The main problem that On The Road on Xbox has is not in the tedium of the driving, it's not in the poor visuals, it’s not in the game crashes and it's not in the clunky, amateurish menus. Nope, it's found in a combination of all those things along with an asking price that is verging on disgusting. And that means this is one trucking simulator that is going to struggle to make any form of headway on any console street.

Persian Nights 2: The Moonlight Veil on Xbox is best described as an anticlimax. It starts well with a wonderful setting - magical lunar eclipses and techno-Persian backdrops - but then fumbles them completely, reverting back to all the usual Artifex Mundi cliches.

Glittering Sword on Xbox is disappointing. It shouldn’t be expected to offer anything revolutionary to the genre, given its status as a homage to The Legend of Zelda. It should be expected to nail the fundamentals though. It doesn’t. The game never advances beyond the same simplistic puzzles and stale combat, and the only answer to scaling difficulty is throwing more projectiles and enemies at you in an attempt to slow you down.

Get 10 Quest is a brilliant little game which will only cost you a few pennies. For this reason it can be forgiven for being feature light, but at its core it’s amongst the best puzzlers around.

If you're looking for a game to tickle the little grey cells, you may just have found it with Knight's Retreat. The only real complaint is that once you’ve nailed the 80 levels, that’s about it; there isn't a score for each level, and so the urge to carry on playing once it is defeated just isn't there.

How to Take Off Your Mask Remastered on Xbox is a satisfyingly romantic visual novel that doesn’t over-complicate proceedings or become too awkwardly raunchy. You’ll want to see how the rather cute story unfolds, but then you’re done with it, which is a little bit of a shame.

Despite nearly showing its entire hand from the start, Roombo: First Blood on Xbox remains original and hilarious in light of all the bloodshed.

Kick It, Bunny! on Xbox clearly demonstrates that DillyFrame Games still have a fair few improvements to make before they can deliver a fully functioning, and worthwhile puzzler. A lick of paint for the bunny, reusing the same old background music, possessing iffy mechanics, and throwing some more animals into the mix just won’t cut it.

Control Ultimate Edition on the Xbox Series X|S is just about every reason to play Control, conveniently stored in a plastic green box. If you’ve played before, the stellar AWE DLC, the stripping away of old infuriations, and the showpiece graphical improvements are convincing arguments for hopping back in (even if it demands that you pay extra for the privilege). If you haven’t played Control before, then you have the reassurance that this is a deserving Game of the Year, in its definitive format.

If you’re looking for an in-depth survival experience, where deception is the biggest obstacle, then Project Winter is a great game to pick up. Just keep in mind that you’ll want a mic and it may take a couple of games to get into the swing of things.

Golden Force on Xbox isn’t anything remarkable or fascinating, but it offers a more structured and defined 2D action platformer experience compared to other alternatives which largely adhere to Metroidvania conventions.

Robophobik on Xbox is pretty good. There are a good deal of levels to go at, and the bosses are certainly challenging, with everything complemented by a backstory to enjoy which adds to the immersion.

While we wouldn’t traditionally pick on a game’s length, thirty minutes is shorter than most demos, and a ‘demo’ is precisely what Kauil’s Treasure on the Xbox feels like to play. Half an hour doesn’t leave much room for the gameplay to shine through, and what’s here is ramshackle, familiar and buggy. There’s certainly some fun to be found by the end of this adventure, but it’s not enough to make the expedition worth it. Dare we say that Kauil’s Treasure is more Crystal Skull than Raiders of the Lost Ark?

Shiny pixels, nice music, and ho-hum gameplay do not make up for the areas in which Habroxia 2 on Xbox falters. Fans of the first Habroxia will likely be upset by the blatant copy and paste content, while anyone who hasn’t played the first could find a more interesting space shooter in many places.

Another Dawn on Xbox is a very strange game; one that could have been a decent survival-based first-person shooter but fast turns into a mess due to bad mechanics and awful gameplay - it goes wrong from the first minute and you’ll need a whole host of willpower to even attempt to carry on past that moment.

I have hugely enjoyed my time playing Little Nightmares II on Xbox. The mature themes and tense moments that made the first game so fun are present in full force, and like the first game there are plenty of secrets to be found and stories to uncover. If you want a good horror platformer, then Little Nightmares II doesn’t disappoint.

Super Sports Blast, as a package, on Xbox is a lot of fun. I very much enjoyed the volleyball and tennis segments, and whilst the football section doesn't work for me personally, I feel that you can blame the likes of FIFA for that rather than anything this collection of games does wrong. If you've looking for a party game to be added for local multiplayer rotation then this will be a perfect addition, what with its range of competitions and fun, quick gameplay.

Slide Stars on Xbox misunderstands everything that makes Trials HD great, producing a play-doh homage without any of the speed, trickery or finesse. Then it ushers in some moderately popular internet personalities, but doesn’t do them - or their audience - the service of including any of that personality.

Royal Tower Defence on Xbox is a game that is greater than the sum of its parts, but if you are looking for a proper challenge, you could do a lot worse. It’s not a looker, but the gameplay shines through and the hook it delivers is certainly real. For the low asking price, it’s worth giving it a try.

Butterfly on Xbox is an average puzzle platformer that doesn’t do enough to catch your eye. It will only set you back a few quid, but doesn’t do enough to stand out from the crowd.

Sword of the Necromancer is a roguelike RPG that is largely experimental, and when all the little parts come together, it’s an experience which manages to standout from so many other procedurally generated indie games on the market.

There isn’t a bad Yakuza game, but Yakuza 3 Remastered on Xbox is the weakest in the series. Its lengthy introduction takes up about a third of the entire story, whilst it also lacks some of the quality of life improvements found in later versions. But it is still a solid entry, and worth playing through to see the foundations of Kiryu’s later life beginning.

Rack N Ruin on Xbox is fairly enjoyable. The storyline is fun to follow, the combat pretty interesting, and apart from it being far too easy to get lost, the design of the world and enemies is pretty spot on. With a better map Rack N Ruin could well have been a star, but frankly that element in itself is enough to bring it down a notch or two.

I’m afraid that Redout: Space Assault on Xbox just isn’t worth it. The game couldn’t be less interesting to play, because it isn’t interested in having you play it. Its story, if one could call it that, is a mindless distraction, and everything feels pointless.

TOHU is a charming little point-and-click adventure on Xbox with its own identity due to the lovely detail in the art and the fitting soundtrack that captures the atmosphere of each planet pretty well. The balance between the standard inventory puzzles and mini-games is ideal for delivering the fun factor, but there’s no fun in game-breaking moments and they really let it down.

Much like it’s prequel, The Dark Eye: Memoria on Xbox feels like you’re peering through a window into the richest of rich fantasy settings. It’s a parade of fabulous characters and scenarios, and the storytelling matches the pace. If Daedalic can untangle the control issues for future titles, and perhaps add an in-game help system (or file off the edges of their more abstract puzzles), then they’re on the way to creating a classic.

I had high hopes going into the first DLC for Immortals Fenyx Rising. A New God on Xbox though feels like a safe entry, and even for a piece of DLC it overstays its welcome with a large number of trials and not much else.

There are B-list joys to be had in Werewolf: The Apocalypse - Earthblood on Xbox. At their peak, the levels can be playgrounds where choosing stealth, combat or both puts a wicked grin on your face. But too often you’re confronted with the game at its worst: lethargically plodding around game hubs and the same factory interiors, over and over. It’s not silver that’s this werewolf’s biggest weakness: in Werewolf: The Apocalypse - Earthblood, it’s repetition.