For 20,323 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20323
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Mixed: 8,448 out of 20323
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Negative: 2,467 out of 20323
20323
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dana Stevens
While nothing in the movie - least of all the two main performances - is especially fresh or original, it does have a few decent gags and amusing moments.- The New York Times
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Stephen Holden
Solemn, sentimental bore of a movie that suffocates in its own predictability and watered-down psychobabble.- The New York Times
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Reviewed by
Dana Stevens
While not especially good - judged strictly on its cinematic merits, it ranges from O.K. to god-awful - it is still a fascinating cultural document in the age of intelligent design.- The New York Times
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Reviewed by
Stephen Holden
Neither funny nor sexy, nor leavened by the wistful laissez-faire wisdom of the typical sophisticated Gallic comedy, it is less than a trifle.- The New York Times
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Manohla Dargis
Mr. Kerrigan isn't just playing with our sympathies; he's also playing with our assumptions. That keeps the tension going.- The New York Times
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Jeannette Catsoulis
With its lovely scenery and languid pacing, has a warmth and a naturalness that transcend its overheated material.- The New York Times
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Stephen Holden
If Campfire is solidly acted, it is visually drab and has a haphazard narrative momentum.- The New York Times
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Reviewed by
Manohla Dargis
Green Street Hooligans, an accidental advertisement for Alcoholics Anonymous and the somnolent pleasures of cricket that, in the end, is mostly about the pleasures, both visceral and visual, of violence.- The New York Times
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Reviewed by
Manohla Dargis
The yummy Japanese confection Kamikaze Girls deserves both a better title and an audience to go with it.- The New York Times
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Laura Kern
Daniel Anker's profound and moving documentary Music from the Inside Out reflects upon such abstractions, capturing the power of the creative process in an uncommonly perceptive and inspiring way.- The New York Times
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Dana Stevens
The accidental poignancy of Make It Funky! comes from juxtaposing the charisma and dignity of those musicians - and the knowledge of how much great music New Orleans has given the world - with the unavoidable images of devastation from the last two weeks.- The New York Times
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Laura Kern
A modern-day "Big Chill" wannabe without the subtlety, humor, memorable soundtrack, strong performances or convincing dialogue.- The New York Times
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Dana Stevens
"For my vision of the cinema," Orson Welles once said, "editing is not simply one aspect. It is the aspect." According to Edge Codes.com, a wonderfully informative new documentary, what was true for Welles's cinema is true for the medium as a whole.- The New York Times
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Jeannette Catsoulis
But if Usher is stilted, it is also quite touching, and if Mr. Harrington's acting is less than natural, it's completely in line with the standards of the genre. Vincent Price was no Olivier either.- The New York Times
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Stephen Holden
This is synergy of a high order.- The New York Times
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Laura Kern
Purely shallow but never dull, the film wisely pushes the limits of absurdity to the extreme, making it easier to submit to its sheer camp.- The New York Times
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Dana Stevens
This picture achieves a level of badness that is its own form of sublimity. You almost - please note that I said almost - have to see it to believe it.- The New York Times
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Dana Stevens
The latest bit of damaged goods offered up in the Miramax clearance sale, Underclassman plays like the longest episode of "21 Jump Street" ever made.- The New York Times
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Jeannette Catsoulis
Though specializing in confrontational, caustic and often raunchy humor, Ms. Cho has a relaxed and playful stage presence.- The New York Times
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Reviewed by
Lawrence Van Gelder
Mr. Morel's predilection for murky, nearly pitch-black cinematography and spare, elliptical dialogue indicates his debt to filmmakers like François Ozon and Claire Denis, but Three Dancing Slaves lacks the psychological precision of Mr. Ozon's or Ms. Denis's work.- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
This is a supremely well-executed piece of popular entertainment that is likely to linger in your mind and may even trouble your conscience.- The New York Times
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Reviewed by
Dana Stevens
A graceful and sympathetic look at how the lives of teenagers intersect with a work of literature.- The New York Times
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Janet Maslin
Mr. Eggleston proves the polished granddaddy who, early on, recognized beauty in a garish wasteland. In this accomplished look at a storied career, he instructs - without words - how to see all that is hauntingly familiar.- The New York Times
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Manohla Dargis
Kitted out in period garb and dubious British accents, the actors throw themselves into this flimsy contrivance with energy, but are badly served by a director focused on flipping switches and twirling knobs. Despite a few early sparks of promise The Brothers Grimm sputters and coughs along like an unoiled machine, grinding gears and nerves in equal measure.- The New York Times
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Laura Kern
Not only is the film dreadfully dull: every time something potentially exciting does occur, the scenes are so muddled and chaotic that it is impossible to make out what is happening.- The New York Times
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Jeannette Catsoulis
Though filled with romantic contrivances and overlong musical numbers, Undiscovered is curiously lifeless. Bland actors portray single-cell characters in a plot scarcely more diverting than Ms. Simpson's reality vehicle, "The Ashlee Simpson Show."- The New York Times
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Reviewed by
Lawrence Van Gelder
In the end, The Baxter is a Baxter of a movie: well meaning and mildly likable, but unlikely to sweep you off your feet.- The New York Times
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Jeannette Catsoulis
Lush, lurid and completely besotted with itself, Eternal is one of those movies normally found slinking around the ether of late-night cable television.- The New York Times
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Jeannette Catsoulis
More interested in romance than sex, Formula 17 swoons with youthful innocence.- The New York Times
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