For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
- By Date
- By Critic Score
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Reviewed by
A.O. Scott
Seems stranded in that nowhereland between irony and sarcasm.- The New York Times
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Reviewed by
Dana Stevens
The movie is booby-trapped with so many loud gags that some of its sneakier humor is nearly lost in the din.- The New York Times
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Reviewed by
Dana Stevens
Though Last Resort dwells on sorrowful circumstances and illuminates a grim corner of contemporary reality, it is far from depressing.- The New York Times
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Reviewed by
A.O. Scott
This bloated spectacle has all the get-up-and-go of one of the legendary late-era Elvis Presley concerts. The picture feels longer than Presley's career and as irrelevant as he was by the end.- The New York Times
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Reviewed by
A.O. Scott
Mr. Leconte seems at last to have anchored his cinematic gifts to a story worth caring about.- The New York Times
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Reviewed by
A.O. Scott
Southern Comfort sent shock waves through this year's Sundance Film Festival, even though it is as much about generosity and courage and tolerance as it is about a potentially discomforting subject.- The New York Times
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Reviewed by
Stephen Holden
Little more than a loose- jointed succession of goofy "Saturday Night Live"-style sketches and sight gags inspired by an actual event that is nearly half a century behind us.- The New York Times
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Reviewed by
A.O. Scott
Mr. Rock's attempts to disentangle himself from his persona while offering audiences a sliver of insight into his world is a lofty ambition, but Down to Earth falls short.- The New York Times
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Reviewed by
Stephen Holden
Documents of a flourishing below-the-radar culture, often involving older musicians who won't be around much longer, they are archival records as well as entertainments.- The New York Times
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Reviewed by
Dana Stevens
An interesting, elusive hodgepodge of comedy, melodrama and implicit allegory, lighted by occasional sparks of formal bravado.- The New York Times
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Reviewed by
Dana Stevens
The film's last half-hour -- or do I mean its final two weeks? -- is meant to keep the audience sniffling and sobbing uncontrollably, but the only thing likely to elicit tears is the sight of Mr. Reeves dressed in a white dinner jacket crooning "Time After Time."- The New York Times
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Reviewed by
A.O. Scott
The unfortunate thing is that children will probably waste their summers indoors watching "Recess" over and over again.- The New York Times
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Reviewed by
Stephen Holden
The guiding philosophy of The Price of Milk seems to be that if you throw something on the screen and call it a fairy tale, it has to mean something. But it doesn't.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
Hannibal, a silly though handsomely staged adaptation of the Thomas Harris novel directed by Ridley Scott, is a movie meant for the whole family -- the Manson family.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
A.O. Scott
Filled with voyeuristic shots as the camera peers through picket fences and windows and around corners; the film looks as if it were shot with a surveillance camera from a 7-Eleven- The New York Times
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Reviewed by
Dana Stevens
Does occasionally rise out of the sewer of its self-imposed idiocy, ascending in brief moments from utter witlessness to half-witlessness, mostly thanks to the loose comic byplay between Mr. Black and Mr. Zahn.- The New York Times
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Reviewed by
Stephen Holden
A witty, sociologically astute reflection on the attraction between opposites.- The New York Times
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Reviewed by
Dana Stevens
Unfortunately, The Invisible Circus, which follows Phoebe as she retraces her dead sibling's steps from Paris to Berlin to the coast of Portugal, doesn't so much illuminate Phoebe's confusion as share it.- The New York Times
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Reviewed by
Dana Stevens
Every shot seems measured for maximum effect, and when the pace suddenly quickens in a late action sequence on a deserted subway train, it results in a moment of pure Hitchcockian panic that reverberates like thunder in the fretful, melancholy air.- The New York Times
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Reviewed by
A.O. Scott
A mellow dream of a movie that's an acquired taste. It's attractive because of the oblique way that Mr. Wenders ambles through a murder mystery that's stronger on characterization than on plot.- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
Exists in a realm beyond sense, and induces in the viewer a trancelike state, leaving the mind free to ponder the mysteries of the universe.- The New York Times
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Reviewed by
Stephen Holden
For all its intimations of fire and brimstone, the film isn't remotely frightening, and the high-school-level acting doesn't help.- The New York Times
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Reviewed by
A.O. Scott
Probably the most breathtakingly gorgeous film of the year, dizzy with a nose-against-the-glass romantic spirit that has been missing from the cinema forever.- The New York Times
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Reviewed by
Stephen Holden
Amazingly, Cesc Gay's delicate but unblinking film Nico and Dani succeeds in capturing and sustaining the fragile emotional climate of curiosity, fear, innocence and prurience that surrounds adolescent sexual experimentation.- The New York Times
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Reviewed by
Stephen Holden
Exudes a randy, robust charm as it unapologetically thumbs its nose at respectability and everything the word implies.- The New York Times
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Reviewed by
Stephen Holden
This attenuated two-and-a-half-hour reflection on marriage, adultery, parenthood and the casualties of sexual warfare unfolds like a brooding autobiographical epilogue to Mr. Bergman's much stormier 1973 masterpiece, "Scenes From a Marriage."- The New York Times
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