The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Mostly though, The Back-up Plan feels like a movie aimed right at the funny bones of four-year-olds.
  2. Ho, ho, horrible.
  3. Even the emotional foundations of the Entourage franchise, those oaths of fealty, family and friendship, have rotted, hollowed out by the characters’ tendencies toward flippant sexism, homophobia and straight obnoxiousness.
  4. Regrettably, and predictably, Force of Nature isn’t interestingly bad – it’s just bad.
  5. The entire endeavour is so crass, sloppy, and infuriating (especially the “twist” ending, although the film contains no real ending at all) that it treads close to zero-star, brand-killing territory. But then Jude Law pops up all-too-briefly as a younger, sexier version of Albus Dumbledore, and everything seems mostly right with the Potter-verse. But the magic, it’s fleeting.
  6. Can't have an American Thanksgiving without a turkey.
    • 21 Metascore
    • 25 Critic Score
    Hollow to the core. [14 Feb 1987]
    • The Globe and Mail (Toronto)
    • 53 Metascore
    • 25 Critic Score
    Grumpy, dopey and wheezy. In this dispiriting spectacle of feuding codgers, two of the finer comic actors of their genration are reduced to being cute and talking dirty. [31 Dec 1993, p.C3]
    • The Globe and Mail (Toronto)
  7. Death Wish 3 is a little like granddad yelling, You kids better get out of my yard, and then following up his threat by tossing a grenade onto the patio and turning the kids into human hamburger. [01 Nov 1985]
    • The Globe and Mail (Toronto)
  8. Pretty limp, and works far better in theory than practice.
  9. Contrast this to "The Iron Lady," a film which managed to be both obnoxiously condescending and flattering to the divisive British leader Margaret Thatcher, and left those of all political stripes irritated. The Lady, devoid of either iron or irony, is merely forgettable, a much deeper insult to its subject.
  10. Sounds promising. What a disappointment then to report that Just Like Heaven is more like purgatory, a sweating, straining attempt to marry the wisecracking fury of the modern sitcom to the classic Rock-Doris, Cary-Kate romantic comedy.
  11. What "serious" means for young actors, as we know from Miley Cyrus's "The Last Song," is maudlin, and Charlie St. Cloud is no exception.
  12. In the case of When in Rome, oh to do what the Romans used to do: Toss the bloody thing to the lions.
  13. It's a going-through-the-motions domestic comedy that makes, say, "Cheaper By The Dozen" look like a heart-warming, cutting-edge laugh riot.
  14. Aside from uninspired movie-parody gags, Cats & Dogs: The Revenge of Kitty Galore suffers from gadget overload.
  15. Why are movies about sophisticated technology and hidden persuaders and subliminal seduction - Agency is the other example that springs immediately to mind - so technically sloppy, so incapable of persuading even the smallest child of their plausibility and so utterly unable to seduce someone dying to be ravished by a well-made thriller? [2 Nov 1981]
    • The Globe and Mail (Toronto)
  16. Taylor Lautner puts the abs in Abduction, but not much else.
  17. Norbit was memorably offensive. Coming 2 America is merely offensively forgettable.
  18. The movie feels like a form of aversion therapy designed to take the fun out of dumb.
  19. The plot, for instance, doesn’t make all that much sense, what with its heroic space chimps and evil space apes and sly space foxes, all of whom don’t seem to realize what a half-baked narrative they’re operating in.
  20. Horror at Christmas might work, but tedium doesn't.
  21. On film, Bennett's bouncing brainchild is Richard Attenborough's Workout Tape, love story attached; the specificity is gone. The 16 auditioning dancers could be any people or all people. [11 Dec 1985]
    • The Globe and Mail (Toronto)
  22. One Star (and only for quoting Knee-Chee).
  23. So here’s an idea: Maybe filmmakers should shoot what Ashton’s up to off-camera, because not many laughs are making it to the screen.
    • 36 Metascore
    • 25 Critic Score
    Space Chimps might have been saved, in fact, by using real monkeys in the astronaut roles. Or, better yet, by having a monkey in the director's chair.
  24. Anything but a seasonal treat. This special-effects-heavy, big-budget musical from expatriate Russian director Andrei Konchalovsky (Runaway Train, Tango & Cash) ranks as one of the most misguided children's films ever made.
  25. The plot-turns are mounting by the minute, but they're not making a lick of sense. In fact, they're smacking of desperation, the sort of desperation that incites a writer to pull "taut" so tightly that all logic snaps, the sort that drives the movie on and on and on in search of a convincing third act and a resolving climax. [10 Feb 1992]
    • The Globe and Mail (Toronto)
    • 35 Metascore
    • 25 Critic Score
    A brutal and brutally stupid thriller about brutal and brutally stupid people,[16 Feb 1990]
    • The Globe and Mail (Toronto)
  26. There's a lesson behind Gentlemen Broncos , the new film from director Jared Hess: Don't try to mock above your talent level.

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