Mutant Year Zero: Road to Eden is an exceptional take on the tactical RPG and the addition of a stealth system certainly sets it apart from the crowd. Both genres blend together in a way that’s satisfying, challenging and well designed, while an engaging and well-written narrative drives the player forward. The difficulty might be an issue for those new to the genre, but for those seasoned in turn-based tactics, this is an absolute must buy.

There's still good fun here, and it's exceptional value for money, but perhaps hold off until the lustre of the first game has faded a smidgen, when this retread will likely appear a little less than what it is: merely a very good – if perhaps unrequested – retake.

Another Crab's Treasure riffs off the Soulslike genre, but strikes a great balance between humour and homage. This is a great game with a good message, and above all else, it's just a lot of fun.

But for a dash of repetition, both in gameplay after a long period and the slightly disappointing variety of enemies, Mothergunship is really a great game. The story takes a back seat to the gameplay, so if you’re looking for a story focused experience you’re in the wrong place. However if an FPS rogue-lite with gameplay in the vein of Quake and the ability to create a gun that shoots both lightning and floating grenades is your thing, you could do a lot worse than Mothergunship.

Lost Words: Beyond the Page tells a tender, emotional tale, but you’ll find yourself wading through the fantastical and mechanical elements of its secondary one in order to reach its conclusion.

The Foundation is a nice addition to the Control-verse, clocking in around 4-5 hours to complete. It’s not doing anything groundbreaking, but it is more of the same, which is a damn good thing in Control’s case. Yes, it would have been nicer for the missions to have been a bit more dynamic, but the world-building and the storytelling continue to be one of Control’s major selling points. With the next expansion set to expand the lore even further with connections to Alan Wake, it feels like Remedy is in it for the long haul.

ALTDEUS: Beyond Chronos proves that visual novels can work surprisingly well in virtual reality. The ways in which your mode of interaction are worked into the setting are clever and really help to increase the sense of immersion. It might not feel like many of your choices have an effect on the story, with most branches being a result of clear binary choices at set points, but I have enjoyed my time in the world of Lieutenant Chloe and will delve back in to seek out the last couple of alternative endings.

Haven is an uplifting and positive tale of a young couple setting out to make an alien planet their home. Yu and Kay are a likeable pair as you watch their relationship strengthen, the world of Source is a gorgeous place to explore, and the soundtrack is great as well. While the overarching story could be deeper and battles could be streamlined further, Haven is a game that offers a chilled out escape.

Green Hell is a fantastic survival experience with an exemplary sense of place and peril. Creepy Jar have really nailed the feeling of loneliness and despair that true isolation would lead to and married this to some well balanced challenges and a refreshingly user friendly approach. The range of ways to play are really welcome and should ensure that even those players who may be turned off by the rigours of hunger and thirst mechanics can enjoy the immersive jungle experience. This may not be a welcoming jungle, but there’s plenty of fun and games to be had.

Lemnis Gate is intoxicating. Lemnis Gate is excruciating. Lemnis Gate is both these things. It's also a unique, compelling, strategic shooter, but one that might be too far ahead of its time.

Metal: Hellsinger is exactly what I hoped it would be – a balls to the wall, headbanging, visceral experience that nails the aesthetic and feel of the premise. The soundtrack is superb and perfectly suits the setting and narrative, and everything is carried along by an interesting and well-voiced narrative. Even if you are not a big fan of metal (and why the Hell wouldn’t you be?) this is an excellent rhythm shooter that absolutely slays.

Beyond Galaxyland shows a lot of potential and has a very good battle system in it. Unfortunately, it is let down by bugs, some poor platforming, and racing. The bugs can be addressed in patches, but a bit more focus and refinement would have helped elevate this experience.

I really didn’t know what to expect from Date Everything. I mean, a game in which you can get amorous with your curtains is not your average Nintendo Switch experience. But that unusual uniqueness is all part of Date Everything’s substantial charm, it’s a delight bantering with a larger-than-life cast of characters that you can’t help but grow to love. Funny and life-affirming, don’t swipe left when it comes to Date Everything.

