The A.V. Club's Scores

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For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,575 out of 10422
  2. Mixed: 3,739 out of 10422
  3. Negative: 1,108 out of 10422
10422 movie reviews
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  1. I Saw the Devil
    A mesmerizing study of the nature of evil itself.
  2. Uncle Boonmee Who Can Recall His Past Lives
    A moving, gently reassuring tale that softens the boundaries between humanity and nature, life and the afterlife.
  3. Take Me Home Tonight
    Grace and his collaborators set out to make a typical '80s sex comedy and succeeded all too well; most of the movies they're paying homage to weren't very good, either.
  4. The Adjustment Bureau
    It's too little premise stretched over too much movie, and while the cast gives it their all, Nolfi's characterless direction only makes the movie feel that much slighter.
  5. Rango
    Ignoring the weak storyline entirely, Rango is a joyously weird experience.
  6. Beastly
    In every aspect, from story to tone to characterization to visual aesthetic, it's laughably perfunctory, as though everyone involved were too embarrassed to give it more than a half-ironic token effort.
  7. Drive Angry 3D
    Drive Angry feels like a five-minute Comic Con show reel that's been expanded beyond its limits. It's agonizingly cool.
  8. Of Gods and Men
    Not withstanding rich performances from Wilson and Lonsdale, the film never comes close to embodying that level of complexity.
  9. Heartbeats
    Far from being a liability, Dolan's youthfulness gives it unmistakable vibrancy: This is a love-crazy, movie-crazy affair, laying bare its emotions just as plainly as its influences.
  10. Hall Pass
    Though the film never balances the grown-up stuff with the gross-out gags, it suggests the Farrellys might be able to do mature after all.
  11. Big Mommas: Like Father, Like Son
    Star Martin Lawrence, now the sole remaining element from the original "Big Momma's House" 11 years ago, looks pretty tired both in and out of makeup here.
  12. Zero Bridge
    Zero Bridge is a rigorous piece of filmmaking, but it's played at too minor a key, honoring the neo-realist tradition so slavishly that it lacks an identity of its own.
  13. Putty Hill
    This is a movie about the casual ways people know each other, even when their relationships are hard to explain-or perhaps even justify.
  14. We Are What We Are
    Mixing social commentary and black humor with copious amounts of blood and cracking bones, We Are What We Are offers a cannibal's-eye view of Mexico City's seamier side.
  15. Vanishing on 7th Street
    Vanishing On 7th Street does work well as a kind of mood-piece, observing all the ways we surround ourselves with the illusion of warmth and security, before the shadows creep in.
  16. The Chaperone
    The Chaperone is being marketed as a comedy, though no one seems to have told anyone involved.
  17. Even the Rain (Tambien la Lluvia)
    It's to the film's credit that its inescapable conclusion seems in doubt until the very end.
  18. I Am Number Four
    Frey didn't really need a ghostwriter for this story, he just needed an archivist with a Xerox machine and a mercenary streak.
  19. Unknown
    Tacked onto a perfectly respectable thriller, Unknown's mass of unlikely turns and implausible reveals make the whole film seem retroactively less sophisticated.
  20. Certifiably Jonathan
    An unabashed valentine to Winters, but like an unfortunate number of valentines, it proves a little embarrassing to the giver and recipient alike.
  21. Carancho
    If anyone's likely to have trouble with Carancho, it's fans of Trapero's previous films, who won't be able to help noticing the sizeable step he's taken toward conventionality.
  22. Orgasm Inc.
    Broadly speaking, Canner hails from the Michael Moore school of first-person editorializing, but Orgasm Inc. isn't given to vanity or cheap shots.
  23. In Her Skin
    Rather than peering into the heart of darkness, North just slaps a coat of Art atop her true-crime subject, and the upshot is akin to an especially pretentious episode of "Law & Order."
  24. Poetry
    Whenever all the pieces are in place, though, Lee reverts to the kind of storytelling he does best.
  25. Gnomeo and Juliet
    Far too much of the film is devoted to eye-rolling pop-culture gags and long montages set to recycled Elton John songs.
  26. Just Go with It
    Aniston and Sandler, however, play characters too awful to deserve anyone better than each other. But what did we do to deserve them?
  27. Cedar Rapids
    The cast, anchored by sweetly goofy Ed Helms, redeems the film at every turn, adding humor and dimension to characters who might have otherwise drowned in tacky grotesquerie.
    • 52 Metascore
    • 33 Critic Score
    Justin Bieber: Never Say Never
    The film's premise-that Bieber achieved his superstardom through years of hard work overcoming towering obstacles-is so ludicrously flawed that everything built upon it borders on self-parody.
  29. The Eagle
    The formalities of the period dialogue and a wavering, inexplicable accent test him (Tatum) beyond his limits, and the film isn't thoughtful or original enough to survive it.
  30. The Roommate
    A deplorable unofficial reworking of "Single White Female."
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