intelligent spirit. From lift-off to splashdown, Apollo 13 gives one hell of a ride. [3 July 1995]
    • Time
  13. Pocahontas
    Because she also has a classical heroine's sense of quest, the picture's Pocahontas rises above stodgy old legend into the sky of myth... That's apt for a role model for any child, red or white. And it's perfect for a film romance that earns a place of honor among Disney's latter-day animated film stunners.
  14. Batman Forever
    The only thing Schumacher and his scrupulous craftsfolk forgot to give the movie was life -- the energizing spirit of wit and passion that makes scenes work and characters breathe.
  15. The Bridges of Madison County
    Through the actress's effort and her director's generosity, this book about an irresistible man becomes a movie about a remarkable woman. Madison County is Eastwood's gift to women.
  16. Braveheart
    Braveheart is too much, too late.
  17. Die Hard: With a Vengeance
    So little wit is expended on the dialogue and so much on the imagination of disaster that you may as well sit back and enjoy the jolting ride.
  18. Crimson Tide
    When in doubt, director Tony Scott ("Top Gun", "Days of Thunder") lets loose a spray of water, sparks and sweat-the signature flourish of this Helmut Newton of movie machismo.
  19. Crumb
    "How perfectly goddamned delightful it all is, to be sure." Irony aside, that's how to respond to this magnificent study in ink and blood.
  20. While You Were Sleeping
    What is startling is how well While You Were Sleeping recaptures the true spirit of the best kind of modern fairy tale -- classic romantic comedy.
  21. Jefferson in Paris
    It's as if everyone was just a little too much in tasteful awe of its subject, who is played rather stolidly by Nick Nolte.
  22. Dolores Claiborne
    The sensible formality of Taylor Hackford's direction has the effect of cooling the film's narrative frenzies and helping the actors dig some simple, truthful stuff out of the hubbub.
  23. Circle of Friends
    Their sweet, determined, gently understated struggle for fulfillment in a superstitiously conservative society makes this densely, deftly packed movie a quiet joy to behold.
  24. Billy Madison
    One of the most execrable movies ever made. [6 March 1995, p.100]
    • Time
  25. Legends of the Fall
    We're left with our stifled laughter and a very long movie.
  26. Nobody's Fool
    By giving his movie a very effective realistic look, by helping his actors to shape strongly believable performances, even when they are doing implausible things, Benton lends credence to these inspirational fibs.
  27. Higher Learning
    These aren't really characters; they are points on a rigidly conceived political spectrum. Singleton has made all the right political moves given his complicated circumstances, but he hasn't really made a movie of them.
  28. Little Women
    Director Gillian Armstrong and writer Robin Swicord have fashioned an entrancing film from this distinctly unfashionable classic.
  29. Disclosure
    Director Barry Levinson and screenwriter Paul Attanasio are great guys to waste time with. The latter has a real flair for writing strong, confrontational scenes -- brisk, needling, well shaped -- and the former stages them with coolly concentrated intensity. And the cast is terrific. [19 Dec 1994, p.75]
    • Time
  30. Cobb
    This is a messy movie, sometimes repetitive, sometimes too compressed and allusive. But that's like saying Ty Cobb was not a very good sport -- irrelevant in comparison to the horrific fascination of his story.
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