For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jennie Punter
Essentially a slapstick movie with no plot or -- as my boyfriend called it after recovering from 1½ hours of side-splitting laughter -- "the ultimate big-screen TV experience."- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
- Posted Apr 28, 2016
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Reviewed by
Liam Lacey
Every character is like the hyperactive rat-squirrel Scrat, and the audience is bounced around like his elusive acorn.- The Globe and Mail (Toronto)
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Reviewed by
Barry Hertz
From its lazy title down to its yes-we-all-saw-that-coming third-act twist, Dangerous Lies offers a particularly boring kind of last-resort viewing.- The Globe and Mail (Toronto)
- Posted Apr 30, 2020
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Reviewed by
Jay Scott
The second film, in which one teen- ager is possessed by the spirit of a murderer - this is a supernatural Jekyll and Hyde - sets horror film fans to laughing and eventually to booing.[20 Nov 1985]- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
2 Days in New York plays like 2 years in Attica. You don't watch this movie so much as serve it out, a light comedy doled out as a heavy sentence.- The Globe and Mail (Toronto)
- Posted Aug 10, 2012
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Reviewed by
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- The Globe and Mail (Toronto)
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Reviewed by
Barry Hertz
Overriding everything is a profound sense of laziness. Jokes do not land here so much as they ooze forth, slow and noxious.- The Globe and Mail (Toronto)
- Posted May 13, 2020
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Reviewed by
Radheyan Simonpillai
A slow and visually hideous crawl to an underwhelming brawl.- The Globe and Mail (Toronto)
- Posted Mar 29, 2024
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Reviewed by
Jay Scott
Would-be horror film has little upstairs. Warped and wilted in the attic. [25 Nov 1987]- The Globe and Mail (Toronto)
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Reviewed by
Kate Taylor
Any hope that the clever concept behind Risen might produce a clever movie is thrown to the ground, where it lies quivering for the next hour or so, before expiring noisily in the film’s second half.- The Globe and Mail (Toronto)
- Posted Feb 18, 2016
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Reviewed by
Barry Hertz
If someone somehow convinced somebody somewhere to turn the screenplay for Gringo into a real-life motion picture with real-deal actors, then, hell, it could happen to anyone.- The Globe and Mail (Toronto)
- Posted Mar 8, 2018
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- Critic Score
Unless you are a Connery fan - or a special effects fan, or perhaps a broadsword-fighting fan - the profoundly silly plot sinks this film beyond redemption. [04 Nov 1991]- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The film can't be accused of taking itself seriously. Shot in 3-D, with lots of choppy action, a rudimentary plot, and plenty of CGI-shape-shifting, it comes in at a brisk, disposable 88 minutes.- The Globe and Mail (Toronto)
- Posted Jan 26, 2013
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Reviewed by
Kate Taylor
Underneath all this mess there is some idea about the conflict between private love and public duty, between personal interests and those of the state, but the characters are so marginally observed by both the actors and the script there is no tension in the themes.- The Globe and Mail (Toronto)
- Posted Nov 23, 2016
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Reviewed by
Rick Groen
THERE'S NO excuse for Her Alibi. A hyphenated hybrid like this - romance- comedy-thriller - demands a lot of stirring; if nothing else (and there rarely is much else), it must at least be smooth, colorful and easy on the palate. Instead, the stuff here goes down like lumpy porridge on a grey morning.[3 Feb 1989]- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
After 90 minutes of diligently searching the premises of ACB2, no evidence of mass entertainment can be found. Recommend cancellation of all future similar missions.- The Globe and Mail (Toronto)
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Reviewed by
Jennie Punter
Classic style over substance, with some gruesome-looking creatures and settings and non-stop shooting and biting (both the vampires and werewolves get their teeth into it). But, alas, at almost two hours, it is much ado about nothing.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Within this bloated fantasy hodgepodge, there are few grace notes: In the role of the creepy fortune teller, Madame Dorothea, CCH Pounder is evil fun. And a few special effects, including a Rottweiller who turns into a skinned hellhound, leave an impression. Otherwise, Mortal Instruments manages to occupy 130 minutes of frantic, numbing, activity.- The Globe and Mail (Toronto)
- Posted Aug 20, 2013
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Reviewed by
Liam Lacey
The movie is pallid, bloated and light enough to evaporate from the mind 10 minutes after you leave the theatre. [26 May 1995]- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
- Posted Feb 13, 2014
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Reviewed by
Rick Groen
Blowing up bad guys, swearing, and lots of cliches makes the The Last Boy Scout a must to miss. [16 Dec 1991]- The Globe and Mail (Toronto)
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ALAN J. Pakula's name may seldom be associated with movies of dazzling brilliance, but you can generally rely on him for entertaining, first-rate work, like All the President's Men, Sophie's Choice and Presumed Innocent. He's let us down badly with Consenting Adults. [20 Oct 1992]- The Globe and Mail (Toronto)
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- Critic Score
An achingly sincere but often staggeringly inept attempt to introduce Walsch's message to movie audiences.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Because the society in Menace II Society is boxed in sociologically, the picture (for all its strengths) is boxed in esthetically. Already, this genre is beginning to seem as much a victim as the victims it portrays.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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- Critic Score
A film like Endless Love comes about as close to reality as a Hobbit sequel, only without a single dragon to remind impressionable viewers that they might not want to take it literally.- The Globe and Mail (Toronto)
- Posted Feb 13, 2014
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Reviewed by
Stephen Cole
The best part of Jonah Hex is Josh Brolin on a horse. Especially when he's not saying anything, just moseying into or out of town. Too had he never moseys into a better movie.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
If plots were people, this obese thing would be cuing up for liposuction. Mr. Brooks may well boast the greediest yarn in the annals of filmdom. One serial killer just doesn't cut it – no fewer than four, actual and potential, pack these frames.- The Globe and Mail (Toronto)
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