The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Everything about Mid-August Lunch is simple and unpretentious, from the black-out scene transitions to the folk-dance score, as the four isolated, elderly women, over a couple of days and meals, become a circle of companions.
  2. Mother symbolically doubles as Mother Korea, devoted to her land. But is she blindly and uncritically devoted, too quick to forgive and forget sins that should be redressed, to treat any flaws in the national character as simply intrinsic to the country's nature?
  3. Screenwriter Brian Helgeland (L.A. Confidential, Mystic River) is the real culprit here, creating a crude paint-by-numbers fiction that keeps yelling about the importance of the truth while hurtling in the opposite direction.
  4. You don’t need to root for the best movies and you don’t want to root for the worst. But, occasionally, along comes a picture so nearly good that you dearly wish it were better. Welcome to She’s Out of My League, where the rooting interest is strong but so is the frustration.
  5. We know to a certainty what will happen. More to the point, the writers know that we know. But here’s the intriguing bit: They don’t care. Rather, their job as diligent Tinseltown hacks is simply to devise ways of filling up the remaining 90 minutes.
  6. Remember Me could have been a decent family drama, especially considering its setting, but that was not to be. Too bad, because the romance is highly forgettable.
  7. This is still her (Wasikowska’s) picture. She’s its 10-foot tower, mysterious and brave and excited and withdrawn. Alice is the true magic in a Wonderland that’s mere movie magic – the happy surprise amidst everything we’ve come to expect.
  8. Each of the actors has strong moments but the relentless intensity becomes monotonous.
  9. Fails as a comedy-drama because it’s neither funny nor involving. But it fails as a buddy movie because Willis and Morgan make for a dull couple.
  10. It’s been not so much remade as restrained – tamed and dumbed-down and with any sharp political edges safely filed off.
  11. One caveat: At the risk of sounding sexist, let me say A Prophet is an unreservedly male film. Female characters are few and far between, and when they do appear, they pretty much fall into either one of two categories – les mamans ou les putains.
  12. Kimberly Reed’s debut documentary, Prodigal Sons, would make a terribly contrived novel, but is a compelling and sensational real-life story.
  13. Was it worth slogging through the nearly two hours of damned muddle to get to those last affecting moments? Not often in movies is the destination so much better than the journey.
  14. The result is a political thriller refreshingly long on grown-up dialogue yet lamentably shy on, well, thrills. This chatty thing does go on.
    • 52 Metascore
    • 50 Critic Score
    It’s probably accurate in its portrayal of her general good humour. Detractors would be surprised at how genuinely funny she can be.
  15. An ill-considered, utterly unnecessary remake of the 1941 pulp classic "The Wolf Man" starring Lon Chaney Jr.
  16. All dull thunder without a spark of illumination.
  17. In your typical subpar Hollywood romcom, there’s only one tedious love story to put up with. Well, Valentine’s Day (such a clever title) does a whole lot better than that: It offers 10 tedious love stories to put up with.
  18. Sappy and predictable.
  19. The one thing that’s briefly enjoyable about From Paris with Love is John Travolta’s appearance. In a black leather jacket, with a shaved bald head and a goatee and a perpetual scarf to hide his jowls, he looks like a well-fed pimp or a gay bear.
  20. Frozen would get props for a novel plot, except that its storyline appears to be ski-lifted from the "Curb Your Enthusiasm" episode where Larry is stuck on a chairlift with an Orthodox Jewish woman who is terrified of being seen with a man after sunset.
  21. The stylings of Martin Scorsese and Quentin Tarantino come to the Mideast, but more credibly grounded in a complex setting fraught with raw contemporary politics and ancient class tensions. It makes for a compelling movie but hardly a pretty picture.
  22. The larger shell game here is that Edge of Darkness is offered as a political thriller, but with real-world politics removed. What we’re left with is a familiar mechanism for delivering a vicarious, violent, wish-fulfilment fantasy, with Mel in a familiar position, in the driver’s seat, pedal to the metal.
  23. In the case of When in Rome, oh to do what the Romans used to do: Toss the bloody thing to the lions.
  24. A funereally unfunny comedy.
  25. As angst-filled as if it were "Amadeus" and "Lust for Life" rolled into one.
  26. Best when Fraser is on screen. Ian McKellen, who starred with Fraser in "Gods and Monsters," called him the most natural actor he'd worked with, marvelling at Fraser's ability to disappear into roles.
  27. Sorry to disappoint anyone who saw the cast list of this film and presumed Julie Andrews was going to play the horrific serial killer Tooth Fairy from the Hannibal Lecter movies.
  28. So we're back on "The Road ," but this time Eli's coming – better hide your heart and, while you're at it, put your brain on hold, the easier to enjoy the action-filled sermon to come.
  29. Chan's comedic gifts and still-nimble moves are wasted in a string of unimaginative household calamities and practical jokes.

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