The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. So much care has been taken to build a mood of hushed suspense that the rushed, tragic conclusion, in which too little is shown and too little explained, leaves you deeply unsatisfied.
  2. Propelled by astute, straight-faced performances, it succeeds in stirring up some maniacal laughs.
  3. The film borrows themes and cast members from HBO's "Sopranos," but the script lacks the nuance and wit of that series's creator, David Chase.
  4. Stuffed with plummy English accents and the most inauthentic classroom scenes since those of "Billy Madison," Life, Translated has a childlike innocence that seems targeted toward a preteenage audience.
  5. Both sharply comical and piercingly sad. Mr. Baumbach surveys the members of the flawed, collapsing Berkman family with sympathy but without mercy, noting their individual and collective failures and imperfections with relentless precision.
  6. The animation is a marvel - all the more so because the most demanding sequences seem almost casually tossed off. The world of Wallace and Gromit is one of the few genuinely eccentric places left in the movies, a place where lumpy, doughy characters achieve a peculiar dignity in spite of their grotesque features and the ridiculousness of their circumstances.
  7. Leisurely paced and never truly engaging or frightening (beyond the fear commitment-phobes may experience), this low-budget film, shot on high-definition video, looks cheap, but makes up for it in part with solid performances (especially Ms. Coogan's) and capable direction by Dave Gebroe, whose script is infused with some wickedly funny lines.
  8. Messy, unfunny and unforgivably dull.
  9. A fascinating and fine-grained reconstruction of that period in its subject's life, a time when he (Capote) pursued literary glory and flirted with moral ruin.
  10. The mixture of old-fashioned themes with newfangled techniques makes The Greatest Game Ever Played a canny piece of feel-good entertainment.
  11. This undiluted nonsense is best suited to DVD-rental desperation. Still, aficionados of cheap cinematic thrills involving beautiful and stupid young people will be happy to learn that while the film fizzles far more than it sizzles, its director, John Stockwell, is a connoisseur of the female backside, which he displays to great and frequent advantage.
  12. Scene for scene, Serenity is more engaging and certainly better written and acted than any of Mr. Lucas's recent screen entertainments.
  13. Rise to Power is notable for one achievement: It makes Sean Combs (better known, at the moment, as Diddy) unconvincing as a rich man who enjoys power and luxuries.
  14. Going Shopping, like Mr. Jaglom's other movies, has enough smart, knowing touches and enough easy spontaneity among its well-chosen actors to make you wish it added up to more than what it turns out to be: a flighty, motor-mouthed cinematic divertissement.
  15. Small-scale, perfectly acted family film.
  16. Astonishing and frustrating, the fusion of live action and computer animation created by the Jim Henson Company in MirrorMask is an example of too much lavished on too little.
  17. Gently, affectionately and with wit, this lovely movie gives the 1950's its due, but not for a moment does it go overboard and make you want to go back there.
  18. The War Within succeeds only as a thriller with some wartime overtones, rather than as a character study that thrills.
  19. The biggest, longest, most expensive Leone Western to date, and, in many ways, the most absurd... Granting the fact that it is quite bad, Once Upon the Time in the West is almost always interesting, wobbling, as it does, between being an epic lampoon and a serious hommage to the men who created the dreams of Leone's childhood. (Review of Original Release)
  20. The film, at least 20 minutes too long, has too many competing story lines to succeed as more than an oddball mood piece.
  21. Has a knowing, insider quality that could generate a modest cult following.
  22. Without losing sight of the music's essential energy, Mr. Wolfe peppers his film with quietly resonant shots.
  23. A quiet, thoughtful film about isolation and separation.
  24. Alan, who Mr. Sachs has said was based on his own father, is a great character - passionate, complicated, bursting with life. Those words also describe Mr. Torn's performance.
  25. A masterpiece of indirection and pure visceral thrills, David Cronenberg's latest mindblower, A History of Violence, is the feel-good, feel-bad movie of the year.
  26. To watch Ms. Foster storm through a phony airplane for an entire movie has its very minor pleasures - given the numerous close-ups, you can study her lovely face at your leisure - but there is nothing here to feed the head or fray the nerves.
  27. A drowsy comedy about a handful of kids grooving and roller-skating, Roll Bounce has heart and good vibes but little else to recommend it.
  28. Although the film starts off somewhat amusingly, the first-time feature director Katrina Holden Bronson (who also wrote the unbalanced script) seems to have spent more energy assembling the overbearing soundtrack than expanding on her characters' fractured relationships.
  29. The story is laughably incoherent, which would be less bothersome if the movie were not also so unremittingly pretentious.
  30. Even by the standards of its bottom-feeding genre, Dirty Love clings to the gutter like a rat in garbage.

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