The A.V. Club's Scores

For 10,412 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10412 movie reviews
  1. De Oliveira wraps A Talking Picture with a simultaneous introduction and farewell--a bold curtain-dropper that's either a bleak joke or an imprecisely controlled scream of rage.
  2. Kitano's gentle side reigns in Dolls, a gorgeous meditation on love and devotion, but the film's hypnotic tone and beautifully formalized color scheme makes it unlike anything he's done to date.
  3. What it retains is a playful sense of style, that combines with an anything-goes spirit.
  4. Kim weaves these clichés into effectively nerve-wracking setpieces, though between the jumps, A Tale Of Two Sisters becomes mired in ponderous melodrama.
  5. Even when caught in a rut, Anderson's obsessive vision still yields many exhilarating surprises.
  6. Compelling as it sounds, the idea behind Freeze Frame doesn't make any sense, especially when realized in practical terms.
  7. Favors unforgettable images over in-depth storytelling, and prioritizing electrifying moments over narrative arcs.
  8. Swimming in computer-enhanced mayhem and a non-stop hip-hop-and-techno soundtrack, Blade: Trinity might as well come equipped with joysticks attached to the seats, so everyone can play along.
  9. Choreographed to the last beat, the action scenes have a depth that the film's thinly sketched characters never quite develop.
  10. As a story, it never develops beyond the routine. Still, the aesthetic philosophizing works as a framework for daring visual experiments.
  11. In spite of clunky effects and often extraordinarily ugly video footage, Game Over works very well just as a sports doc.
  12. A well-intentioned but ultimately incompetent Irish dud.
  13. Deserted Station plays out like a dream, but Raisian moves comfortably between fantasy and nightmare, real and surreal.
  14. While it's not always necessary for filmmakers to relate that closely to their material, Feig's marked distance from the story of a sullen boy who parts the Iron Curtain may account for its generic artlessness.
  15. This indignant attack on the way the Iraqi war was marketed and covered feels about as timely and relevant as yesterday's newspaper.
  16. It's a clammy, odd duck of a movie, a black comedy that seems strangely content with merely being morbid.
  17. An oafish bore.
  18. Dramatically leaps through time, covering months or sometimes years in the span of a single cut. The effect is jarring and exhilarating, but it also bucks the common idea that relationships deepen over time.
  19. Guerrilla still holds up as social history, primarily because its description of seething frustration in a divided America has become spookily relevant.
  20. A sumptuously moody memory play.
  21. For all of Audrey Tautou's considerable charm in the title role, Jeunet's need for a well-ordered universe proved as suffocating and exhausting as being trapped on an amusement-park ride.
  22. Loses its sass too quickly.
  23. The story they get may be heartfelt and inspiring, but all that powerful sentiment doesn't make it any more complete.
  24. A sophomore film major would be lucky to get a passing grade with such material.
  25. Hard not to pelt the screen with rotten fruit when confronted with a film like Christmas With The Kranks.
  26. Stone has made an excruciating disaster for the ages.
  27. A feverishly compelling film that doesn't force-feed its ideals to its audience.
  28. It lacks the conviction to embrace its own garish awfulness, resulting in little more than tedious historical and patriotic hokum, a preposterous potboiler done in by slack pacing and pedestrian execution.
  29. In accounting for Almodóvar's identity as an artist and a man, Bad Education comes together like a bold and far-reaching summation of his career to date.
  30. It's all innocuous, forgettable fun, but it's firmly aimed at those who find underwear endlessly funny.

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