The A.V. Club's Scores

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For 10,412 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,570 out of 10412
  2. Mixed: 3,735 out of 10412
  3. Negative: 1,107 out of 10412
10412 movie reviews
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  1. The Man Who Invented Christmas
    Christmas has some good points going for it (e.g., Plummer’s grumpy, rascally Scrooge, who’d be great in a straight adaptation), but its portrayal of Dickens’ biography and family life is resoundingly dull, apart from some tense notes in Pryce’s performance.
  2. Call Me by Your Name
    The potential for a tryst hangs heavily in the humid Mediterranean air; every look and line of dialogue drips with subtext. But Call Me By Your Name’s erotic tension wouldn’t crackle so loudly without the chemistry between its leads.
  3. Coco
    One might argue that Coco could stand to be weirder and more self-indulgent; the alternate reality it creates is entertaining and expansive. But then it wouldn’t be a Pixar film. It is impeccable, time-tested craftsmanship, not experimentation, that drives Coco, both in its most familiar beats and in its most moving moments.
  4. The Star
    The director, Tim Reckart, is better known for his puppet-based stop-motion (he worked on Anomalisa and was Oscar-nominated for a short film) and seems to be out of his element here.
  5. Jim & Andy: The Great Beyond — Featuring a Very Special, Contractually Obligated Mention of Tony Clifton
    There’s something bracing about the difficulty of reconciling this earnest middle-aged hippie with his maniacally impish younger self.
  6. Roman J. Israel, Esq.
    It’s the rare instance when you can see this great actor laboriously acting.
  7. Justice League
    The “new and improved” model looks claustrophobically like an overpriced TV pilot, and not in a good way. Say what you want about the tenets of brooding, art-school-fascist superhero worship, but at least it’s an ethos.
  8. Wonder
    The film features some of the most clichéd aphorisms about kindness and inner beauty this side of an inspirational wall hanging. But honestly? It could have been a lot worse.
  9. Mudbound
    If the endgame is tough to bear, the getting there is rarely less than involving, thanks to the sensitivity of Rees’ staging. She’s made an economical epic with an intimate modern soul.
  10. On the Beach at Night Alone
    It’s also somehow simultaneously one of his (Hong Sang-soo) most straightforward, emotionally direct movies and the weirdest damn thing he’s ever made.
  11. A Fantastic Woman
    At its most compelling as a conventional character study of an unconventional female lead.
  12. Porto
    Its strongest evocation of poignant, imperfect memory has to do with its leading man, and the glimpse it provides of a fuller career that never was.
  13. Daddy's Home 2
    Like the passable original, this formulaic comedy can’t stop teasing the possibility of a funnier, smarter movie being made with the exact premise, central conflicts, and stars.
  14. No Stone Unturned
    At its heart, No Stone Unturned is a simple story shrouded in sad facts of the bigger one that surrounds it.
  15. Murder on the Orient Express
    Suspense remains a foreign concept for actor-director Kenneth Branagh. His erratic direction — more interested in cut glass and overhead shots than in suspicions and uncertainties — bungles both the perfect puzzle logic of the crime and its devious solution.
  16. Last Flag Flying
    Linklater, for all his gifts in directing ruminative, digressive gab, isn’t exactly the king of dramatic structure. There are clumsy, didactic, and sentimental moments scattered through the film; at 124 minutes, it’s too long and episodic for its own good. But his sensibility—sympathetic, politically skeptical—strikes through at simple, important truths.
  17. LBJ
    It’s almost sadistic to cast Jenkins, the actor who most resembles Johnson, in a supporting role in LBJ. His scenes with Harrelson suggest a man talking to his own Halloween-mask likeness.
  18. Blade of the Immortal
    The years have not mellowed Miike’s flair for over-the-top bloodshed, but they have refined his style. His decades of action-movie experience are evident in this kinetic, punchy live-action cartoon, which remains lively and charming enough to keep the audience engaged throughout most of its epic 140-minute running time.
  19. A Bad Moms Christmas
    The stars work hard, and the movie goes slack. It seems like that old adage is true: Behind every Bad Moms is a couple of dudes without any discipline.
  20. 11/8/16
    Perhaps when history has had its way with this era, it will be enlightening to re-experience U.S. presidential election night, 2016. But all 11/8/16 does from this near distance is confirm a recent memory and reinforce some safe assumptions.
  21. My Friend Dahmer
    It’s another portrayal of mental illness that keeps My Friend Dahmer from fully immersing viewers in its reality.
  22. Daguerrotype
    Daguerrotype is frustratingly easy to rationalize. It’s also about an hour too long; by the time it reaches the end credits, even the spell cast by his eerie direction and handsome widescreen compositions has worn off.
  23. Princess Cyd
    So many movies are all sizzle and no steak; it’s kind of refreshing, in a way, to be frustrated by all steak and no sizzle.
  24. Thor: Ragnarok
    Thor: Ragnarok, with its jabs of reportedly improvised banter, isn’t really an action movie. It’s a round-robin buddy comedy, mismatching Hemsworth’s amiable lug to characters old and new.
  25. Jigsaw
    Jigsaw isn’t a series low point. It’s less aggressively unpleasant than some of the others.
  26. The Square
    This is a movie with a lot on its mind, from art to altruism to the so-called bystander effect, and it could function as a Rorschach test for its audience, reflecting viewers’ anxieties and insecurities right back at them. It’s also just really, really funny, at least for those who can find humor in humiliation.
  27. Creep 2
    For fans of the original who don’t mind the loss of scares, Creep 2 improves on the first film in nearly every way, from tone to dialogue to plot.
  28. Novitiate
    Betts appears to have started out with a rather mundane idea and then stumbled, over the course of her research, onto something much more fruitful. The result is as intriguing and frustrating as that suggests.
  29. Amityville: The Awakening
    The script is just as lazy as the acting, leaning on a fitfully applied, Scream-esque meta subplot to justify why the hell we’re all here in the first place.
  30. Félicité
    The film’s tonal range is formidable enough to suggest that this director may be a major talent who’s now emerging from relative obscurity, thanks to the Berlin prize and subsequent attention at festivals in Toronto and New York. It’s always exciting to discover someone who’s eager to toss the manuals aside.
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