For 20,311 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,399 out of 20311
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Mixed: 8,446 out of 20311
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Negative: 2,466 out of 20311
20311
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dave Kehr
Quickly collapses into an overloaded, slow-moving series of predictable jokes and forced situations.- The New York Times
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Reviewed by
Dave Kehr
Only adds to the sense that Mr. Konchalovsky has lost his artistic moorings. He has certainly lost his common sense.- The New York Times
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Reviewed by
Dave Kehr
The emotional impact of Shark Skin Man is negligible.- The New York Times
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Reviewed by
Stephen Holden
This poorly acted, ramshackle tour of the lower echelons of the Los Angeles rock scene has the feel of a largely improvised home movie filmed without retakes, and its sense of humor could only be fully appreciated by struggling musicians.- The New York Times
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Reviewed by
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Reviewed by
Dave Kehr
Some kind of equality has been achieved when it is impossible to distinguish heterosexual clichés from homosexual ones.- The New York Times
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Reviewed by
Stephen Holden
Admirably high-minded and visually gorgeous but fatally anesthetized by its own grandiosity.- The New York Times
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Reviewed by
Stephen Holden
As the film loses its grip on its multiple stories, the title begins to suggest an overheated stew bubbling out of its pot. By the end of the film, the intersecting dramas and histrionic performances have spilled all over the floor, so to speak.- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
It's an oddity that will be avoided by millions of people, this new Pinocchio. Osama bin Laden could attend a showing in Times Square and be confident of remaining hidden.- The New York Times
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Reviewed by
A.O. Scott
This picture is mostly a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer.- The New York Times
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Reviewed by
Stephen Holden
A leaden, skimpily plotted space-age Outward Bound adventure with vague allegorical aspirations that remain entirely unrealized.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Advance word of mouth has suggested that Ms. Basinger...turns in a performance comparable to Meryl Streep's in "Out of Africa." Would that it were so. Ms. Basinger certainly works hard at her role.- The New York Times
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Reviewed by
A.O. Scott
Wants to be everything and adds up to nothing. "War" is a film that tries to excel on several levels and falls flat on all of them.- The New York Times
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Reviewed by
Stephen Holden
Breezing along on gusts of stale air and perky inanities, Two Weeks Notice is a romantic comedy so vague and sadly undernourished that it makes one of Nora Ephron's low-cal strawberry sodas seem as tempting as a Philip Barry feast.- The New York Times
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Reviewed by
Stephen Holden
The movie works so diligently to convey a spirit of heroic uplift and fails so completely that it feels like a tragic misfire.- The New York Times
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Reviewed by
Dana Stevens
May have had the unintended effect of obscuring the original it meant to honor.- The New York Times
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Reviewed by
Dave Kehr
Disappointingly shallow and not terribly funny romantic comedy.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
A slapdash, poorly acted, paint-by-numbers teen horror comedy, the sequel is too frenetically edited to build any suspense, and its special effects are strictly bargain basement.- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
It has the melancholy mildew of both "Marty" and the 1940's weepie "The Enchanted Cottage."- The New York Times
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Reviewed by
Dana Stevens
Mr. Jones, who recently starred in "Zig-Zag," a similarly striving, overwrought picture, is a disciplined and likable performer, and he bravely perseveres in the face of narrative absurdity and rampant overacting.- The New York Times
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Reviewed by
Dana Stevens
This movie, a chaotic caper film at heart, wrecks its comic tone with some moments of gruesome violence.- The New York Times
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- The New York Times
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Reviewed by
Lawrence Van Gelder
In the end the elaborate gimmickry of Inspector Gadget cannot conceal its very ordinary storytelling.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
The screenplay never begins to finds a workable balance between wit and adventure. And the performances in several smaller roles are so mechanical that they lend Kill Me Later the tone of a vanity production.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
The very confusion that has made him (Rock) so unpredictable and funny onstage makes this on-screen exploration of contemporary racial mythologies curiously tentative and unfocused.- The New York Times
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