The Globe and Mail (Toronto)'s Scores

For 7,299 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7299 movie reviews
  1. Through it all, actress Posey strikes attitudes and preens across the glib surface of the film, and though her campy excesses are tolerable for a brief time, the performance becomes an exercise in overkill. [13 Oct 1995]
    • The Globe and Mail (Toronto)
  2. In the world of pulp movies, where horror, westerns and Asian exploitation borrow and blend with each other, there's a point where the cross-genre mishmash begins to feel like gobbledegook. That's definitely the case with Sukiyaki Western Django.
  3. Hausner is clearly talented, and I’m all for a film without easy answers. But I wish this one was less insistently opaque.
  4. Rocky V, for all its faults, is not awful. It is inferior to the charmingly naive, Cinderella-in-sweat-pants opener of 14 years ago, but it's far superior to every other overdetermined installment. [21 Nov 1990, p.C1]
    • The Globe and Mail (Toronto)
  5. It's the small, smelly details that elevate this Indian-fusion retelling of Jane Austen's classic novel from trifle to bona-fide delight.
  6. Typical themes (redemption, forgiveness) are laid out with little imagination.
  7. This means that Someone to Watch Over Me is a much more interesting movie (than "Fatal Attraction").[9 Oct 1987]
    • The Globe and Mail (Toronto)
  8. Anyone who has ever watched a movie about young love and the C-word (no, not Clouds) will know exactly where the film is headed, as well as the obligatory narrative beats that stretch out the inevitable. But for a sob story, Clouds is not nearly as watery as it could have been.
    • 55 Metascore
    • 38 Critic Score
    All the special effects in the universe don't make up for a lame plot, though. There's something foul about a Star Trek movie so apparently slapdash: the creators know that legions of fans will show up, no matter what. [18 Nov. 1994]
    • The Globe and Mail (Toronto)
  9. Other than keeping Hamilton’s name out there and giving her brand exposure, Unstoppable stops short of making a compelling case for itself.
    • 55 Metascore
    • 63 Critic Score
    The mild but affable story of an ad man's midlife crisis, King of the Corner is an actor's film in every way.
  10. Redford hasn't moved too far here from an earlier political-thriller template: With its skulduggery, late-night meetings and the contemptuous political cabal out to thwart justice, The Conspirator can be thought of as "All the President's Men – The Lincoln Edition."
  11. The result is an irreverent, kinetic presentation with snappy dialogue and a hammered-home message that is graspable to even those with cup-shaped hands: One's true powers are internal, not external devices.
  12. Murphy’s blindingly bright, consistently energetic, never-ever-ever-still approach works more often than it doesn’t. Think of Murphy’s own Glee but with approximately 30 times the budget and star power.
  13. It’s an entertaining and thrilling tale, if you’ve never seen it before. But you have.
  14. The message of the film is that life throws surprises. While that is true, this predictable film itself is not one of them.
  15. The surreal visuals are relentless, overpowering the narrative much as they do in the frames of comic books (sorry, graphic novels).
  16. Sachs manages this day in the life without cumbersome exposition thanks to the texture of this casting, all while keeping the disparate concerns of three generations moving.
  17. Rarely have I seen a movie which made me feel more skeptically Canadian. Please -- it's not true that you can do anything. Stop trying. You might make things worse.
  18. A parable that concerns the monstrous conduct of humans, Tusk is a salute to storytelling, a comic send-up of Canadiana – with awesome references to Degrassi and Duplessis – and a terrorizing vehicle for sharply conceived absurdity.
  19. The stark direction, the brittle performances, the impoverished setting, the scatological dialogue, everything about the film screams out "Gritty social realism." Everything, that is, except the plot, which shouts "Eye-rolling melodrama."
  20. Think of it as trope grope. Things are so relatively democratic nowadays that filmmakers have to rummage through the past for a truly shmaltzy story. And they don't come any shmaltzier than this.
  21. Invincible lacks Herzog's usual visual and intellectual panache, and is afflicted by weak English-language acting, which makes it more of a career curio than a major work.
  22. Girotti is especially evocative, his face an alternating current that switches from emptiness to alarm and back again.
  23. If this sounds intriguing, we should add that System of a Down is a lousy live band. And director Garapedian, for all her public-minded zeal, isn't capable of corralling her interviews and opinions into a coherent polemic.
    • 55 Metascore
    • 25 Critic Score
    Phar Lap is another Australian horsy movie starring an American actor, Ron Leibman (Norma Rae), but this time the American's performance is the only redeeming feature in this otherwise tedious, slow-moving Down-Under tale about a fast-moving horse that should have been named Rocky. [20 Jul 1984]
    • The Globe and Mail (Toronto)
  24. The fascination of the film is to see his anti-Semitic development and how matter-of-factly and self-righteously he carries out his monstrous race-cleansing.
    • 55 Metascore
    • 50 Critic Score
    It’s a complicated story that requires digging deep into uncomfortable questions about ballet’s rigid aesthetic standards and the economics and availability of training. George doesn’t give it the depth or analysis it requires.
  25. A comedy boasting a gimmick worth a peek. For, into this remembrance of time past and youth altruistic, the script injects a heavy dose of up-to-the-minute pragmatism. [16 Aug 1985]
    • The Globe and Mail (Toronto)
  26. There are good intentions lurking here, especially in star Louis Garrel’s performance, but the film consistently fails to engage on an even basic level.

Top Trailers