For 20,311 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,399 out of 20311
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Mixed: 8,446 out of 20311
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Negative: 2,466 out of 20311
20311
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Holden
Mr. Goldthwait's screenplay is essentially a comedy act fleshed out with a story he doesn't try to make convincing.- The New York Times
- Posted May 10, 2012
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Reviewed by
A.O. Scott
The movie, by virtue of its self-conscious parody of the kind of movie it is, turns out to be an unusually smart and sensitive example of the genre.- The New York Times
- Posted May 10, 2012
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Manohla Dargis
I Wish tends toward the vaporous and not just because of its volcano; but whenever its children are on screen, lighted up with joy or dimmed by hard adult truths, the film burns bright.- The New York Times
- Posted May 10, 2012
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Manohla Dargis
Dark Shadows isn't among Mr. Burton's most richly realized works, but it's very enjoyable, visually sumptuous and, despite its lugubrious source material and a sporadic tremor of violence, surprisingly effervescent.- The New York Times
- Posted May 10, 2012
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Jeannette Catsoulis
Alternately tedious and illuminating, this deeply honest and scattered movie revels in its lack of purpose.- The New York Times
- Posted May 3, 2012
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Jeannette Catsoulis
Crisply shot and surprisingly well acted, Mother's Day suffers from an overly long script (a tornado hovers off screen to no apparent purpose) and annoying glitches in continuity.- The New York Times
- Posted May 3, 2012
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Jeannette Catsoulis
Unfolding in New England over four vibrantly represented seasons, "Feelings" is a small-scale wonder. Pivotal events play out in the spaces between scenes, leaving only emotional imprints that we interpret within a timeline that may not be entirely linear.- The New York Times
- Posted May 3, 2012
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Reviewed by
Stephen Holden
The dialogue in the film, directed by Anne Renton from a screenplay by Claire V. Riley and Paula Goldberg, has the loud, mechanical clicketyclack of a 40-year-old episode of "All in the Family."- The New York Times
- Posted May 3, 2012
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Manohla Dargis
A cringe-inducing romantic comedy turned cancer tragedy turned inspirational hosanna about living in the moment, embracing your bliss and other clichés.- The New York Times
- Posted May 3, 2012
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A.O. Scott
However frustrated they may be by political paralysis, corporate trickery or plain human stupidity, none of them seem inclined to give up. When they do, we really will be screwed, and we won't have or need movies like this to tell us so.- The New York Times
- Posted May 3, 2012
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Manohla Dargis
An appealing, largely upbeat documentary about young ballet dancers duking it out.- The New York Times
- Posted May 3, 2012
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Reviewed by
Stephen Holden
This leisurely paced two-hour movie is a reasonably tasty banquet for the same Anglophiles who embrace "Downton Abbey."- The New York Times
- Posted May 3, 2012
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Stephen Holden
Whatever it intends, Jesus Henry Christ is not especially funny. There are witticisms galore in both the thematically recurrent imagery and the dialogue, but very few qualify as jokes, and any laughter is hard to come by. Willfully zany would be a more apt description.- The New York Times
- Posted May 3, 2012
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A.O. Scott
The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre.- The New York Times
- Posted May 3, 2012
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Jeannette Catsoulis
Pleasantly charming but instantly forgettable.- The New York Times
- Posted Apr 27, 2012
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Reviewed by
Jeannette Catsoulis
A good-looking but passionless affair that remains stubbornly aloof from its audience.- The New York Times
- Posted Apr 27, 2012
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Reviewed by
Nicolas Rapold
Mr. Dosunmu seems to have directed all his actors to pause before delivering lines, giving a languor to the film that comes to feel studied.- The New York Times
- Posted Apr 27, 2012
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Rachel Saltz
The talented Mr. Ross makes Dre's panic and adrenaline-fueled behavior all too believable. You watch as he sees his horizons dim. What could be sadder?- The New York Times
- Posted Apr 27, 2012
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Jeannette Catsoulis
More grounded in simple observation than in fanciful theories, this effortlessly engaging story of sudden tragedy and halting recovery wisely focuses on the facts and leaves the wonder to the audience.- The New York Times
- Posted Apr 27, 2012
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David DeWitt
Alas, dance films like Wim Wenders's innovative, kinetic "Pina" have now set a high barre, and by comparison the traditional talking-head style of this documentary seems primed for showings on public television.- The New York Times
- Posted Apr 27, 2012
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Reviewed by
Nicolas Rapold
As black comedy, the film is crude and downright sloppy when compared with the clockwork machinations of the Coen brothers' creations, as it has been since its premiere. Brown's panic is capably rendered, but his ordeals are not worth enduring to the bitter end.- The New York Times
- Posted Apr 27, 2012
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Reviewed by
Stephen Holden
Despite the movie's considerable visual splendor, the pacing of Warriors of the Rainbow is clumsy, its battle scenes chaotic and its computer effects (especially of a fire that ravages the Seediq hunting forest) cheesy.- The New York Times
- Posted Apr 27, 2012
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Stephen Holden
Quietly powerful but dispiriting documentary, which compares the world's oldest profession as practiced from place to place.- The New York Times
- Posted Apr 27, 2012
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Reviewed by
Nicolas Rapold
Mr. De Felitta's moody, well-rounded film is a kind of excavation and investigation of Mr. Wright's actions as a piece of civil rights history.- The New York Times
- Posted Apr 27, 2012
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Manohla Dargis
A smart, effectively unsettling movie about the need to believe and the hard, cruel arts of persuasion.- The New York Times
- Posted Apr 27, 2012
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Reviewed by
Stephen Holden
In case you have forgotten, all women are prostitutes, and all men are johns.- The New York Times
- Posted Apr 27, 2012
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- The New York Times
- Posted Apr 26, 2012
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Reviewed by
A.O. Scott
The Raven tries to blend all of these motley genres together, and though the effort is valiant, the result is a mess. I suspect Poe's review of it would have been much more savage than mine.- The New York Times
- Posted Apr 26, 2012
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Reviewed by
A.O. Scott
The Five-Year Engagement dutifully hits the marks of its genre, but it is also about the unpredictability of life and the everyday challenges of love. The sensitivity and honesty with which it addresses those matters is a pleasant surprise.- The New York Times
- Posted Apr 26, 2012
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Reviewed by
Manohla Dargis
The movie is a curiosity cabinet of visual pleasures but so breezy and lightly funny that you may not realize at first how good it is.- The New York Times
- Posted Apr 26, 2012
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