The New York Times' Scores

For 20,280 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20280 movie reviews
  1. A warm, surprising, gently incandescent film that discreetly describes a family tragedy.
  2. Beyond its grit and nonchalance, this story has a resigned, reflective, hard-earned wisdom that's unusual in an American film about such familiarly lurid subject matter. It's even more unusual in a film by Spike Lee.
  3. Though he and his co-stars tackle their roles with mischievous humor, Beeban Kidron's direction stays flat even when the actors are funny.
  4. It is refreshing to see so much style and life in the old undead tale, and to watch this strong cast with its perfect deadpan attitudes.
  5. Mr. Clark's vision of these characters is so bleak and legitimately shocking that it makes almost any other portrait of American adolescence look like the picture of Dorian Gray...Kids is far too serious to be tarred as exploitation, and its extremism is both artful and devastatingly effective. Think of this not as cinema verite but as a new strain of post-apocalyptic science fiction, using hyperbole to magnify a kernel of terrible, undeniable truth.
  6. Angels have proliferated in popular culture in such profusion lately that maybe they needed a comeuppance. A few more movies like The Prophecy should stop the whole celestial bandwagon right in its tracks.
  7. Like "The Quick and the Dead," Desperado wavers uneasily between myth making and parody, so that too many scenes drag on long after they've lost their punch.
  8. This modest, enormously likable film, about love and temptation and ties that bind, is about brotherhood most of all. [9 August 1995, p.C9]
  9. The movie's extensive martial arts sequences, in which combatants bounce off each other doing triple handsprings, suggest a slightly more earthbound version of the aerial ballets in Hong Kong action-adventure films.
  10. Even done so lightly, the film still carries a sting.
  11. The movie The Baby-Sitters Club offers the same comfort factor as the books, but suffers from a definite lack of excitement.
  12. Goes straight to cult status without quite touching one important base: the audience's emotions. This movie finally isn't anything move than an intricate feat of gamesmanship, but it's still quite something to see.
  13. I Just Wasn't Made for These Times, a documentary about Mr. Wilson that ought to fascinate anyone who's ever turned on a car radio in America, does more than induce this legendary rock recluse to speak for himself. . . . This film also illuminates the music itself and makes interesting, accessible sense of Mr. Wilson's very real genius.
  14. False and condescending films in this genre are nothing new, but Dangerous Minds steamrollers its way over some real talent.
  15. Here, instead, is Keanu Reeves in one of his off roles, sleepwalking dutifully but seeming to share the audience's bewilderment over how he wound up in this awkward, slow-moving story.
  16. Sluggish and low-energy.
  17. The movie maintains a refreshingly light touch in spinning a fable about individualism and conformity.
  18. If all of Virtuosity were as tightly controlled as that, it would exert a greater fascination than it finally does.
  19. It is wonderful at conveying a sense of suffocating ennui. Too wonderful, since the story is so sketchily told and the dialogue is so fragmentary that it doesn't quite cohere. The characters remain hazy ciphers in the torpid atmosphere of a place you'll never want to visit.
  20. It's rambling and unfocused, but still fresh enough to break the usual Hollywood mold.
  21. It lacks the coherent fantasy of truly enveloping science fiction, preferring to concentrate on flashy, isolated stunts that say more about expense than expertise. [28 July 1995]
  22. This paranoid fantasy is so resonant that it makes The Net an enjoyably creepy thriller, even though Irwin Winkler belongs to the nothing-is-too-obvious school of directing.
  23. Operation Dumbo Drop is painlessly good-humored by any lights, but the viewers most likely to enjoy all this are those most easily driven to giggles by the idea of elephant poop.
  24. Wonderfully funny behind-the-scenes look at the perils of film making, no-budget style.
  25. Even if Clueless runs out of gas before it's over, most of it is as eye-catching and cheery as its star. [19 July 1995]
  26. With its long silences washed over by banal, overused music, The Indian in the Cupboard is best watched for its ingenious tricks of scale and for an invitingly peaceful look. [14 July 1995, p.C3]
    • The New York Times
  27. Although Under Siege 2 isn't credible for a single moment, its director, Geoff Murphy, has done a smoothly efficient job of coordinating the action sequences.
  28. Nine Months is slick, phony and uneven, but it's often raucously funny too. And Mr. Grant displays enough intelligence and sportsmanship to emerge from this ordeal as a major Hollywood star.
  29. The director, Roger Donaldson, best known for the Kevin Costner thriller No Way Out, keeps the film moving. But there is only so much suspense he can generate from this stock story and familiar-looking special effects. Species may work best for viewers who don't like to be too scared by horror movies; it's reassuringly familiar.
  30. You can know every glitch that made this such a dangerous mission, and Apollo 13 will still have you by the throat.

Top Trailers