The A.V. Club's Scores

For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10414 movie reviews
  1. Superman IV lacks the wonder and awe of Superman, that giddy sense of boundless possibilities. Superman had gotten old and familiar and the message-movie trappings feel tacked-on and desperate.
  2. A plodding, bloated, long-shelved adaptation/expansion of Ray Bradbury's classic short story about the dangers of time travel.
  3. A PG-13 celebration of hot chicks, fast cars, and deplorable behavior is like diet Mountain Dew, near-beer, or an expletive-free version of Straight Outta Compton--a tame, watered-down version of the real thing.
  4. Dimly lit, emotionally empty, and devoid of thrills, Bangkok Dangerous should disappoint Cage fans looking for Wicker Man-style camp thrills just as thoroughly as action buffs looking for a passable thriller. It's never close to good, and it can't even get bad right.
  5. The least necessary sequel since "Agent Cody Banks" embarked on a London mission a few weeks ago.
    • 24 Metascore
    • 25 Critic Score
    Sorority Row might be utterly lacking in suspense, surprises, and wit, but nobody can say it doesn’t have a hero.
  6. For the much-cheaper-looking sequel, Piranha 3DD, director John Gulager mostly seems to be trying to see how much he can degrade the old "Jaws" formula and still have it interpreted as parody rather than apathy.
  7. The Brave ultimately plays like the world’s most depressing remake of Joe Versus The Volcano, with all the joy and whimsy replaced by gloom and grime. It’s a morbid, maudlin oddity that starts off slowly and never finds its footing.
  8. Scorsese goes to the trouble of making his antiheroes charismatic and exciting. Gotti, by contrast, inadvertently argues that John Gotti and his namesake son are too dull to be evil. It’s DrabFellas.
  9. None of the curious friction of its story, nor in its cast, results in any sort of frisson of excitement, dread, or even shock. The best Yuba can inspire is indignation. You get all these folks together, Tate Taylor, and the end result is this?
  10. The film owes as much to Caddyshack as to Capra.
  11. There may be a trenchant satire to be mined from our culture's materialism-warped wedding madness, but Bride Wars instead opts for graceless, flailing, poorly choreographed slapstick performed by characters who suggest a dumbed-down tour production of "Sex And The City."
  12. A nasty black comedy whose relentlessly glossy exterior recalls both Araki and John Waters without the wit or smarts of either...As a black comedy, Jawbreaker has one major flaw: It's not funny.
  13. In the end, The Pyramid seems designed not for horror, adventure, or action but to provide every possible answer to the question of its found-footage bona fides—yes, no, or maybe, depending on who’s asking. It spends most of its running time hedging uncertainly between trend and backlash, explanations and excuses.
  14. If a great movie is one with two great scenes and no bad ones, then Dirty Work is half a great movie. It contains more than its share of bad scenes, but it does have two brilliant ones.
  15. On the shortlist for least essential movie of the decade, a copy of a copy of a copy that's so worn down, it's about as fresh and vital as a fifth-generation dub of "The Star Wars Holiday Special."
  16. In a genre where killers love to play head games, it's a clever idea (Cohen's?) to have this one remain mute, but that leaves Cuthbert to carry much of the psychological load, and there's no substance to her character, apart from the suggestion that she's being punished for her vanity.
  17. Their attempts at wit seem forced, and the overall point of each installment is too minor to spend nearly 30 minutes exploring.
  18. Relies on the most time-tested basic moves of farce for laughs that just don't come.
  19. If there are any new jokes left to tell about Holmes, they’re nowhere to be found in the abysmal Holmes & Watson, which might be the worst feature-length film ever made about the “consulting detective” from Baker Street.
    • 24 Metascore
    • 0 Critic Score
    But like De Bont's awful "Twister", Speed 2: Cruise Control somehow manages to fail in every way.
  20. Raj Amit Kumar’s film, which was banned by the country’s national censor board, is an intentional act of cultural and political provocation, and goes about its task as relentlessly as possible.
  21. Here, a few words should be said about Carrey’s performance: It may be the worst dramatic acting of his career, a charmless cartoon of self-repression.
  22. A laughable would-be fright-fest that's as strikingly inept as a Boll movie, but nowhere near as much guilty fun.
  23. It mostly serves as a warning to stay away from future films involving director Nick Hamm and screenwriter Mark Bomback.
  24. Saw has shown a ferocious unwillingness to evolve.
  25. Myers combines his love of references, silly names, and mindless repetition by having his guru use "Mariska Hargitay" as a greeting/mantra. The first time it's employed, it's merely unfunny; by the 13th or 40th time, it's almost hypnotic in its awfulness.
  26. Duffy's inept command of actors, not to mention his utterly juvenile morality and his comically clumsy use of religious iconography, should keep all but the diehards away.
  27. The slumming stars actually make the situation worse for everyone; Life On The Line plays like an ego trip without any accompanying fun.
  28. With its wall-to-wall pop covers, Chipwrecked isn't a kids' movie so much as a brightly animated, instantly forgettable animated feature-length advertisement for the NOW That's What I Call Music! compilation series of contemporary pop hits.

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