For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
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- By Critic Score
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Reviewed by
Dana Stevens
The first really good spy movie about the impossibility, under present historical circumstances, of making a really good spy movie.- The New York Times
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Reviewed by
Dana Stevens
Chandler's script has, by my count, exactly one sort-of-funny line and not a single scene whose comic possibilities are successfully exploited.- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
Sembène is a far more adroit and elegant storyteller than many may be accustomed to seeing.- The New York Times
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Reviewed by
Lawrence Van Gelder
While instructive on environmental concerns about the impact of logging, Butterfly does not reward those who seek dispassionate psychological insight into the zealous Ms. Hill.- The New York Times
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Reviewed by
Stephen Holden
Darts nervously between soap opera and sitcom, rarely blending them in a way that lets the two genres enhance each other.- The New York Times
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Reviewed by
Dana Stevens
Naughty is an outdated word in an era of proud nastiness, but Heartbreakers has a slinky, teasing quality that recalls the dressed-up comedies of the studio era.- The New York Times
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Reviewed by
Stephen Holden
All you really need to know about Say It Isn't So,the latest flatulent noisemaker from the Farrelly Brothers' gross-out comedy factory, is that late in the movie, Chris Klein punches a cow from behind and finds his arm stuck inside.- The New York Times
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Reviewed by
Dave Kehr
Maquiling creates an unusual and intriguing tone somewhere between sharp, deadpan comedy and a soft, dreamy surrealism.- The New York Times
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Reviewed by
Stephen Holden
An inspiring demonstration of that old saw about necessity being the mother of (in this case, artistic) invention.- The New York Times
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Reviewed by
Stephen Holden
Most of it has to do with the ways younger Indian-Americans keep their culture alive in the United States and the ways they don't.- The New York Times
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Reviewed by
Lawrence Van Gelder
An engaging and colorful but somewhat overbalanced documentary.- The New York Times
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Reviewed by
Dana Stevens
A brilliant feat of rug-pulling, sure to delight fans of movies like "The Usual Suspects" and "Pi."- The New York Times
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Reviewed by
Dana Stevens
Enemy at the Gates has its deficiencies, but the first-rate cast is not among them.- The New York Times
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Stephen Holden
Maintains a tone that remains as light and easygoing as the Australians living in the area.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
May be reasonably diverting, but the story never matches the movie's fantastic visual imagination.- The New York Times
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Reviewed by
Dana Stevens
Like Lou Ye's "Suzhou River," a Hitchcock homage similarly set in Shanghai's demimonde, So Close to Paradise offers an intriguing and sometimes self-canceling mixture of emotion and style.- The New York Times
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Reviewed by
Stephen Holden
Far from the first movie in which a fearless woman coaxes the inner tiger crouched inside a mild-mannered milquetoast to spring into action, but it is one of the most charming.- The New York Times
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Reviewed by
A.O. Scott
It's fleet- footed, merciless entertainment. But the mixture of laughs, bathos and brutality is a big turnoff.- The New York Times
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Reviewed by
Dana Stevens
Mild, harmless and occasionally affecting, possessing the fizz of diet soda and the sweet snap of slightly stale bubble gum.- The New York Times
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Reviewed by
Dana Stevens
Seems both overplotted and underimagined, though there is at least some creativity and a dose of realism, evident in the hairstyles themselves.- The New York Times
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Reviewed by
Dana Stevens
She (Varda) plucks images and stories from the world around her, finding beauty and nourishment in lives and activities the world prefers to ignore.- The New York Times
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Reviewed by
Dana Stevens
An unexpected delight, a film that weds the humor and magic of a folk tale with a very modern feel for the psychological dynamics between men and women and for the subtle politics of male rivalry in a macho culture. It has been made and acted with intelligence and evident love, which deserves to be requited.- The New York Times
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A.O. Scott
Hit and Runway is a case of the emperor's old clothes: drab, sentimental rags that desperately want to be something else.- The New York Times
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Reviewed by
A.O. Scott
The documentary doesn't get near the prowess of its subject; it passes through your life like a minor daydream.- The New York Times
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Reviewed by
A.O. Scott
Works as everything but a mystery, yet it is intriguing in a number of ways. And the ending is as resolute as you might have hoped for. It lets Romulus and the movie retain their integrity.- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
The movie equivalent of a box of Froot Loops followed by a half-gallon Pepsi chaser.- The New York Times
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Reviewed by
Stephen Holden
The movie's biggest strength is a story that refuses to quit and almost makes sense within its own screwball logic.- The New York Times
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