For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Brad Wheeler
The best gal wrestlers had their signature moves: Ida May Martinez, with her flying drop kick; Ella Waldek, with the "short-arm scissor lift." Filmmaker Leitman, for all her good work, is in need of a close-out manoeuvre of her own.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
This is a movie about draining, tenderizing and chopping up the audience emotionally.- The Globe and Mail (Toronto)
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Reviewed by
Stephen Cole
Formula sequel right down to its zany subtitle -- Armed and Fabulous. Bullock deserves better. We deserve better. Rev up that '57 Chevy.- The Globe and Mail (Toronto)
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Jennie Punter
A sprawling personal journey, filled with an array of fascinating characters, through the world of wine.- The Globe and Mail (Toronto)
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Leah McLaren
Trachtenberg gives a sweetly compelling performance as Casey, as does the wonderfully kooky Cusack as her mother, but their charms are not enough to save this painfully unoriginal movie from coming out of a triple toe loop and landing flat on its bottom.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Allen's best effort since 1999's "Sweet and Lowdown," but that's not saying a lot.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The narrative here may be strictly nuts and bolts, but as an achievement in graphic design, Steamboy is first class.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
On the plus side, bloated narratives make for a busy action star, and Bruce is quite the workaholic on this outing, clearly eager to rekindle memories of his "Die Hard" glory days.- The Globe and Mail (Toronto)
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Liam Lacey
Sure, it's a bit mechanical, but what did you expect? The important thing is that the characters and jokes don't prevent you from grooving on the pleasures of the moving parts.- The Globe and Mail (Toronto)
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Rick Groen
Meant to explore anger, all this picture does is manufacture it.- The Globe and Mail (Toronto)
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Liam Lacey
The film is small-scale, cleverly crafted and feels like a more expensive version of the sort of "dramedy" they produce by the truckload at the BBC.- The Globe and Mail (Toronto)
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Stephen Cole
Although In My Country is charged with moments of grace and feeling, the film is ultimately betrayed by the clunky Jackson-Binoche romance.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
There will be occasional tears, there must be frequent laughs and the whole contrived structure has the calculated quaintness of Ye Olde Pub at a EuroDisney theme park.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Don't Move comes to seem as static as its title -- we just don't learn enough to compensate for feeling so little.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
To reduce Leonard to shtick makes about as much sense as using a scalpel for a butter knife — even when the job gets done, it's just such a dull waste of a sharp implement.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Memo to screenwriters cranking out murky existential thrillers: Do not have various characters repeat on several occasions: "I know this doesn't make any sense."- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Director Adam Shankman pushes together scenes with little rhythm or flow. Writers Thomas Lennon and Robert Ben Garant ignore credibility, throw in pointless sight gags, treat humiliation as comedy and use tiresome ethnic stereotypes. In short, Diesel doesn't get the help he needs.- The Globe and Mail (Toronto)
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Rick Groen
Very well crafted and superbly acted. Whatever you may think of the idea, its execution is admirable.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Sorry, but this level of insight is readily available from daily news reports.- The Globe and Mail (Toronto)
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Stephen Cole
The Israeli film works best in isolated spots early on as a series of intriguing character studies. Upon reaching to become a lesson to the world, however, Walk on Water goes off the deep end.- The Globe and Mail (Toronto)
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Rick Groen
If you've got six hours to invest watching superior television in a movie theatre, then spend the time wisely with The Best of Youth.- The Globe and Mail (Toronto)
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Liam Lacey
The problem lies with Williamson's script, which feels as if it has been torn from different places and glued back together like a ransom note.- The Globe and Mail (Toronto)
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Liam Lacey
This one is headed straight for star Tommy Lee Jones's career-blooper reel.- The Globe and Mail (Toronto)
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Rick Groen
Uneven and erratic and far too busy, its flashes of brilliance dimmed by overambitious meanderings.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The problem is that director Wayne Wang seems deaf to the tonal differences between coming-of-age, magic realism and children's comedy.- The Globe and Mail (Toronto)
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Leah McLaren
Every time you think you grasp the concept, another layer of outlandish supernatural gobbledygook is laid on top, leaving the viewer feeling as spun-out as Linda Blair's head.- The Globe and Mail (Toronto)
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Jennie Punter
While not as edgy or funny as "The Mask," the popular 1994 "original" starring Jim Carrey, the movie offers eye-popping animation high-jinks and a warm-and-fuzzy story that reinforces what some would call family values.- The Globe and Mail (Toronto)
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Reviewed by
Stephen Cole
Actress Helen Buday is coolly persuasive in the seesaw role of an unbalanced housewife who jerks from despair to anger.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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