The Globe and Mail (Toronto)'s Scores

For 7,299 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7299 movie reviews
  1. Pandora’s Promise is less an exploration of the subject than a well-constructed sales pitch.
  2. Watching Attack of the Clones is like getting rapped on the head with a rubber mallet -- no lasting damage (I pray and hope), but bad enough to bring on an acute bout of dizziness and disorientation. Definitely do not operate heavy machinery after viewing -- this behemoth is brutal.
  3. Near the end of the movie, Django jokes that, after the protests, people may still not know what the WTO is, but "they know it's bad." That's a fair summation of how much insight Battle in Seattle provides for its viewers.
  4. Plays like an easy-listening hit.
  5. The film doesn't work, it ain't charming.
    • 54 Metascore
    • 38 Critic Score
    It never reaches the soaring, cloud-busting heights of Frankie Valli’s otherworldly falsetto, and it doesn’t even try.
  6. The beautifully photographed film is quite stylized at times...But it manages to steer clear of the stereotypes one might expect of a movie set in this time and place, thanks in part to the underlying and, mostly, underplayed themes of spirituality and the search for identity.
  7. Alas, Schumacher doesn't ride on the momentum; worse, he's not an action director, and the film grinds to a dead stop every time it tries to speed up.
  8. Full of falling rain, fluttering silk, John Williams's music and whispery voiceover, Memoirs of a Geisha is one long oxymoronic exercise in attempting to show delicacy through overkill.
  9. There are some small-time twists in this small-time thriller and, naturally, McHattie does solid work as one of the more slippery characters Saxon encounters in his quest for justice, but DiMarco just can't sustain enough tension or drama to power the film through a plodding 105 minutes.
  10. Gripping to watch but ultimately misses the target. [29 Apr 1978]
    • The Globe and Mail (Toronto)
  11. There's a risk of taking The Brady Bunch too seriously but, please, let's not think of it as funny, then or now. [18 Feb 1995]
    • The Globe and Mail (Toronto)
  12. Like a smart-ass student clever enough to see through everyone but himself, Art School Confidential falls victim to the very clichés it wants to puncture.
  13. Regardless of its flimsy emotional interior, Ricki is a worthy addition in this year’s growing canon of strong female-centred films.
    • 54 Metascore
    • 50 Critic Score
    Mel Brooks manages some richly funny scenes that are spoiled by excessive gags. [27 July 1991]
    • The Globe and Mail (Toronto)
    • 54 Metascore
    • 50 Critic Score
    For the first 45 minutes, it's a listless and humourless comedy. But, after Mike Myers clobbers viewers over and over again with his open, eager-to-please style, the movie slowly lurches to life So I managed a few laughs. [3 Aug 1993]
    • The Globe and Mail (Toronto)
    • 54 Metascore
    • 38 Critic Score
    Anyone who has seen "Dream Girls," "What's Love Got To Do With It?" or even "The Doors" will find themselves in familiar (if inferior) territory here.
  14. While this may all sound seductively warped to those who enjoy movies featuring sexually deviant confinement and torture, blasphemous rants and rampaging rednecks, The Devil's Rejects does not live up to its sick, twisted and campy intentions. "Straw Dogs" meets "Smokey And The Bandit" for the new millennium it ain't.
  15. Johnny Knoxville is now 42, and he’s clearly torn. He still wants to be a Jackass, but in a movie with an actual story that offers something even slightly more substantive than cringing at other people’s self-inflicted pain and humiliation.
  16. We all love Winnie the Pooh; that is why we are interested in the story of the real Christopher Robin. To learn that public affection all but destroyed his childhood makes an audience uncomfortably complicit in this cuddle-free origin story of the world's most famous teddy bear.
    • 54 Metascore
    • 50 Critic Score
    Whenever it promises to spin into madcap nonsense, Budreau asserts a kind of tortured primness, as if chastened by the realization that this all actually happened to real people. And they seem to be having more fun than we are.
  17. That is what makes the movie highly watchable – along with Hemsworth's affable presence, backed by the always reliable Shannon and with Michael Pena and Trevante Rhodes as two of the soldiers, providing wry commentary from the sidelines.
  18. Allen's best effort since 1999's "Sweet and Lowdown," but that's not saying a lot.
  19. Let's just say that, when the parody looks indistinguishable from the parodied, something's gone awry.
  20. Brüno is likely to be the funniest thing you'll see on a screen this summer. Which is precisely its problem: it's a thing , not a movie – if, that is, you believe a movie should be more than an accumulation of prankish set-pieces flimsily strung over 80 skimpy minutes.
  21. The plot’s believability is stretched to the point of emaciation, even for this series. The comedy, which arrives on cue every other scene, is pained. And the action is now a fully cribbed and inferior sizzle reel of Bay’s greatest hits. . . Still, there are a few flashes of fun.
  22. With what is clearly Perrault’s first feature script, the stars here struggle to keep up their energy in what adds up to be 93 minutes of crude jokes.
  23. Mixes broad slapstick and off-hand one-liners in a sometimes surprisingly funny mixture.
  24. Schroeder’s film makes a convincing case that the fact that the characters have never been licensed has a lot to do with why it is still so precious to so many people.
  25. Sharply written by Billy Crystal and ably directed by Henry Winkler, Memories of Me turns out to be an enjoyably sentimental surprise - what it has going for it that the psychodramatic versions don't is a sense of humor, but it covers the same serious issues with a similar amount of depth. [07 Oct 1988]
    • The Globe and Mail (Toronto)

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