The A.V. Club's Scores

For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10414 movie reviews
  1. Laughing at this turkey might not necessarily make you a redneck, but it sure does make you easily amused.
  2. Yes, this is a movie for children. But using that as a justification for lazy work, as if kids are inherently too dumb to know the difference, isn’t just condescending. In a post-Pixar world, where audiences have become accustomed to quality animated family films, it’s a waste of money.
  3. There's gore aplenty here, but precious little suspense or terror.
  4. Penn, who probably didn't need this shoddy placeholder after the cult success of "Harold & Kumar Go To White Castle's," acquits himself with a gentle charisma that makes the crudity go down easy. Granted, it's still s---, but with a sweeter odor than usual.
  5. 8MM
    That 8MM fails miserably as a psychological thriller is forgivable. The fact that it is nearly as creepy, sleazy, and manipulative as the pornographic films it so cluelessly and hypocritically condemns is not.
  6. Butler sleepwalks through his thinly written role, and the ostensible tension between the two brothers, flaring up whenever the energy starts to sag, never feels like anything but a bald contrivance.
  7. There’s a certain perverse brilliance, however accidental, to a movie that creates a longing for a foulmouthed Aubrey Plaza/Robert De Niro romcom.
  8. Killers isn’t an entertainment, it’s a high-speed spat.
  9. A supernatural religious thriller so awful it should result in the retroactive forfeiture of the Oscar writer, director, and producer Brian Helgeland won for co-writing "L.A. Confidential."
  10. Like a Rand Paul rally rendered in the style of Grand Theft Auto, Silver Circle engineers the perfect marriage of sub-par animation and sloppy thinking.
    • 21 Metascore
    • 33 Critic Score
    The film owes a lot to "Napoleon Dynamite," though it could have borrowed more of the underlying sweetness of Jared Hess' film, and less of other things, like its eyebrow-raising treatment of race.
  11. Dramatically and comically impotent.
  12. A vapid exercise in narrative kitsch that spans two languages and multiple decades and love stories.
  13. Bratz's strong anti-clique sermonizing would be slightly more convincing if it weren't tethered to a movie romanticizing the most awesome clique ever.
  14. Either a thoroughly incomprehensible movie or a daring exercise in the cinema of disorientation, and a painful viewing experience either way.
  15. Great satire never fits neatly within an ideological box. Attention, the ghosts of H.L. Mencken, Stanley Kubrick, and Jonathan Swift: David Zucker could use a visit.
  16. To be fair to whoever refashioned Accidental Love from the abandoned scraps of Nailed, there’s little reason to believe that the ideal, untroubled version of the material would have been a comedic masterstroke.
  17. Gunslingers drags on for a little over 100 minutes, and the best it can show for it is Cage yelling about Jesus in a funny voice.
  18. It raises the question of who the movie is for in the first place: Kids have seen much better animation in other films, and it's hard to imagine too many grown-ups ready to smile and nod at yet more smirking takes on famous moments from "Scarface" and "The Silence Of The Lambs."
    • 20 Metascore
    • 33 Critic Score
    Not only doesn't achieve empathy for the minor plights of its human noodle of a hero Toby Regbo, it might actually make audiences understand the urge to bully.
  19. Though The Informers is by no means great--nor wholly true to the vision of Ellis, who co-wrote the screenplay with Nicholas Jarecki--moments sprinkled throughout the film capture Ellis' particular mix of flip yuppie satire and lived-in paranoia better than any big-screen version of his work to date.
  20. It’s obnoxious, to say the least, to use the Vietnam War as an excuse to affirm the importance of telling all and sundry about Jesus at all times (i.e., “testifying”), under all circumstances.
  21. If the sluggishly paced, virtually laugh-free Haunted House is Wayans' conception of a passion-fueled labor of love, it's horrifying to ponder what he'd consider a mercenary cash-grab.
  22. Hardman never gives her material a chance to develop, because she subjects it to so much forced drama and self-conscious nudging, and when she hits a wall, she gets silly.
  23. Would You Rather has one major asset in an appropriately gothic, larger-than-life performance by Jeffrey Combs, the great, chameleon-like character actor best known for playing a mad scientist in "Re-Animator."
  24. Devotes so much time and energy to flashbacks and recycling footage from its predecessors that it threatens to implode.
    • 20 Metascore
    • 0 Critic Score
    Surely there's a more nuanced argument to be made in favor of ID than pinning the old "bad as Hitler" canard on pro-evolution scientists?
  25. No doubt extensive market research shows that there's an audience out there for movies like Son Of The Mask, but it's too depressing to speculate who that might be.
  26. The Last Airbender isn't that much different from the rest of this summer's generally dire multiplex fare-from "The A-Team" to "Jonah Hex"... But it is remarkable in one respect: It's the worst of them.

Top Trailers