For 7,299 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,355 out of 7299
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Mixed: 1,828 out of 7299
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Negative: 1,116 out of 7299
7299
movie
reviews
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Reviewed by
Liam Lacey
One distraction is that everything feels smothered in an extra helping of déjà vu sauce: another movie featuring a middle-aged misanthrope with a dewy younger woman; another film with stage magic as a theme.- The Globe and Mail (Toronto)
- Posted Jul 31, 2014
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Rick Groen
Whereas the psychology is surreal and wonderfully fluid, the action is too real and surprisingly listless, displaying little of the kinetic zip, or the sheer lyricism, that Lee brought with such memorable effect to "Crouching Tiger."- The Globe and Mail (Toronto)
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- Critic Score
It’s a timely narrative subject, but its treatment in The Reluctant Fundamentalist is fundamentally flawed.- The Globe and Mail (Toronto)
- Posted May 17, 2013
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Reviewed by
Jay Scott
David Keith, a native of Tennessee, had a tiny role in The Rose (as Bette Midler's soldier friend) and he is one of the few in the Brubaker cast whose accent is authentic and who appears to have the wherewithal to survive in a penitentiary. His scenes are the only respite from the movie's shrill, simplistic self-congratulation. [21 June 1980]- The Globe and Mail (Toronto)
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Barry Hertz
Levinson displays some amazing technical chops – most of which can be traced back to Joseph Kahn, but never mind – and there’s one standout home-invasion sequence toward the end. But some warnings are best heeded.- The Globe and Mail (Toronto)
- Posted Sep 8, 2018
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Liam Lacey
In a few sound bites, we get the picture and the picture's motto: the smug and selfish coast is an order of disaster-flick toast waiting to burn.- The Globe and Mail (Toronto)
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Liam Lacey
The current postcard from abroad is not great, but not grating.- The Globe and Mail (Toronto)
- Posted Jul 5, 2012
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Barry Hertz
It’s not that every film has to achieve some grand epiphany, but Touch Me Not is not nearly as satisfying as the primal act it’s obsessed with.- The Globe and Mail (Toronto)
- Posted Jan 7, 2019
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- The Globe and Mail (Toronto)
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Reviewed by
Ray Conlogue
For those who don't know his (Lelouch's) work, And Now Ladies and Gentlemen will be fun because his style is unique and unpredictable. But for those who have known him in better form, this one is not a must-see.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
- Posted Dec 25, 2013
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Reviewed by
Rick Groen
Actually, occasionally, does feel good. Now if only it had something to say.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
This picture is to comedy what carpet bombing is to aerial warfare: The onslaught is so relentless that occasional direct hits on the funny bone are a statistical guarantee.- The Globe and Mail (Toronto)
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Stephen Cole
The Hunting Party does a good job of illustrating Winston Churchill's observation, "There is nothing more exhilarating than to be shot at without result."- The Globe and Mail (Toronto)
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Stephen Cole
Though bathed in ecclesiastical light and a work of obvious craft and ambition, Bee Season is grimly serious and rather full of itself.- The Globe and Mail (Toronto)
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Reviewed by
Brad Wheeler
Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds and others float around one another for an intense but spark-free 103 minutes, their characters barely sketched.- The Globe and Mail (Toronto)
- Posted Mar 23, 2017
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Barry Hertz
Seven years is a long time to attempt a reheating of all the many ingredients that made the original film go down so easily, and Another Simple Favor simply tastes off.- The Globe and Mail (Toronto)
- Posted May 8, 2025
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Dave McGinn
A good model of how superheroes can save the world without forced gravitas, and have fun doing it.- The Globe and Mail (Toronto)
- Posted Nov 7, 2013
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Sarah-Tai Black
It’s an edge-of-your-seat crowd-pleaser that cares enough to develop its story world and characters just as well as its jump-scares and tension.- The Globe and Mail (Toronto)
- Posted Aug 30, 2022
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Reviewed by
Liam Lacey
There’s a flicker of déjà vu seeing Max Irons step into the role of a posh Oxford University student in The Riot Club. Irons has inherited the cheekbones and silky voice of his father, Jeremy Irons.- The Globe and Mail (Toronto)
- Posted Mar 27, 2015
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Liam Lacey
The narrative of Lonesome Jim pokes about aimlessly, trying to mine nuggets of amusement.- The Globe and Mail (Toronto)
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Rick Groen
Dig just a shade beneath the surface, trade in the text for the subtext, and a more interesting picture emerges – a little richer, sadder, almost poignant. Arnie is back again, yet now, as a storied immigrant nearing the end of his tale, he's become an odd sight to behold.- The Globe and Mail (Toronto)
- Posted Jan 17, 2013
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Reviewed by
Liam Lacey
Thanks for Sharing might best be described as being like Steve McQueen’s sex-addiction drama, "Shame," if it were rewritten by Neil Simon at his most schmaltzy.- The Globe and Mail (Toronto)
- Posted Oct 17, 2013
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Reviewed by
Rick Groen
Consequently, your reaction to the film will pretty much hinge on your opinion of the play. Ho-hum is my humble verdict.- The Globe and Mail (Toronto)
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Clichés abound and you think you know where this is going. But in her feature debut, Canadian director Lina Roessler manages some genuine surprises. Caine is wonderful, Plaza is charming. The film has its moments, but one for the books this ain’t.- The Globe and Mail (Toronto)
- Posted Sep 17, 2021
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Reviewed by
Jay Scott
This omnibus of four tales is cheerful, campy, garish, ghoulish and gross. That means it's a success on its own unambitious B-movie terms. [05 May 1990]- The Globe and Mail (Toronto)
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Barry Hertz
Perhaps sensing that the film needs all the toe-tapping energy it can get, Spiderhead’s cast make the most out of their thin material.- The Globe and Mail (Toronto)
- Posted Jun 13, 2022
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Reviewed by
Brad Wheeler
It is still by no means a great film, even compared against the standards of contemporary superhero cinema, which is bleeding any sense of individual artistry and purpose each passing year. But it is a wild, invigorating experiment to experience.- The Globe and Mail (Toronto)
- Posted Mar 15, 2021
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