Tomodachi Life: Living the Dream is a weird game. I could leave my summary there and it would be entirely accurate, but more than that, Living the Dream is YOUR weird. You can have an island of celebrity-alikes hurling expletives at each other, or an island of your friends and family interacting in increasingly bizarre ways, and that’s precisely the point. There’s a degree of weird that’s baked into the game but, from there, what you get out of it is what you put into it.

While Mercenary might not be the best shooter in the world, in its own field – as a handheld title – it’s almost perfect; there’s no other experience like this on a device as small as this. And, judging the game from that perspective, it’s an experience that will stick with you for a long time, much like GoldenEye, Call of Duty 4 and other revolutionary shooters have managed in the past, and one entirely worthy of its acclaim.

My Friend Pedro is everything I wanted it to be. Smooth, stylish gun play, powered by creativity that makes you feel like you’re making your own action scenes in a movie. What’s not to love? Pedro is love. Pedro is your friend.

Dragon's Dogma feels like the start of something big. It thrills and frustrates in equal measure, and whilst it's not up to the level of those at the top of this genre, one can't help but wonder what a Dragon's Dogma 2 could be like if Capcom act on all the lessons learned from this game. An exciting thought indeed.

Whether I will be able to devote the time to really get the most out of it is another matter, but I am certainly keen to finish the story at least once. It doesn’t have the depth or range of other similar games though, so I’m not sure if it’ll attract enough players to stay viable.

Unbound is a great puzzle platformer that takes influence from Metroidvanias without really being one itself. It focuses far more on the puzzling and a refreshingly linear path through its various environments, and the way that powers are handled prevents them from becoming boring while still leaving some room for extremely challenging optional paths. It's well worth checking out for fans of this type of game.

Taiko no Tatsujin: Drum ‘n’ Fun is, in all honestly, a near-perfect rhythm game. Every piece of the puzzle that makes up this game is meticulously chosen to create a wonderful experience for newbies and pros alike. Beginners will be instantly engaged by the simple two-button gameplay, while advanced players will be able to test their strength on the insane speed of higher difficulty tracks. No matter which side you fall on, there’s enough content here to keep you engaged for a long time.

Redout 2 is brutal, beautiful, and insanely fast. This is the first anti-grav racing sim, and we didn’t even have to wait until 2048 to get started.

It seems odd giving a remake of game a higher score than it's sequel but the Arizona Sunshine Remake takes all of the good elements from it's sequel and thankfully, very few of of the bad elements. Great fun in co-op mode, but playing alone makes it more tense, scary and certainly more of a challenging.

Ken Follett’s The Pillars of the Earth sets a fantastic tone, and does an admirable job of capturing the era, setting and the characters of this iconic piece of fiction. It’s a shame that at various points the game puts you off, whether through multiple loading screens, obtuse exploration, or a few other technical distractions. That being said, I can’t wait to see how Book Two unfolds, and can only hope Daedalic find a way for the gameplay to match the presentation.

Super Cloudbuilt is a stunningly well realised game. It’s fun and frantic, yet the player is always in control. How much you enjoy this game will really depend on how much of a glutton for punishment you are. Cloudbuilt is frustratingly hard, but those with the patience and skill to persevere will find a rich and rewarding title with a great deal of replayability, returning to each level to find the optimal routes and looking like a boss whilst doing so.

As the only real first person shooter on PSVR, Rigs is fantastic. So long as you’re not affected too heavily by motion sickness, and aren’t put off by the price to content ratio, you’ll find a fast and fluid multiplayer shooter that gets the best out of PSVR.

Nostalgia for those early games makes any new entry in the genre a difficult proposition and while Toybox Turbos could improve in some areas, it’s as good as we’ve had in many years. If there’s still an audience for four player local multiplayer – and I suspect there really is – then this is a great game for those loud and excitable afternoon or post-pub play sessions.

Rogue Heroes: Ruins of Tasos is a fantastic Zelda-inspired, procedurally-generated, action-adventure with one of the most rewarding gameplay loops I’ve seen in some time. It perfectly captures the styles of its inspirations, while carving its own legacy as a standout Roguelike. I honestly enjoyed every second of my time with Rogue Heroes and can’t wait to continue playing in the coming weeks.

RoadCraft is the current culmination of the MudRunner ethos, balancing the series’ tough vehicular action with new mechanics, improved multiplayer, and a renewed focus on fun. Slow fun, but definitely still fun.