For 20,311 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,399 out of 20311
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Mixed: 8,446 out of 20311
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Negative: 2,466 out of 20311
20311
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Andy Webster
A powerful portrait of working-class Istanbul that artfully suggests a wellspring of found moments. Quietly, steadily, it gathers a resonance belying its slice-of-life scale.- The New York Times
- Posted Jun 19, 2012
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Reviewed by
Jeannette Catsoulis
Veering from ridiculous to revolting, The Tortured would like to be about more than singed nipples and seared skin. And it is: It's also about cracked toes and lanced eardrums.- The New York Times
- Posted Jun 15, 2012
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Reviewed by
Jeannette Catsoulis
Narrating as he goes, his humor as warm and dry as the ground beneath his feet, Mr. Soling is an unconventional explorer whose interactions with the long-suffering Ik - the women quiet and watchful, the men seamed and talkative - are politely deferential. He's clearly not there to engage in scientific study; he's simply reaching out across continents on a hunch that even eminent scientists can get it wrong.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
Nicolas Rapold
This is a film that does sweat the technique, with at times illuminating and spirited results.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
Jeannette Catsoulis
Alien invasion is just an excuse for romantic farce in Extraterrestrial, a tiresome roundelay of lies, lust and leaping paranoia.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
Rachel Saltz
Patang ("The Kite"), Prashant Bhargava's first feature, has a lovely, unforced quality. That's because Mr. Bhargava lets his story, set during the annual kite festival in Ahmedabad, India, tell itself, unfolding slowly as he follows filmmaking's most basic and most sinned-against dictum: Show, don't tell.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
Manohla Dargis
Although Mr. Pawlikowski often shows Mr. Hawke in medium and long shots, the actor draws you close. There's anguish in Tom's face that speaks of a terrible fragility and that leavens the story's mysterioso proceedings with a real, recognizable humanity.- The New York Times
- Posted Jun 14, 2012
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David DeWitt
That's My Boy is a pretty wretched movie if you want to activate your brain cells, but its busily plotted second half approaches involving.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
Nicolas Rapold
Far from imposing clarity on the historic gatherings, Tahrir embraces the thrill and uncertainty of popular action. In some ways resembling old-fashioned vérité, Stefano Savona's chronicle aims to plunge you into the crowds and clamor.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
A.O. Scott
Though not explicitly autobiographical, this film is deeply personal, and while the nature of cinema is very much on its mind, it rarely feels insular or self-conscious. Instead, it is wistful and nostalgic, and at the same time full of restless curiosity.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
A.O. Scott
The film's late swerves into melodrama and the neighboring region of farce feel panicky and pandering. The subtlety of the performances - Ms. DeWitt's in particular - is sacrificed for easy laughs, shallow tears and a coy trick ending. Just when it was starting to get interesting.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
Manohla Dargis
It looks like Disneyland and sounds, well, like a bad Broadway musical, with all the power belting and jazz-hand choreography that implies.- The New York Times
- Posted Jun 14, 2012
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Reviewed by
Stephen Holden
Natalia Almada's eloquent documentary portrait of a sprawling graveyard in Culiacán, Mexico, in the northwestern state of Sinaloa. The rapidly expanding cemetery has become the burial ground of choice for the country's slain drug lords.- The New York Times
- Posted Jun 13, 2012
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Reviewed by
Stephen Holden
Three-Headed Bird Village - the setting for Xiaolu Guo's stingingly funny satire, UFO in Her Eyes - is a quiet agricultural hamlet in the Guangxi province of southern China that is uprooted by instant globalization.- The New York Times
- Posted Jun 12, 2012
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Reviewed by
A.O. Scott
Like many other recent documentaries about artists, it is more celebratory than analytical, a kind of slick, extended promotional video for its subject.- The New York Times
- Posted Jun 12, 2012
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Reviewed by
Rachel Saltz
Ridiculous and undeniable, it's a punchy cartoon, rightly confident of its power to entertain. Why resist?- The New York Times
- Posted Jun 10, 2012
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Reviewed by
Jeannette Catsoulis
A beautifully filmed and patiently explained assessment of a proposal to build five hydroelectric dams in the Patagonia region of Chile.- The New York Times
- Posted Jun 8, 2012
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Reviewed by
Jeannette Catsoulis
Creepy, silly, startling, irritating, and black-vomit-and-multicolored-urine disgusting, The Oregonian wears out its welcome within 30 minutes.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Rachel Saltz
Ms. Rohrwacher combines a documentary impulse (effective in family scenes) with a more allegorical one. Her film gets clunky when allegory has the upper hand, and that means Corpo Celeste often stumbles, along with its 12-year-old heroine, Marta (Yle Vianello).- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Andy Webster
Mr. Williams's quiet integrity trumps Mr. Kessler at every turn. Self-aware and articulate, with a modesty born from confidence, he persistently uses the film to extol - and demonstrate - the rewards of recovery. His conviction brings necessary moral weight to Paul Williams: Still Alive, which transcends caricature to emerge an impressive personal testament.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Stephen Holden
That time machine - a wonderful-looking gizmo with some lasers stolen from a medical laboratory - really exists. Whether it works or not, you'll have to see for yourself. It's worth the wait.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Stephen Holden
Stylistically a formulaic, middle-drawer television movie about intergenerational strife and forgiveness. Every plot turn is groaningly predictable. But at least the lead performances set off sparks.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
A.O. Scott
In spite of its scruffy look and slack pacing, it often rings as false as any of the big, shiny and soft studio rom-coms (starring Kate Hudson or Katherine Heigl, say) of the last decade.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Andy Webster
Where Madagascar 3 soars is in its visuals: A Monte Carlo chase is vertiginously madcap; a Cirque du Soleil-style spectacle dazzles with rich pastels; the 3-D effects have wit and invention. Kids will be stimulated. And, parents, you'll enjoy the sights.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Stephen Holden
Although this is potentially juicy stuff, it is as dry and tasteless as a shrunken piece of fruit left in the refrigerator far too long.- The New York Times
- Posted Jun 7, 2012
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A.O. Scott
Mr. Solondz brilliantly - triumphantly - turns this impression on its head, transforming what might have been an exercise in easy satirical cruelty into a tremendously moving argument for the necessity of compassion.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
A.O. Scott
The virtuosity on display makes the weakness of the story all the more frustrating. I'll avoid spoilers here, but Prometheus kind of spoils itself with twists and reversals that pull the movie away from its lofty, mind-blowing potential.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Nicolas Rapold
The filmmakers hesitate at going deeper into the dark places of the prisoners' biographies and the storied prison itself. The one wouldn't exist without the other, and Ms. Chiarelli's rambling platitudes are no substitute.- The New York Times
- Posted Jun 6, 2012
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Reviewed by
Neil Genzlinger
The director, John Gulager, has no idea how to mix his ingredients to create a savvy self-parody.- The New York Times
- Posted Jun 1, 2012
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- The New York Times
- Posted Jun 1, 2012
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