The A.V. Club's Scores

For 10,412 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10412 movie reviews
  1. In spite of the unavoidable disappointment that comes from raised expectations (and lowered elevations), it's clumsy storytelling that ultimately keeps Warriors grounded.
  2. After a sentimental opening sequence, he (Kang) scarcely lets the film pause to breathe, which dulls its effectiveness.
  3. Instead of building toward a grand romantic climax, it just gets sillier before exploding into a torrent of unintended laughs.
  4. Paparazzi follows the vigilante playbook in all its banality, without much in the way of moral reflection.
  5. The absence of style can be numbing, but it serves a purpose, positioning the documentary as a public record, not a work of art. As such, the film is eye-opening.
  6. Either a radical reinterpretation of the source material or a mammoth failure of nerve. Whichever the case, it makes for a tremendously dull film that gives Witherspoon little to do except pose against a pretty backdrop.
  7. Has little to recommend it. A sterling example of how an unimaginative combination of interviews and archival footage can drain the life from even the most compelling topic, it feels padded at a mere 68 minutes.
  8. Given nothing to do, Carrie-Anne Moss looks on from the sidelines as the film halfheartedly toys with the tired old notion that only a thin line separates the dogged investigator and the compulsive killer. She looks bored, and she should.
  9. If the independent film world were littered with alleged disasters like The Brown Bunny, the scene would be far richer for it.
  10. Constructed out of poorly supported accusations, vague innuendo, and naked emotional appeals, Bush's Brain has a Rove-esque quality of its own.
  11. Brilliant in flashes, thinned out as a whole, the film seems ideal for the DVD revolution, where the greatest hits can be compiled at the touch of a remote.
  12. When the CGI snakes finally arrive, they look like they've just returned from a guest spot on "Charmed;" if the film had cut any more corners, it would have had to borrow graphics from an old Intellivision game.
  13. The most perversely unnecessary sequel in recent memory.
  14. Under his (McElwee's) watch, the possibilities of a documentary seem to expand by the minute, incorporating not only journalistic truths, but also personal insights and philosophy, unique regional textures, and unexposed pockets of humanity.
  15. As for the unfortunates who aren't already in love with The Ramones, End Of The Century should give them a better understanding of what they've been missing, and leave them wondering why they've missed out on it for so long.
  16. Too many of these characters behave like they just stepped out of a Noel Coward production.
  17. Nicotina's lack of originality ultimately proves forgivable. Its glib, heartless nihilism doesn't.
  18. Von Trotta lingers for so long on the backstory and framing story that the movie's heart never comes to the fore.
  19. Dyslexic, talkative, and permanently tethered to a video camera that documents his solitary life and vivid fantasy world, Peck, in a stunning performance, resonates as both monster and victim, predator and prey.
  20. Essentially, the film stays at the party too long. But for a good stretch, its combination of twirling excitement and dry absurdity captures the spirit of characters too intoxicated to realize they're dancing over a chasm.
  21. Uncovered could easily come off as dull or strident, but the administration's arrogance and disregard for the safeguards and transparency necessary for democracy give the documentary an outraged charge that overshadows its staid execution.
  22. With ruthless efficiency and wit, Kahn ratchets up unbearable tension and releases it in startlingly visceral fashion, but his placid denouement is the most chilling scene of all.
  23. There's no pea soup, but sketchy effects, cheap jolts, swirling cameras, and buckets of blood surround Exorcist: The Beginning with the potent aroma of cheese.
  24. It's clumsy, but also strangely refreshing. To children raised on "Spy Kids" and "SpongeBob SquarePants," it may look as primitive as a daguerreotype, but never underestimate the persuasive powers of a cute animal.
  25. Buddy comedies rely heavily on their leads' chemistry, and in this regard, Without A Paddle fails.
  26. It would take a true visionary not to borrow from Alien Vs. Predator's predecessors, but Anderson lifts more than most will consider polite, borrowing to the point where some viewers may wonder whether he simply edited in footage from the old movies (or even, at one point, "Jurassic Park").
  27. Virtually every Super Technirama frame of Luchino Visconti's 1963 masterpiece The Leopard could be described as "painterly" in its ornate details and exquisitely balanced color compositions. (Review of DVD Release)
  28. In Curran's hands, what might have seemed like a "Who's Afraid Of Virginia Woolf?" redux gets cut into avant-garde pieces, with experimental inserts, sound effects, and wrinkles in time that add to an uneasy mood.
  29. Impossibly dull form of niche-marketed entertainment.
  30. Abortion, incest, infidelity, revenge, and hockey collide at a fever pitch, juxtaposed with such frantic energy that they're pushed to the level of high comedy, funniest at its most dramatic.

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