The New York Times' Scores

For 20,313 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20313 movie reviews
  1. The first really good spy movie about the impossibility, under present historical circumstances, of making a really good spy movie.
  2. Chandler's script has, by my count, exactly one sort-of-funny line and not a single scene whose comic possibilities are successfully exploited.
  3. An enjoyable and charming if overactive fantasy.
  4. Desperately, depressingly in thrall to the Farrelly formula.
  5. Sembène is a far more adroit and elegant storyteller than many may be accustomed to seeing.
  6. While instructive on environmental concerns about the impact of logging, Butterfly does not reward those who seek dispassionate psychological insight into the zealous Ms. Hill.
  7. Darts nervously between soap opera and sitcom, rarely blending them in a way that lets the two genres enhance each other.
  8. Naughty is an outdated word in an era of proud nastiness, but Heartbreakers has a slinky, teasing quality that recalls the dressed-up comedies of the studio era.
  9. All you really need to know about Say It Isn't So,the latest flatulent noisemaker from the Farrelly Brothers' gross-out comedy factory, is that late in the movie, Chris Klein punches a cow from behind and finds his arm stuck inside.
  10. Maquiling creates an unusual and intriguing tone somewhere between sharp, deadpan comedy and a soft, dreamy surrealism.
  11. An inspiring demonstration of that old saw about necessity being the mother of (in this case, artistic) invention.
  12. Most of it has to do with the ways younger Indian-Americans keep their culture alive in the United States and the ways they don't.
  13. An engaging and colorful but somewhat overbalanced documentary.
  14. A brilliant feat of rug-pulling, sure to delight fans of movies like "The Usual Suspects" and "Pi."
  15. Enemy at the Gates has its deficiencies, but the first-rate cast is not among them.
  16. Maintains a tone that remains as light and easygoing as the Australians living in the area.
  17. Amusing but extremely derivative.
  18. May be reasonably diverting, but the story never matches the movie's fantastic visual imagination.
  19. Like Lou Ye's "Suzhou River," a Hitchcock homage similarly set in Shanghai's demimonde, So Close to Paradise offers an intriguing and sometimes self-canceling mixture of emotion and style.
  20. Far from the first movie in which a fearless woman coaxes the inner tiger crouched inside a mild-mannered milquetoast to spring into action, but it is one of the most charming.
  21. It's fleet- footed, merciless entertainment. But the mixture of laughs, bathos and brutality is a big turnoff.
  22. Mild, harmless and occasionally affecting, possessing the fizz of diet soda and the sweet snap of slightly stale bubble gum.
  23. Seems both overplotted and underimagined, though there is at least some creativity and a dose of realism, evident in the hairstyles themselves.
  24. She (Varda) plucks images and stories from the world around her, finding beauty and nourishment in lives and activities the world prefers to ignore.
  25. An unexpected delight, a film that weds the humor and magic of a folk tale with a very modern feel for the psychological dynamics between men and women and for the subtle politics of male rivalry in a macho culture. It has been made and acted with intelligence and evident love, which deserves to be requited.
  26. Hit and Runway is a case of the emperor's old clothes: drab, sentimental rags that desperately want to be something else.
  27. The documentary doesn't get near the prowess of its subject; it passes through your life like a minor daydream.
  28. Works as everything but a mystery, yet it is intriguing in a number of ways. And the ending is as resolute as you might have hoped for. It lets Romulus and the movie retain their integrity.
  29. The movie equivalent of a box of Froot Loops followed by a half-gallon Pepsi chaser.
  30. The movie's biggest strength is a story that refuses to quit and almost makes sense within its own screwball logic.

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