For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Surviving Picasso is flat-out dull, hanging like a K Mart print in a suburban mall - a testament to Merchant-Ivory's blew-it period. [20 Sep 1996]- The Globe and Mail (Toronto)
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Jay Scott
A rancid, violent police picture starring and directed by Burt Reynolds who, like bad news, is everywhere this year. [19 Dec 1981]- The Globe and Mail (Toronto)
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Reviewed by
Jay Scott
There is precious little story. Instead, there is a promiscuous profusion of images, a rant of optic free association that makes Ken Russell's Tommy appear a marvel of well-rounded narrative... A trip movie, in the old sixties sense, but it's a bad trip, a numero uno bummer. [17 Aug 1982]- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
There is no tonal consistency from scene to scene, swinging from domestic drama to farce. Most of the actors -- especially Matthew Broderick -- look lost.- The Globe and Mail (Toronto)
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- Critic Score
It is certainly possible that Baena is going for a deeper meaning, but even that feels like a case of indecisiveness.- The Globe and Mail (Toronto)
- Posted Aug 29, 2014
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Reviewed by
Jay Scott
In The Dead Pool, Dirty Harry is downright dusty. The erstwhile right-wing San Francisco homicide inspector has mellowed so much in the fifth installment of his adventures that he's become the darling of the liberal Bay Area media and he seems almost bored by blowing people away. [13 Jul 1988, p.C7]- The Globe and Mail (Toronto)
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Despite gorgeous visuals from an army of Disney animators, the film is one of the weakest the studio has produced in years and deserved a bargain-bin DVD release.- The Globe and Mail (Toronto)
- Posted Aug 8, 2013
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Reviewed by
Barry Hertz
A work of soulless indifference. It is not so much a movie as an exercise in how to wring the life out of even the most lifeless of properties – grave robbing writ large, except the ostensible corpse was never more than a worthless bag of bones in the first place.- The Globe and Mail (Toronto)
- Posted Mar 23, 2017
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You don't expect much from an Arnold Schwarzenegger movie, of course: lots of combat - high-tech and/or hand-to-hand - a skeletal plot upon which to hang shots of the most admired pecs in Hollywood, and costumes that don't cover the pecs. But The Running Man, it must be reported, does not meet even these unexacting standards. [16 Nov 1987]- The Globe and Mail (Toronto)
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- Critic Score
A limp Eddie Murphy vehicle that even he seems embarrassed to be part of.- The Globe and Mail (Toronto)
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Reviewed by
Dave McGinn
Johnny Knoxville is now 42, and he’s clearly torn. He still wants to be a Jackass, but in a movie with an actual story that offers something even slightly more substantive than cringing at other people’s self-inflicted pain and humiliation.- The Globe and Mail (Toronto)
- Posted Oct 25, 2013
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You have an exploitation formula that's billed as "a sensual game of cat and mouse." [5 March 1993]- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Crazy as this might sound, it turns out that self-indulgent ramblings designed to put your children to sleep are pretty much the opposite of art.- The Globe and Mail (Toronto)
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Liam Lacey
After the first five minutes of Down Periscope, though, you'll be more likely be thinking Voyage to the Bottom of the Dregs. As with Ellen DeGeneres's Mr. Wrong, this is the sort of film you expect a big TV star to do before he's successful, not after. [01 Mar 1996]- The Globe and Mail (Toronto)
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Rick Groen
Soderbergh has bathed the Depression in lovely, golden-brown hues - so lovely, so golden, that the flick seems to be unfolding from inside the delicious core of a burnished bran muffin. [20 August 1993]- The Globe and Mail (Toronto)
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Brad Wheeler
A sloppy, unremarkable rockumentary drearily narrated by the nearly literate Police guitarist, who, perhaps at someone else’s insistence, reads passages from his 2006 memoir "One Train Later."- The Globe and Mail (Toronto)
- Posted Apr 30, 2015
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- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Then I remember another law that says fat dumb guys are always likable, so I'm really trying my best, and I pretend to laugh once or twice, but it's hard. [3 Apr 1995]- The Globe and Mail (Toronto)
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Barry Hertz
The new movie is dumb, pointless and completely bereft of laughs. It wastes a talented cast and all of your time. Worst of all, though, it is unconscionably lazy, starting with its generic title (again, who is naming these things?) and ending with its shrug-of-the-shoulders climax.- The Globe and Mail (Toronto)
- Posted Jun 14, 2019
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Barry Hertz
Somehow, Mile 22 devolved from what Berg promised STX would be – “the new wave of combat cinema” – to exactly the kind of generic late-summer garbage any studio could, and has, released for Augusts immemorial.- The Globe and Mail (Toronto)
- Posted Aug 16, 2018
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- The Globe and Mail (Toronto)
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Reviewed by
Julia Cooper
Try as I might, I cannnot activate your interest in this bloated excuse for a movie.- The Globe and Mail (Toronto)
- Posted Mar 18, 2016
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Reviewed by
Leah McLaren
I like firemen just as much as the next red-blooded gal (they're big, strong, real-life heroes, what's not to like?) but something about Ladder 49, for all its slow-motion shots of burly guys in T-shirts sliding down poles and running into burning buildings with gushing hoses, made me seriously want to gag.- The Globe and Mail (Toronto)
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Reviewed by
Jay Scott
One more Dr. Jekyll and Mr. Hyde story, done badly, even if the novel was written by Stephen-can-do-no-commercial-wrong-King, is not what the world needs. [23 Apr 1993]- The Globe and Mail (Toronto)
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Jay Scott
The daring ceases to be exploratory and turns, spitting and screaming, on itself. When Bakshi shows us an animated replay of the infamous 1968 pistol execution of a suspected Viet Cong sympathizer, he imparts to the event the grinning slapstick of a Roadrunner and Wile E. Coyote confrontation. It's as good a place to walk out of American Pop as any. [6 March 1981]- The Globe and Mail (Toronto)
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Rick Groen
A horror-less horror flick where the monstrous Thing doesn't even put in an appearance until well past the two-thirds mark. Sorry, ugly guy, but that goes way beyond fashionably late. [18 Jan 1989]- The Globe and Mail (Toronto)
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Stephen Cole
The narrative line itself rambles increasingly down a path toward tawdry melodrama, defeating the impact of the handsome visuals and finely etched performances. [13 Jan 1995]- The Globe and Mail (Toronto)
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Rick Groen
Only read the bottom line of the accountants' review, after your generic masterpiece has gone the distance from theatrical release to video stores to the nethermost regions of the cable dial. If the accountants' judgment proves kind, head to the bank and feel free to enjoy precisely what you've denied so many others – a really good laugh.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Unfortunately, it has the model of the 1939 film to remind us how lacking in delight this version is.- The Globe and Mail (Toronto)
- Posted Mar 7, 2013
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