In Harm's Way is one of the most violent installments TellTale's overall series, if only for the disturbing intimacy of it all. At times, Episode 3 is hard to experience, but it's well worth sticking it out.

That Borderlands 2 has been squeezed onto the PS Vita with all of its extra content is commendable. That it had to become a far worse game in the process is not.

Warlock 2 offers a lot of options for a fantasy strategy fan, and the Exiled mode is fun the first time, but there's something missing in the formula to make it a truly memorable game.

I had high hopes for Moebius: Empire Rising, but while it shows early promise it ultimately falls far short of living up to it. I suspect that Jane Jensen has a good story to tell, but this is definitely not the way to go about it.

Bound By Flame would be an immensely likable game, were it not for just how slipshod it ultimately feels. Its individual components are well crafted, but when brought together, the result is something that just isn't quite right.

Outlast: Whistleblower isn't quite as memorable as its parent game, but nonetheless provides plenty of grisly encounters and tells a more complete story.

The Amazing Spider-Man 2 is serviceable, and serviceable is as good as it gets. Competent, with admirable attempts at original storytelling, this movie tie-in is the perfect example of a middle-ground title.

Predictable, trite, and convoluted, Daylight is more likely to make you yawn than scream. It's every single horror game ever made, and it's less than the sum of its parts.

While its writing can make one cringe now and then, Child of Light is an overall charmer of a game, with a beautiful audiovisual style and clever twists on simple RPG concepts. Lovely stuff!

Kirby Triple Deluxe is a light and breezy trip to the spherical slurper's roots. While those looking for a challenge will find this installment as frustrating as previous entries, fans are in for another undeniably charming treat.

War of the Vikings isn't necessarily a bad game, but it's a far cry from being a good one. With frustrating controls as well as periodic technical hiccups, it's never going to appeal to a mass audience, but those it does appeal to will enjoy it.

The thing that really crushes the game, though, is this: There are "convenient" links to the eShop to buy the full versions of the included games from within NES Remix 2 itself. Absolutely not, Nintendo. Absolutely not.

Demon Gaze is tough as nails, sometimes dishearteningly so, but its overall charm and excellent sense of polish make it impossible to stay away from for long. A truly excellent example of challenging dungeon crawling.

The Elder Scrolls Online is a ton of fun in an outside-the-box sort of way. It can't seem to decide whether it wants to be single player or MMO, so be prepared for some in-between weirdness, but nothing that really detracts much from the experience. Between Guilds, crafting, PvP, and dungeons, it has all of the makings of a solid MMO.

Destiny of Spirits gets a pat on the head for trying to be better than the worst free-to-play games out there, but since that's not difficult, and since there are far better examples in existence, the reliance on cooldown periods and senseless restrictions come are disappointing.

The third episode of The Wolf Among Us adds an illusory time limit, and it works damn well at ramping up the tension of Bigby's investigation before a stellar climax.

It could have done with being ten dollars cheaper and two hours shorter, but Betrayer is a beautiful looking title with a compelling atmosphere and enjoyably tense combat.

A heartless reskin of an already dull game, Warhammer 40,000: Storm of Vengeance is a mediocre "me too" clone with a brand name shoddily bolted to itself.

It's funny the first time, but there's just not much there beyond the one big goof.

If any one element of The Witch and The Hundred Knight had been truly great, you could look over some of its warts, but without any strong focus its just a bog standard action RPG that's artificially attempted to be made interesting with tons of superfluous gameplay mechanics tacked on.

Utterly stupid and often frustrating, Deception IV: Blood Ties is one of those games that manages to be enjoyable in spite of itself. It's a "bad" game, by most standards, but it's good in that "not good" way.

It's a great way to reincentivize the most enjoyable Warriors game since DW3, and it looks suitably pretty to boot.

Despite a few issues with its end game challenges, Luftrausers is a surprisingly addictive, challenging arcade game that will keep you glued to your Vita for game after game after game.

Yaiba: Ninja Gaiden Z is a dismal waste of a good idea. Painfully unfunny, graphically abhorrent, and straight-up disheveled in the combat department, this manages to be one of the worst games of the last generation, right at the very end of it.

The best in the series to date, inFAMOUS: Second Son tells an amazing story and gives players a ton of relishable power to play with. It's held back by some outdated and formulaic ideas, but overall it'll keep players happy.

Audacious is the word that best describes Metal Gear Solid V: Ground Zeroes. It contains quality material, but it's little more than a preview of something better, and as such, simply should not be presenting itself - deceptively - as a game in its own right.

Hearthstone might not fully scratch the strategy itch of the most advanced CCG/TCG players, but it makes an impressive attempt. The rules are simple, so anybody can get the hang of it, but there are enough deck variations available that only skilled deck builders and players will make it high in the ranks.

Colorful yet dark, Tales of Symphonia Chronicles effectively communicates its theme about ending discrimination while providing a fun and sometimes emotional playing experience. Dawn of the New World uses a similar formula, but loses the charm.