The A.V. Club's Scores

For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10419 movie reviews
  1. Part of Spielberg's skill as a filmmaker comes in choosing the right collaborators. Janusz Kaminski's gorgeous cinematography, Michael Kahn's graceful editing, Jeff Nathanson's clever script, and John Williams' score all work well in unison, but the film's masterstroke is the casting of Walken as DiCaprio's utterly decent father.
  2. For better or worse, X-Men: Days Of Future Past is the first Marvel movie to truly embrace comics-style storytelling.
  3. The cheesiest thing about it is the punny English-language title with which it’s been saddled. Otherwise, Land Of Mine is tough and admirably grim, turning a harrowing history lesson into a study in how the battles of wartime don’t always cease with the ceasefire.
  4. Thoroughbreds...has been made with diabolical craft and intelligence, the kind that marks Finley as a major new American talent. But it’s no empty exercise, no mere calling card. The style all comes in service of the central relationship and the superb performances that bring it to bewitching life.
  5. The Bob’s Burgers Movie can’t functionally change too much about the characters’ inside the animated snow globe that is its serialized namesake, so instead it picks them up, plays with them, and then puts them back like you would a Kuchi Kopi or Horselain.
  6. Like a punk band turning four chords into pure angst, Bring Her Back turns familiar trauma-based horror into a traumatic experience. To sit through Bring Her Back is to endure it.
  7. When American films were addressing social turmoil like never before, Brooks used his clout to turn back the clock by combining silly sight gags, show-biz satire, silence, and celebrity cameos in 1976's aptly named, ingratiatingly goofy Silent Movie.
  8. At times, Treeless Mountain almost feels like a fairy tale--but without the magic.
  9. If The Lego Movie was a delightful tribute to the multifaceted experiences of playing with Legos, this movie is like one of the licensed sets that inspired it: Less essential, more market-driven, and still irresistible for certain kids, fans, and nerds.
  10. There’s an emotional dimension to Kate Plays Christine—an empathy linking an actor to the human headline she’s dressing up as—that’s nearly abstracted into oblivion by the film’s neurotic self-examination.
  11. Altman and Keillor's A Prairie Home Companion is fittingly both a celebration and a winning example of the joys of collaboration.
  12. It’s a trifle, but a trifle that sticks.
  13. Afterimage suffers from a clunky script and an overdetermined formal palette.
    • 75 Metascore
    • 83 Critic Score
    Like the real Trump, [Depp] delivers a bizarrely magnetic performance, and that magnetism is enough to hold the whole enterprise together, even as the intentional incompetence of the film-within-the-film threatens to sink the final act.
  14. Watching this film is like jamming fistfuls of delicious candy into your mouth for 90 minutes. It’s a rush chasing a rush.
    • The A.V. Club
  15. Cutesy title notwithstanding, Microbe And Gasoline stands as one of director Michel Gondry’s most restrained works.
  16. The relentless negativity in Must Read After My Death can become overwhelming at times, but it's undeniably mesmerizing.
  17. A vibrant, funny, fully realized slice of oft-overlooked cultural, show-business, and black history. It's better than the film whose genesis it chronicles, though inherently doomed to be nowhere near as important.
  18. Unlike many comic vehicles and just as many big-city romances, it’s a real, and ultimately rewarding, piece of work. A big-studio romantic comedy infused with actual human feeling is just as rare an accomplishment as the perfect comedy sketch.
  19. Pleasing low-key comedy.
  20. If nothing else, The Believer trusts that faith can not only withstand a little skepticism, but also gather strength and meaning from it.
  21. Few scenarios are more cliched than the curmudgeonly father-figure who takes in the precocious imp -- irritation in the first two acts, love in the third -- but Hornby infuses it with warmth and honesty, not to mention his obvious gift for wry observation.
  22. Has a message, which it effectively conveys by succeeding first as an affecting film. Winterbottom's actors give a human face to current events as they proceed along their grim road-movie toward a destination that may not even want them. They may be statistics, too, but their stories stick in the mind.
  23. Guerrilla still holds up as social history, primarily because its description of seething frustration in a divided America has become spookily relevant.
  24. Mackey’s Emily is a young woman who lives the life she writes about, daringly, perhaps knowing time is short.
  25. It thoroughly eviscerates the MPAA and makes a solid case that the culture has paid the price for its censorious practices. His (Dick's) attacks are the equivalent of shooting ducks in a barrel, but these ducks had it coming.
  26. For those who choose to take this riveting journey of discovery, they’ll find this picture gets them to a place of inspiring enlightenment and keeps them in that mindset far beyond the end credits scroll.
  27. The importance of community for survival is a dominant theme in Rebuilding, and the bonds explored in the film feel authentically human as opposed to cloyingly optimistic.
  28. Anjelica Huston's directorial debut employs an impressive cast, and at times showcases a promising sense of style. But Bastard Out Of Carolina seems hollow at its center, due largely to the fact that Anne Meredith's screenplay doesn't make very good use of its source material.
  29. The actors' charisma is a draw, but mostly, the movie relies on Pavlovian reaction to the genre: The audience has its designated place as surely as any element in Cavayé's relentless machine.

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