The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. Overcompensates for its sloppiness with loud, knockabout farce.
  2. Often dramatically jumbled and musically muddled - but every time the film seemed ready to tip into awfulness, the sneer on my lips was trumped by the lump in my throat.
  3. So snug, airtight and insulated from reality that the nice, well-scrubbed "Cheaper by the Dozen" seems almost rambunctious by comparison.
  4. The rhythms of the dialogue move to the same beat as steadily as a metronome ticks and tocks, while every sentence is polished like stone, absent the jaggedness of real breath and life. You can hear the play in this thing without even knowing it was based on a theatrical production.
  5. It aims to be a great deal more than a standard geopolitical thriller and thereby succeeds in being one of the best geopolitical thrillers in a very long time.
  6. A bracingly honest yet poetic portrait of a man refusing to be defined by the limitations of his body.
  7. His (Ralph Fiennes) Voldemort may be the greatest screen performance ever delivered without the benefit of a nose; certainly it's a performance of sublime villainy.
  8. There is no way a feature-length movie could do justice to such bounty, and Walk the Line settles for the minimum.
  9. It does have the feel of farce at times, but much of the time it just seems determined to shock.
  10. An emotionally and politically loaded allegory.
  11. A tough and touching exploration of honor and friendship among thieves.
  12. With its deliberately overexposed film stock and driving electronic score, Ms. Maccarone's film occasionally suffers from a self-conscious artiness, but at its center is an extraordinary performance by Ms. Tabatabai as Fariba, a young woman whose expectations have been lowered by a lifetime of systematic mistreatment but who still holds out hope for the possibility of both justice and love.
  13. Entertaining without being especially illuminating. If you must see only one documentary about a Slovene philosopher this year, it might be better to read his books.
  14. Nicolas Rossier's cohesive documentary covers this complex incident - and Haiti's deteriorating condition since Mr. Aristide's exile - in a taut, well-balanced 82 minutes.
  15. In a year overcrowded with wonderful performances by lead actors, Mr. Murphy's immensely appealing turn ranks among the strongest.
  16. Has an appealing surface beauty, largely due to the talented cinematographer Virginie Saint Martin, and an equally shallow mystery.
  17. The film uses the situation to evoke a sense of the absurd, sometimes with dry, deadpan humor.
  18. Gathers you up on its white horse and gallops off into the sunset. Along the way, it serves a continuing banquet of high-end comfort food perfectly cooked and seasoned to Anglophilic tastes.
  19. Riddled with holes and undeveloped characters, and marred by lurching rhythms that may reflect some triage editing, so it's hard to see what Mr. Hafstrom brings to this film other than a murky palette.
  20. In the enchanted limbo between waking and sleeping, Zathura feels both real and unreal, like a dream you could shake off at any moment.
  21. A serious film filled with both great and awkward ideas and made as much from the heart as the head.
  22. For Ms. Watts, it is a small, brave acting tour de force.
  23. Ms. Silverman is a skilled performer, and Jesus Is Magic is occasionally very funny, but don't be fooled: naughty as she may seem, she's playing it safe.
  24. Satisfying and memorable film.
  25. At times Good Morning, Night feels as claustrophobic as the apartment itself, and you may feel that the director is handling his volatile material with a bit too much delicacy. But the movie's atmosphere is a curious mixture of obliqueness and intensity.
  26. Part stand-up performance, part behind-the-scenes chit-chat, Michael Blieden's indulgent and often numbingly slow documentary follows four semiknown comedians.
  27. Posing proudly with their rifles or musing matter-of-factly about their own deaths, the boys are tragic enough. But it's the girls who break your heart, stoic and wise beyond their years.
  28. The parts of Get Rich or Die Tryin' that feel most genuine have to do with friendship and family, rather than with criminal intrigue. But the movie ultimately lacks an emotional core. It will certainly make 50 Cent even richer, but it wouldn't have killed him to try a bit harder.
  29. Intriguing documentary.
  30. A hectic, uninspired pastiche of catchphrases and clichés, with very little wit, inspiration or originality to bring its frantically moving images to genuine life.

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