For 7,291 reviews, this publication has graded:
-
48% higher than the average critic
-
3% same as the average critic
-
49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
-
Positive: 4,349 out of 7291
-
Mixed: 1,826 out of 7291
-
Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Rick Groen
The film manages the extraordinary feat of forcing us to empathize simultaneously with both the potential victim and the potential villain.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Remember Pam? Lost in the Himalayas of big egos and overacting, she's the invisible character here. If they create a special Oscar for the most thankless part in an ensemble comedy, Teri Polo is a shoe-in.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review
-
-
Reviewed by
Liam Lacey
Throughout the film, Cheadle's eyes are constantly scanning his environment for opportunities or anything that may be amiss.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
The film, like its subject, is more adroit with pictures than with words.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Running at about three hours, The Aviator is long, and the momentum occasionally flags. The depiction of Hughes's first mental breakdown feels a little obsessive-compulsive itself.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Though rich in visual style, the movie is unbalanced in performances and script, ranging, from scene to scene, from go-for-baroque grandeur to strident excess.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
There's a wonderfully subversive film buried somewhere in Spanglish, but it's never allowed to get out.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
The countdown begins with the first negative integer — an amped-up score that overpowers the proceedings like a bad band at a high-school dance.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review
-
-
Reviewed by
Leah McLaren
This movie might make you cry, but it is not explicitly designed to do so.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Rather than invoke sympathy, the technique creates annoyance with Harris's writing: Sure, these characters may be clichés, but haven't they suffered enough?- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
With his trademark spare, unfussy direction and jumping into the story approach, Eastwood subtly establishes the themes of faith, loss and love and then he raises the drama to a different level.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
Ocean's Twelve lacks the courage of its star-driven convictions. Next time, Steven and George and Brad and Matt should ditch the hypocrisy and just shoot themselves shooting the breeze, poking fun at each other from within the smug sanctuary of their precious celebrity.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
A movie deeply immersed in movie lore, and the more seasoned the swimmer the richer the experience.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Jennie Punter
It may not be a pretty picture, but A Tale of Two Sisters is definitely a satisfying piece of less-is-more cinematic horror.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review
-
-
Reviewed by
Liam Lacey
Rather than another oppressive film about poverty, it's a revealing experiment in perspective.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
Despite Marber's sardonic wit and Nichols's intelligent direction, the film winds up in the ironic position of practising exactly what it preaches: Closer invites and even gains our intimacy, only to finish by driving us ever farther away.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Actors Zhang Ziyi and Takeshi Kaneshiro are the kind of startlingly good-looking, glamorous stars that evoke classic Hollywood adventure films.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Kasparov is a compelling film subject: suave, sardonic and as emotionally high-pitched as he is intellectually gifted.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review
-
-
Reviewed by
Rick Groen
Certainly long and not always engaging and comes with a predictably basic ending, yet there are unexpected pleasures, moments of beauty and tiny pockets of joy to sustain you through the journey.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
Call it "Alexander the Grate," because, over the marathon of its three-hour running time, this wonky epic really does get on your nerves.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review
-
-
Reviewed by
Liam Lacey
Coming from writers responsible for such material as "Snow Dogs" and "The 6th Day," National Treasure is not so much a no-brainer as a brain-stunner, so audaciously ridiculous you are initially intrigued, then soon irritated by its incoherence.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Truth be told, the full 99-minute movie does not entirely hold water; it feels like three or four good episodes connected with plot padding. Aesop probably wasn't too hot at long-form fiction, either.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Even when the plots of sexual confusions, transgression and tragedy became absurdly complicated and arbitrary, there was always the mise-en-scène to die for.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
It is a work of great beauty that rewards continued visits.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review