The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. New Year's Eve. It's big and shiny and crowded and no matter how much you might look forward to it, it never lives up to the hype. The movie is even worse.
    • 41 Metascore
    • 12 Critic Score
    Arriving at the tail end of blockbuster season, this cheaply produced sequel to the surprise 2011 hit arrives in plenty of time to claim the title of the year’s most unpleasant movie.
  2. You will die at the hands of Zed's unborn son. Shucks, those wicked witches sure had a way of taking the fun out of life. Luckily for scheming kings, sadly for blameless movie-goers, such party-pooping prophecies are now mainly confined to formulaic flicks like The Beastmaster. [23 Aug 1982]
    • The Globe and Mail (Toronto)
  3. The manner in which the writer, Richard Matheson, and Jeannot Szwarc, in his glory days the director of Jaws II, conspire to tell the story should not only render the audience tearless, but speechless as well. [11 Oct 1980, p.E7]
    • The Globe and Mail (Toronto)
  4. An awkward, painful mash-up of horror and comedy that induces all the wrong kind of squirms.
  5. Guilty of gross mellerdrammer & innocent of sophistication... Guilty of being dumber than WWF wrestling & innocent of hypocrisy about its cartoon violence.
  6. Consequently, as star vehicles go, Ford Fairlane runs straight over the very guy it's meant to transport. Some will see that as the movie's greatest fault, others as its only virtue. Take your pick, and come out swinging. [13 Jul 1990, p.C1]
    • The Globe and Mail (Toronto)
    • 4 Metascore
    • 12 Critic Score
    Still Smokin' is a shabby, cut-and-paste film. The only surprise is that the title does not refer to the pair's notorious predilection for good grass; it has, shall we say, a more scatological connotation. Cheech and Chong's unique kind of humor - poor taste for its own sake - might have touched a chord seven or eight years ago. But nobody's listening any more. [9 May 1983]
    • The Globe and Mail (Toronto)
  7. A laughably bad melange of blood, guts and racial stereotypes.
  8. Familiar in its outline but unusual in the details, Last Knights feels like a year’s worth of post-midnight cable TV viewing run through a blender and served warm for your viewing amusement.
  9. And before anyone pulls out the “guilty pleasure” card – no. There is zero pleasure here, no matter how low your bar is currently set. Only pain. So much pain.
  10. The Black Hole isn't mediocre or even bad - it's dreadful...[It] looks, sounds and feels like a careless, cynically manufactured B-movie. Uncle Walt must be spinning in his cyrogenic vault. [24 Dec 1979]
    • The Globe and Mail (Toronto)
  11. An actual film of unrelenting silliness. Far from being a "miracle of rare device" (yes, the movie even quotes Coleridge), this is a disaster of common occurrence - a poorly directed, ineptly edited, badly photographed bundle of celluloid. [14 Aug 1980]
    • The Globe and Mail (Toronto)
  12. Pixels is a movie without wit, without jokes, with nothing to say but plenty to regurgitate.
  13. I think the guy who exited the advance screening after less than 15 minutes said it best. "This movie's garbage," he hollered, as the audience members tittered and shuffled their feet, which they continued to do throughout this humourless, hackneyed yawnfest.
    • 36 Metascore
    • 12 Critic Score
    The most important question is one that should be answered before setting foot in the theatre, and it is this: How badly do you want to see Cameron Diaz’s butt? If your answer is so very badly, or even pretty darn bad, then by all means, buy a ticket.
  14. License to Drive, directed by Greg Beeman and written by Montreal's Neil Tolkin, is not only stupid, a virtual requirement of summer teen exploitation movies, it's also nasty: it's been designed to turn its swooning target audience into a pajama party of neurotics. [08 July 1988]
    • The Globe and Mail (Toronto)
  15. It’s not about nothing, but it is nothing special.
  16. A sweet and sloppy jumble of fantasy, sentimentality, comedy and soul-searching that feels like a sitcom that never got past the pilot stage.
  17. Joy
    If his direction is erratic, the script he wrote with Annie Mumolo (Bridesmaids) has gaps you could drive a truck through and dialogue filled with painfully obvious exposition of plot, motive and theme.
  18. At the end of The Comebacks, Coach is offered job with a college basketball team called The Sequels - a joke perhaps, but all too horrifying a prospect after watching this dull fumble.
  19. This movie is not just badly executed, it's also stupid.
  20. This one is a big, big disappointment. [27 July 1987]
    • The Globe and Mail (Toronto)
  21. It's not a bomb at all. A dud is more like it - Last Action Hero isn't interesting enough to be explosively bad. For all the inflated pyrotechnics on the screen, the picture seems consistently grey and almost pitiably small. [18 Jun 1993, p.D1]
    • The Globe and Mail (Toronto)
  22. The film is significantly inept even when Crawford is not on the screen. [03 Nov 1995]
    • The Globe and Mail (Toronto)
  23. Wayans will do anything for a laugh, and twice if necessary. If Carrey wears a broken front tooth in Dumb and Dumber, Wayans has two front teeth capped with gold. If Carrey sells a dead bird to a blind child, Wayans shaves the heads of a blind boy and his seeing-eye dog. [24 March 1995]
    • The Globe and Mail (Toronto)
  24. Where to even begin with Venom, a film that had me laughing at it so hard I started crying. A horribly scripted film so bad as to be enjoyable, but not bad enough to be good.
    • 16 Metascore
    • 12 Critic Score
    Billy Madison is so singularly stupid that "Dumb and Dumber" looks (almost) like a beacon of braininess and taste in comparison.
  25. There's obviously a huge appetite for humour this broad, and I wish I shared it. Instead, like a picky vegetarian at a Texas barbecue, I felt out of place, hungry, and a little sad. Not altogether different, perhaps, from a certain British actor on a seedy Sunset Strip. [14 July 1995]
    • The Globe and Mail (Toronto)
    • 43 Metascore
    • 12 Critic Score
    Crystal has a likable screen persona, and he's gracious in sharing his stage, but the movie is essentially an expensive (if quite possibly profitable) act of self-indulgence. [10 June 1994]
    • The Globe and Mail (Toronto)

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