The A.V. Club's Scores

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For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,575 out of 10422
  2. Mixed: 3,739 out of 10422
  3. Negative: 1,108 out of 10422
10422 movie reviews
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    • 47 Metascore
    • 58 Critic Score
    Dumbstruck
    The film's tendency to pull away once its character start their performances adds to the sense that director Mark Goffman knows his money shots will showcase the vents' oddities rather than their acts.
  2. Incendies
    While the film will likely stick with viewers, it's ultimately a tossup what they'll remember most: the stunning buildup, or the massive letdown.
  3. Water for Elephants
    It's a tastefully managed, passionless melodrama, full of brooding looks and reasonably sweet moments, but typified by a scantly characterized central couple who bring no sense of engagement to their relationship.
  4. The Bang Bang Club
    Silver means to get across the adrenaline rush of lives lived in dangerous extremes, but winds up trivializing their accomplishments and making them seem like men of hearty appetites, but little intellectual depth.
  5. POM Wonderful Presents: The Greatest Movie Ever Sold
    The results are scattershot but entertaining, and occasionally eye-opening.
  6. The Elephant in the Living Room
    Gripping, maddening, well-told stories.
  7. Atlas Shrugged: Part I
    The film is curiously sterile and lifeless, hardly the stuff of revolution. It feels more like an ideologically reversed "Tucker: The Man And His Dream," written and performed by robots.
  8. The Conspirator
    The Conspirator should skip theaters altogether and become the first film released straight to middle-school history classes, where the standards for what can generously be deemed entertainment are much lower.
  9. Scream 4
    It's rare for a sequel to extensively acknowledge its own pointlessness, let alone make the unnecessary nature of its existence a recurring theme, the way Scream 4 does. Then again, the Scream franchise has always been ahead of the curve when it comes to deconstructing itself and the rules of the slasher genre.
    • 63 Metascore
    • 67 Critic Score
    The Imperialists Are Still Alive!
    The film is ultimately more interesting than engaging; Durra doesn't yet have a grasp of the simultaneous warmth and needle-sharp satirical sense that infuse Stillman's films.
    • 32 Metascore
    • 25 Critic Score
    Footprints
    To give credit where it's due, Footprints makes a game attempt at creating a love letter to a place that may be inherently unlovable: Hollywood Boulevard, in all its faded glory and present-day Hooters/Hard Rock Cafe tackiness.
  12. The Princess of Montpensier
    Tavernier turns a tale of courtly duty and manners into a tense, twisty drama.
  13. The Double Hour
    Pretty to look at, making good use of the scenery in and around Turin; if nothing else, the runaway plot keeps the movie unpredictable.
  14. Armadillo
    For their part, the Danes are either having more of an adventure or covering up their trauma with chest-thumping braggadocio; almost to a man, they're ready to come back for more.
  15. Ceremony
    Trouble is, it feels like a film going through the motions, never finding mooring in believable human feelings.
  16. Rio
    Rio could use fresher ingredients and more spice.
  17. To Die Like a Man
    To Die Like A Man is powerfully controlled, and builds to a moving finale in which the characters are stripped down to their essences: no flowers, just stem.
  18. Blank City
    In the end, Blank City becomes not just a salute to the artistic adventurousness of a bygone New York, but a reminder that new strains of creativity keep emerging, just when the scene looks stalest.
  19. Henry's Crime
    A grating muddle.
  20. American: The Bill Hicks Story
    Like "Man In The Moon," American applies a thick gloss of reverence and sentimentality to the story of a comic pioneer who made his living challenging the kinds of neat, convenient, slickly packaged narratives presented here.
  21. Soul Surfer
    Unique as an inspirational personal-achievement film in the way it focuses on the protagonist not merely as a bastion of strength, but as part of a supportive community and family.
  22. In a Better World
    Bier allows her film to be buried by its own overwrought ambition.
  23. Meek's Cutoff
    Meticulous and immersive, Meek's Cutoff feels like history in three dimensions.
  24. Arthur
    Russell Brand steps into the role of Arthur Bach for the 2011 remake, and while it's one of the more reined-in performances of his short, busy big-screen career, Brand's unvarying onscreen persona just doesn't do soulful.
  25. Your Highness
    If Your Highness often feels like an inside joke, the principals neglected to let the audience in on the fun.
  26. Hanna
    Superficially exciting and handled with great aplomb. But the film is running to go nowhere.
  27. Circo
    Though Circo is pretty bleak, Schock doesn't skimp on the exotic wonder of a life on the road, surrounded by color and danger.
  28. Trust
    With a little tweaking, this easily could have veered into grindhouse exploitation or mindless wish-fulfillment, but Schwimmer's detached, theatrical approach to his material makes it is more cerebral than visceral, and more Steppenwolf Theatre than Charles Bronson.
  29. Super
    Super exists in the no-man's land between indie quirk and raw exploitation, and when it works, it's thrillingly off-balance.
  30. Hop
    Candy-coated or otherwise, crap's still crap.
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