For 20,311 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,399 out of 20311
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Mixed: 8,446 out of 20311
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Negative: 2,466 out of 20311
20311
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Daniel M. Gold
Directed by Steve Rash, Crooked Arrows gets points for its glimpses of Native American culture and history - the film's backers include the Onondaga Nation - but too many of these scenes are disappointingly static.- The New York Times
- Posted Jun 1, 2012
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Andy Webster
The credibility is low, the idealism high and the sentiment through the roof in Jesse Baget's slender, micro-budgeted comedy Cellmates, a schematic parable about racism and (less overtly) illegal immigration.- The New York Times
- Posted Jun 1, 2012
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Nicolas Rapold
Names and events are ticked off in rapid succession, and the big, and fascinating, question of what role spirituality played receives cautious attention at best. Nonetheless, Bill W. offers a trove of information for non-A.A. members through the life of a man whose dedication has helped others understand their own.- The New York Times
- Posted Jun 1, 2012
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Reviewed by
Daniel M. Gold
One Day on Earth shows, there's a fine line between coherence and chaos.- The New York Times
- Posted Jun 1, 2012
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Jeannette Catsoulis
An ostensible romantic comedy that's really just a grating portrait of an irredeemable jerk.- The New York Times
- Posted May 31, 2012
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Neil Genzlinger
Not much here is new, but condensing it all into one zippy documentary makes for an ugly portrait.- The New York Times
- Posted May 31, 2012
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David DeWitt
What works here is the pleasantly naturalistic acting from people who don't look like typical actors.- The New York Times
- Posted May 31, 2012
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Jeannette Catsoulis
This scrappy-slick confessional is a fascinating study in dualities.- The New York Times
- Posted May 31, 2012
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A.O. Scott
Its clever final plot twist adds a gratifying jolt of the uncanny to what is otherwise a charming, bittersweet meditation on the passage of time and the equivocal power of images to capture an older world at the moment of its disappearance.- The New York Times
- Posted May 31, 2012
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Jeannette Catsoulis
Though leaving us with many more questions than answers, this well-intentioned blur of accusations, advertising clips and pink-washed events nevertheless deserves to be seen.- The New York Times
- Posted May 31, 2012
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Stephen Holden
Once the plot has sprung into action, High School is a bumpy ride that takes a few amusing dives but never coheres into anything special.- The New York Times
- Posted May 31, 2012
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Stephen Holden
Even at 143 minutes, For Greater Glory cannot satisfyingly fill out the stories of a half-dozen secondary characters, and there are frustrating gaps in the biographies of Gorostieta and José. The jamming together of so much history and melodrama makes for a handsome movie that is only rarely gripping.- The New York Times
- Posted May 31, 2012
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A.O. Scott
This movie is graceful, subtle and sure-footed, much as its English title implies.- The New York Times
- Posted May 31, 2012
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Stephen Holden
Much of the skimpy, waterlogged dialogue in Peter Vanderwall's screenplay is heavy with portent. Excerpts from Homer's "Odyssey" and Longfellow's "Children's Hour" add to the tonnage.- The New York Times
- Posted May 31, 2012
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A.O. Scott
5 Broken Cameras deserves to be appreciated for the lyrical delicacy of his voice and the precision of his eye. That it is almost possible to look at the film this way - to foresee a time when it might be understood, above all, as a film - may be the only concrete hope Mr. Burnat and Mr. Davidi have to offer.- The New York Times
- Posted May 31, 2012
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A.O. Scott
Though it is an ambitious - at times mesmerizing - application of the latest cinematic technology, the movie tries to recapture some of the menace of the stories that used to be told to scare children rather than console them.- The New York Times
- Posted May 31, 2012
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Andy Webster
The "Paranormal Activity" movies don't teem with metaphor, and neither does this film, directed by Brad Parker. The original "Night of the Living Dead" left you with plenty to chew on, so to speak; Chernobyl Diaries just leaves you feeling empty.- The New York Times
- Posted May 25, 2012
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Andy Webster
This moving, penetrating documentary records his attempt to describe his conditions, confront them and learn to manage them.- The New York Times
- Posted May 24, 2012
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Jeannette Catsoulis
The film is a riveting portrait of young men in shock and in mourning as the tragedy stirs feelings that have long lain dormant.- The New York Times
- Posted May 24, 2012
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Rachel Saltz
His (Rivera) movie hits its targets, but softly, more in amusement than in anger.- The New York Times
- Posted May 24, 2012
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A.O. Scott
Mr. Trier and Mr. Lie - a quiet, recessive but nonetheless magnetically self-assured screen presence - emphasize Anders's individuality above all. Oslo, August 31st has the satisfying gravity of specific experience, and also, true to its title, a prickly sense of place.- The New York Times
- Posted May 24, 2012
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Stephen Holden
Mighty Fine chugs along heartily until it abruptly stops on the edge of cliff, leaving you feeling shortchanged. It is a couple of crucial scenes away from feeling complete.- The New York Times
- Posted May 24, 2012
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A.O. Scott
It is possible to summarize the experience of watching The Intouchables in nine words: You will laugh; you will cry; you will cringe.- The New York Times
- Posted May 24, 2012
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A.O. Scott
American fans of "The Hunger Games" may not embrace - or even be permitted to see - Battle Royale, which is too bad. It is in many ways a better movie and in any case a fascinating companion, drawn from a parallel cultural universe. It is a lot uglier and also, perversely, a lot more fun.- The New York Times
- Posted May 24, 2012
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Manohla Dargis
Moonrise Kingdom breezes along with a beautifully coordinated admixture of droll humor, deadpan and slapstick. Like all of Mr. Anderson's films, though, there's a deep, pervasive melancholia here too.- The New York Times
- Posted May 24, 2012
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A.O. Scott
It manages, in the end, to be touching as well as hectic and whimsical, and to send a few interesting thematic bubbles into the air, having to do with lost fathers, obscure regrets and racial reconciliation.- The New York Times
- Posted May 24, 2012
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David DeWitt
The scenes with Karl Markovics, as Freud, are the lingering appeal of this artfully composed film.- The New York Times
- Posted May 18, 2012
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David DeWitt
This film has the everyday vibe of a bunch of friends putting together a summer camp video. Gosh, the substance of Jacob's Pillow should be a little less sleepy.- The New York Times
- Posted May 18, 2012
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Neil Genzlinger
Serves up its material with an excess of treacly music and an overabundance of glowing reminiscences. This has the odd effect of making his story less powerful than it actually is.- The New York Times
- Posted May 18, 2012
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Jeannette Catsoulis
Unless you're among those who still drop acid as a midnight-movie apéritif, your enjoyment of this retro oddity remains far from guaranteed.- The New York Times
- Posted May 18, 2012
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