The Globe and Mail (Toronto)'s Scores

For 7,293 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7293 movie reviews
  1. We don't get a good look at a painting until 35 minutes into the film biography of Séraphine de Senlis, the early 20th-century French painter discovered by German art collector Wilhelm Uhde. The film Séraphine is not about paintings.
  2. This documentary is only partly a story of the chosen one; mainly, and more intriguingly, it's a chronicle of the choosing one, of the nervous young monk charged with the job of leading the search party.
  3. Up
    Disney has historically peopled cartoons aimed at children with violent, gruesomely animated villains. For all its delicious whimsy, Up is no exception.
  4. An unabashedly schlocky, expertly executed blend of jack-in-the-box jolts and humour.
  5. Departures is, well … a nice film. It breaks no new ground, offers no audacious insights or rude revelations.
  6. An entertaining, moderately irreverent comedy that launches the silly movie season on a sure foot.
  7. In a better entertainment world, Owe would have won a special Buster Keaton Great Stoneface award at last year's Academy Awards.
  8. Unfortunately, once these creatures do come to life for a second outing, the promise soon evaporates and the clever comedy, built largely on crisscrossing anachronisms and various sly cultural references, is not enough to sustain a romp that is all rather predictable.
  9. This is one of the director's small, experimental, semi-improvised provocations, and if it doesn't push too deep, it's pointed enough to leave a mark.
  10. Shot in country fields and interiors of fading Georgian glory, Easy Virtue has enough traces of Coward's wit to keep you hoping for the first hour or so, but then the film collapses under the weight of too many misguided innovations.
  11. Though competent in its B-movie way, Terminator Salvation lacks the humour, heart-tugging moments and visual pleasure that made the first two movies of the series modern pop masterpieces.
    • 82 Metascore
    • 75 Critic Score
    It's a very sad film to watch.
  12. Though complete redemption of Brown's fiction may not be possible, Howard's new film at least represents an upgrade from a mortal to a venal movie sin.
  13. The old carnival phrase "Close, but no cigar" comes to mind when watching The Brothers Bloom , a globetrotting heist film that starts off terrifically and then progressively deflates.
  14. It is filmmaker Assayas who is the star here. France's most important contemporary director has created a work of almost magisterial calm.
  15. Though there are moments when the drama turns into intellectual debate, the film is also emotional, moving with a fluid, mounting tension and moments of anguish and strange, startling humour.
  16. Anyone interested in hearing the artist's heart-to-hearts properly translated is encouraged to seek out Leonard Cohen's flamenco serenade, "Take This Waltz."
  17. It's really a lazy comedy that is content telling a crude and corny Hollywood story with a Mexican accent.
  18. Smart and youthful, with a well-balanced package of humour, romance, crisp action and character-based drama, Star Trek gives popcorn movies a good name.
  19. Isn't just ordinarily lame, it easily exceeds any normal requirements for witless sleaze.
  20. Only a few events happen in this minimalist film, and most of them keep getting repeated through most of its running time.
  21. A little bit of "Crime and Punishment" and a whole lot of "The Postman Always Rings Twice," Revanche, the Austrian candidate for last year's Best Foreign Language Film, is a surprisingly unruffled tale of love, thievery, murder and revenge.
  22. Though Three Monkeys feels conventional compared with Ceylan's other work, it maintains its auteurist imprint, especially the rich colour palette and suggestive HD camerawork that helped Ceylan take the best-director honours at Cannes this year.
  23. Fighting is a crude love letter to seventies' New York cinema but set in the present.
  24. Fortunately, there's always the fascination of watching actor Toni Servillo, who does a brilliant job of playing Andreotti (known as Beelzebub) as a kind of devil with a clown's exterior.
  25. As a drama, The Soloist is stuck before it starts.
  26. An absorbing and not-too-uncomfortable experience, so long as you remember there's a camera lens and a big distance between you and the film's violent subject.
  27. By hiring James Earl Jones to narrate, Disney has prepared youngsters to understand that man is equally capable of heroism and villainy.
  28. Those Hollywood tricksters have managed to shorten the story while slowing the pace -- all of a sudden, minutes are passing like hours.
  29. The movie feels like a form of aversion therapy designed to take the fun out of dumb.

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