The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
  1. Occasionally becomes pretentious and shrill -- sometimes Mr. Wright isn't aware that his material is so good that he doesn't need to comment on his characters.
  2. The daring but only partly successful Korean film Lies is built around voyeurism.
  3. Bounce may be far from a great film, but its pleasures are consistent enough to remind you of how few movies nowadays come anywhere close to matching it in intelligence and emotional balance.
  4. It unfolds with the verve and clarity of a piece of music, carefully composed and passionately played.
  5. One of the great movies of the 1960's, but it has been, in this country at least, maddeningly elusive. In spite of its bitter edge, Billy Liar is pure Ambrosia.
  6. There's a little more sex than you'll see on WB, but mostly there's an atmosphere of brooding psychodrama and erotic cruelty that falls somewhere between "Cries and Whispers" and "Say Anything."
    • 82 Metascore
    • 70 Critic Score
    Given the power of its story, One Day in September seems at times to be pushing too hard.
  7. A one- way ticket to infantile heaven.
  8. Plays like something picked up at a vintage store; you can see all the greasy fingerprints from those who have handled it before.
  9. So clogged with kooky gadgetry and special effects and glitter and goo that watching it feels like being gridlocked at Toys "R" Us during the Christmas rush.
  10. (Garvy) has helped advance our understanding of a difficult and exhilarating time.
  11. For all its demureness, Restless captures some of the excitement of youthful romance in which the partners aren't just separate individuals but the products of divergent cultures.
  12. A breathless dash to nowhere in particular, doesn't feel bad.
  13. A leaden, skimpily plotted space-age Outward Bound adventure with vague allegorical aspirations that remain entirely unrealized.
  14. Until its unbearably hokey ending, acquits itself reasonably well.
  15. Corny, suds-drenched movie. The kindest way of looking at this roughly patched-together story is as the cinematic equivalent of the music it memorializes.
  16. It's a clever idea bogged down in sophomoric sloppiness. Sitting through it doesn't feel like eternal damnation, but it's not exactly heaven, either. It's a $9.50 tour of adolescent purgatory.
  17. Melancholy little gem of a movie.
  18. Mr. Lou lets it play on for too long. Suzhou River offers impeccable attitude and captivating atmosphere, but little emotional or intellectual impact.
  19. Although the odds are against them, Mr. Gazzara and Ms. Moreno succeed in cutting through the forced sitcom banter to create a credible and touching portrait of a marriage of two proud individuals who respect each other even in moments of strife.
  20. You have to admire the effort its attractive cast expends pumping life into stilted, flowery dialogue that confuses pretentious attitudinizing with profound insight.
  21. Despite its ultimate lack of intellectual substance, Me and Isaac Newton is still inspiring. All seven of its subjects are fascinating, and most are extremely likable. Mr. Apted has done them all a huge favor.
  22. Immerses you in violence and agony, but it may leave you with a curious feeling of detachment.
  23. Not only is it excruciatingly boring -- but its central premises are so banal and dubious as to border on offensiveness.
  24. It never pretends that it's anything more than trashy, cheesy fun. But even trash -- especially trash this expensive -- should at least be well made. Sure, it's easy on the eyes, but would a little brains be too much to ask?
  25. (Fishburne's) performance here, witty and profane, vulnerable and strutting, nearly holds the movie together.
  26. Mr. Bader was lucky to get a good cast.
  27. Not often does a family film come along that is literate, clever, mischievous and just plain fun.
  28. It is essentially a personal reminiscence of daily life that captures with an astonishing precision exactly what it felt to be a 12-year- old boy growing up in a particular time and place.
  29. Because of its relentlessness, its crawling pace (the 77 minutes pass like 2 1/2 hours) and its sometimes confusing story, A Time for Drunken Horses may not be for every taste, but it's still an affecting, and in its way beautiful, movie.

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