The A.V. Club's Scores

For 10,412 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10412 movie reviews
  1. It's all innocuous, forgettable fun, but it's firmly aimed at those who find underwear endlessly funny.
  2. The filmmakers have a keen eye for striking compositions, but unlike most advertising, movies have to amount to more than just a succession of vivid images.
  3. But save for the mesmerizing final tracking shot, Bright Future just mopes around aimlessly, hoping that its vague themes will eventually congeal into something profound.
  4. La Petite Lili isn't conventional or crowd-pleasing enough to appeal to audiences who like their foreign films safely sentimental, but it's also not daring enough for those who expect art to hurt a little.
  5. Palminteri and screenwriter David Hubbard desperately want the crazy misfits in their movie to move the audience, but they're all too cracked to inspire empathy. There's no holiday magic, just famous faces playing people who don't exist.
  6. Seed Of Chucky goes even further toward comedy over horror, but the Chucky-as-comic-antihero gag has grown stale.
  7. When it comes time for the actual robbery, so little has been explained that the plan seems ridiculously easy in some respects and totally improbable in others.
  8. When a sequel has to hit the reset button and take all its characters back to where they started, it probably didn't need to be made.
  9. For a film about man who spent half his life defying staid convention, Kinsey remains as timid as a choirboy.
  10. Forster's movie doesn't want to grow up, but it doesn't seem to understand childhood, either. For a film about the life-affirming power of imagination, Finding Neverland displays precious little of its own.
  11. As Overnight progresses and its title grows increasingly ironic, it paints a mesmerizing portrait of a profane, overbearing monster engaged in a drawn-out act of professional suicide.
  12. As a spectacle, The Polar Express looks remarkable. As a film, however, it's the equivalent of an elaborately wrapped Christmas present containing a nice new pair of socks.
  13. A hysterically over-the-top backstage melodrama whose temperature seldom falls below overheated.
  14. Beyond offering a valuable look at Jay-Z's creative process, the behind-the-scenes material complements the concert footage, showing the work that allows Jay-Z to entertain tens of thousands of fans live.
  15. Well-intentioned to a fault, the film packs a strange, ultimately unsuccessful combination of prurience and clumsy identity politics.
  16. Caine played Alfie as an incorrigible S.O.B. who at least made for good company. Law makes him a delicate boy with self-control problems who can't stop talking, and his charm runs out long before the film ends.
  17. The action sequences are choreographed with the crackerjack timing expected from Pixar, but the film's funniest and most affecting moments exploit the tension between a special family and a world that insists on dulling them down.
  18. In jumping from the small screen to the big one, the franchise seems to have dropped its collective IQ by a good 50 points. Cohen's HBO series was a smart show pretending to be stupid. Making its debut on DVD after a brief 2002 theatrical run, Ali G Indahouse feels like a stupid movie made by smart people.
  19. Enduring Love's plot inevitably drifts into “Fatal Attraction” territory, but its wholesale immersion in Craig's deteriorating condition render it a wrenching, uncompromising study of the human mind in freefall.
  20. The ick-factor deepens as the story progresses, but the mystery never does.
  21. Saw
    Though dumber than a box of rocks, Saw forges ahead with the kind of conviction and energy that will keep bad-cinema junkies sitting bolt upright.
  22. Ray
    As Ray nears its abrupt ending, it veers into camp silliness, complete with a psychedelic freak-out withdrawal sequence straight out of a Roger Corman LSD epic.
  23. Marquis herself rarely comes off as less than fascinating, in spite of her cheaply titillating material.
  24. Di Florio loses her grip on Liuzzo's story whenever she lapses into generalities. But when Di Florio gets into the specifics of her subject's legacy, Home Of The Brave stands out as both relevant and moving.
  25. Good comedies are rare, but rarer still are those that conflate laughter with intimacy.
  26. This vanity project belongs to an audience of one.
  27. Undertow may prove the least immediately satisfying of Green's films, but it remains an achievement, emotionally rich and rife with biblical and mythic undertones.
  28. During his clumsiest moments, Davis' fondness for provocation rises to the surface, which is unfortunate, since it weakens the impact of his many salient points about how American men are socialized to be warriors.
  29. When Lightning In A Bottle steps back and simply lets the old-timers ply their trade, the result is consistently riveting.
  30. Huo never quite finds the filmic vocabulary to tilt the film toward greatness-and the mawkish synth score does little to help-but Postmen In The Mountains ultimately succeeds.

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