The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. Like Hitchcock, Mr. Wong is at once a voyeur and fetishist par excellence.
  2. As his movie-in-progress goes along, his pursuit of a childhood dream looks increasingly like an excuse by a canny aspiring filmmaker to create a work sample.
  3. This crude, inspirational tear-jerker is as sweet as a bowl of instant oatmeal smothered in molasses. It should please those who honestly believe that Santa Claus and God are synonymous; others may retch.
  4. The constant threat of violence and rape is difficult to endure, but the unpredictable Secuestro Express is more than just a dizzying thrill ride laced with small doses of pitch-black comic relief.
  5. A soulful, piercingly beautiful story.
  6. An incomplete portrait of a complicated man.
  7. Junebug envelops us in texture of a world the movies rarely visit.
  8. Mr. Sauper has produced an extraordinary work of visual journalism, a richly illustrated report on a distant catastrophe that is also one of the central stories of our time.
  9. Though it could do with fewer talking-head interviews and more extended clips from these impassioned live performances, Young Rebels is essential viewing for anyone interested in rap music, free speech issues or the youth culture of contemporary Cuba.
  10. Proving once again that skillful performances can't create something out of almost nothing - the best they can do is make it palatable.
  11. This zippy Disney adventure-comedy, crammed with special effects, asks that age-old rhetorical question, "Is there life after high school?," and answers it with a cheerful "Not really."
  12. What's interesting about Stealth isn't its nitwit story... No, what's interesting about this movie - and many others of its kind - is that it continues the love affair Hollywood, that hotbed of liberalism, has long had with militarism.
  13. It works on the mind as well as the funny bone and the gag reflex.
  14. In the main, Mr. Palm sticks to the usual biopic formula: a chronological account of a heroic individual told through talking heads, still photographs and film clips. Mr. Palm's principal deviation from this formula is that some of the interviews take place in moving cars.
  15. This darkly humorous, sometimes even raunchy film mostly eludes a typical cutesy, feel-good formula.
  16. A delicate wisp of a film with a surprisingly sharp sting.
  17. Dai Sijie's tender, touching adaptation of his own novel of the same title.
  18. The film is a requiem for the living as well as for the dead.
  19. Like Giuseppe Tornatore's "Cinema Paradiso," Just One Look is a tribute to the formative power of cinema, a coming-of-age film that nimbly interweaves the adolescent hero's struggles with clips from the movies that shape his romanticized notions of life.
  20. The Devil's Rejects is a trompe l'oeil experiment in deliberately retro filmmaking. It looks sensational, but there is a curious emptiness at its core.
  21. This disdain for women is not incidental to the film; it is integral to the fantasy Mr. Brewer is selling, which is that pimping is not as hard as it looks.
  22. Glossy, witty eye candy with some moderately chewy stuff in the middle. This lavish, exhaustingly kinetic film is smarter than you might expect, and at the same time dumber than it could be. It's an impressive product: a triumph of cloning that almost convinces you that it possesses a soul.
  23. Filled with small, cute kids and large, goofy laughs and buoyed by fine supporting work from Greg Kinnear and Marcia Gay Harden, the director's latest effort won't rock your movie world, but the fact that he manages to keep the freak flag flying in the face of our culture of triumphalism is a thing of beauty.
  24. 9 Songs, for all its failed ambitions and its tinge of sexism, is lovely to watch.
  25. A slyly effective thriller and of a deft comedy of romantic confusion. Whatever its shortcomings as a consideration of globalization and its discontents, The Edukators succeeds brilliantly in telling the story of a man who falls in love with his best buddy's girlfriend and doesn't know what to do about it.
  26. One of this year's indisputably great films.
  27. It's an honorable introduction to an important figure.
  28. In the same way that a crossword puzzle tickles the mind without asking to be taken as literature, November plays games for the sake of game-playing. It also has a pretentious streak.
  29. Throwdown milks its emotion from a soap-opera score and the appealingly decadent performances of Mr. Koo and Ms. Ying.
  30. There are certainly more unpleasant ways to spend an hour and a half, but it's unlikely that Rittenhouse Square will generate much interest outside Philadelphia.

Top Trailers