For 20,323 reviews, this publication has graded:
-
46% higher than the average critic
-
5% same as the average critic
-
49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
-
Positive: 9,408 out of 20323
-
Mixed: 8,448 out of 20323
-
Negative: 2,467 out of 20323
20323
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Stephen Holden
Overcompensates for its sloppiness with loud, knockabout farce.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dana Stevens
Often dramatically jumbled and musically muddled - but every time the film seemed ready to tip into awfulness, the sneer on my lips was trumped by the lump in my throat.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
So snug, airtight and insulated from reality that the nice, well-scrubbed "Cheaper by the Dozen" seems almost rambunctious by comparison.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
The rhythms of the dialogue move to the same beat as steadily as a metronome ticks and tocks, while every sentence is polished like stone, absent the jaggedness of real breath and life. You can hear the play in this thing without even knowing it was based on a theatrical production.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dana Stevens
It aims to be a great deal more than a standard geopolitical thriller and thereby succeeds in being one of the best geopolitical thrillers in a very long time.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
A bracingly honest yet poetic portrait of a man refusing to be defined by the limitations of his body.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
His (Ralph Fiennes) Voldemort may be the greatest screen performance ever delivered without the benefit of a nose; certainly it's a performance of sublime villainy.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dana Stevens
There is no way a feature-length movie could do justice to such bounty, and Walk the Line settles for the minimum.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Anita Gates
It does have the feel of farce at times, but much of the time it just seems determined to shock.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Dana Stevens
A tough and touching exploration of honor and friendship among thieves.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dana Stevens
With its deliberately overexposed film stock and driving electronic score, Ms. Maccarone's film occasionally suffers from a self-conscious artiness, but at its center is an extraordinary performance by Ms. Tabatabai as Fariba, a young woman whose expectations have been lowered by a lifetime of systematic mistreatment but who still holds out hope for the possibility of both justice and love.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dana Stevens
Entertaining without being especially illuminating. If you must see only one documentary about a Slovene philosopher this year, it might be better to read his books.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Laura Kern
Nicolas Rossier's cohesive documentary covers this complex incident - and Haiti's deteriorating condition since Mr. Aristide's exile - in a taut, well-balanced 82 minutes.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
In a year overcrowded with wonderful performances by lead actors, Mr. Murphy's immensely appealing turn ranks among the strongest.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
Has an appealing surface beauty, largely due to the talented cinematographer Virginie Saint Martin, and an equally shallow mystery.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
The film uses the situation to evoke a sense of the absurd, sometimes with dry, deadpan humor.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Gathers you up on its white horse and gallops off into the sunset. Along the way, it serves a continuing banquet of high-end comfort food perfectly cooked and seasoned to Anglophilic tastes.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
Riddled with holes and undeveloped characters, and marred by lurching rhythms that may reflect some triage editing, so it's hard to see what Mr. Hafstrom brings to this film other than a murky palette.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
In the enchanted limbo between waking and sleeping, Zathura feels both real and unreal, like a dream you could shake off at any moment.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
A serious film filled with both great and awkward ideas and made as much from the heart as the head.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Dana Stevens
Ms. Silverman is a skilled performer, and Jesus Is Magic is occasionally very funny, but don't be fooled: naughty as she may seem, she's playing it safe.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Dana Stevens
At times Good Morning, Night feels as claustrophobic as the apartment itself, and you may feel that the director is handling his volatile material with a bit too much delicacy. But the movie's atmosphere is a curious mixture of obliqueness and intensity.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Laura Kern
Part stand-up performance, part behind-the-scenes chit-chat, Michael Blieden's indulgent and often numbingly slow documentary follows four semiknown comedians.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
Posing proudly with their rifles or musing matter-of-factly about their own deaths, the boys are tragic enough. But it's the girls who break your heart, stoic and wise beyond their years.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dana Stevens
The parts of Get Rich or Die Tryin' that feel most genuine have to do with friendship and family, rather than with criminal intrigue. But the movie ultimately lacks an emotional core. It will certainly make 50 Cent even richer, but it wouldn't have killed him to try a bit harder.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Dana Stevens
A hectic, uninspired pastiche of catchphrases and clichés, with very little wit, inspiration or originality to bring its frantically moving images to genuine life.- The New York Times
- Read full review
-
Reviewed by