The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Good Hair is also about how African-Americans spend $9-billion annually chemically treating and straightening their hair, buying 80 per cent of America's hair products. It's such a fascinating, complex tale that you hope one day some probing filmmaker will make a conclusive documentary on the subject.
  2. Modestly clever, this is definitely a little thing. Enjoy.
  3. The result is an erratically funny but often frustrating comedy, with an interesting premise hobbled by internal inconsistencies and uneven writing.
  4. Boisterous, cloying, simultaneously raunchy and innocent, hip and klutzy.
  5. A seriously black comedy. Black, because affliction and angst abound. Comic, because this rampant bleakness is presented as nothing more than an amusing bauble.
  6. More Than a Game is less than a movie.
  7. It's a film that will both captivate and divide audiences.
  8. Perhaps the young performers are in such a good mood because they're liberated from having to play straight-as-a-ruler teen melodrama.
  9. This is the story of the diminutive Coco before she became the fashionable Chanel – in other words, the whole movie is one long first act.
  10. The questions the movie raises have less to do with science than movie execution: Do the actors sound so robotic because they are playing robots well or humans badly? And did a machine write this dialogue? If so, could we please apply for an upgrade?
  11. Handsomely mounted, emotionally involving sci-fi movies don't often show up in the darkened galaxies of our theatre chains. So Alvart's English-language debut is definitely a film you want to catch on the big screen. Just don't sit too close, lest you end up with a dose of pandorum.
  12. For all its generally judicious choices, there's one device in The Boys Are Back that may test the patience of some viewers. Every once in a while, the late Katy pops up in a scene to offer Joe wifely advice.
  13. Just when you thought this movie had run out of bad ideas, this last-minute outpouring of sanctimony feels like a whole new way of being slimed. Some movies come with parental warnings; this one feels as though it should come with a mandatory biohazard suit.
  14. As a statement on capitalism or anything else, Capitalism: A Love Story is often embarrassingly simplistic, self-contradictory.
  15. Leaves us with is sporadic showers of laughs for kids under 10. That's a shame, because the film could have been a delight for everyone, if only it hadn't learned to behave.
  16. The Informant! may be a gadfly of a movie, but it's not without bite.
  17. Aniston's constituency will enjoy seeing her again in Love Happens . She's lovely and fun to be with, as always.
  18. Bloody fun is here to be had.
  19. It's possible to admire the performances of stars Charlize Theron and Kim Basinger in The Burning Plain , even as you backpedal from the film, hoping the ponderous megasoap will just go away.
  20. Mainly, though, it's the exquisite restraint - both of Cornish's performance and Campion's direction - that gives the film its power.
  21. Those who lived through the Vietnam War era, and paid attention, will find this documentary short on revelation but long on poignant reminders.
  22. 9
    Watching 9 , we know how 8 feels. Sci-fi fans will find heaven in Shane Acker's feature-film debut.
  23. What makes Crude worthy of the overused term “epic” is the way the case symbolizes a host of contemporary issues: the iron-fistedness of multinational corporations; environmental despoliation; the disappearance of indigenous cultures; and the power of celebrity and the media to influence justice.
  24. A larger discomfort with Extract is an ambivalent attitude about comedy and social class. Mocking an officious middle-manager is always fair game; ridiculing blue-collar workers who resent their mindless jobs just feels mean.
    • 17 Metascore
    • 75 Critic Score
    Bullock, easing into her mid-40s with box-office mojo intact, remains the star attraction as the annoyingly endearing Mary. You simply can't imagine another actor of her stature pulling it off.
  25. A kind of stealth political film that confronts issues of ethnic tension and American xenophobia.
  26. This is a flick whose failures are at least as interesting as the successes.
  27. For all its ballyhoo'd full access to Vogue's inner workings, the movie's cinéma-vérité approach feels perilously close to advertorial.
  28. Ultimately, even Lee appears to lose interest, flashing none of his usual visual panache and, at the end, content to forego any considered conclusion for a hunk of lumpy irony.
  29. Rodriguez, is a hack in the best sense of the term, often serving as producer, director, writer, shooter and composer – all of which come into play for Shorts .

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