The A.V. Club's Scores

For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10414 movie reviews
  1. Films like these have taught us that suffering is the incontrovertible existential fate of attractive Los Angeles residents. Must these dour exercises in alienation make audiences suffer as well?
  2. Without contrivances, the movie would only run about five minutes.
  3. Not even a young Eddie Murphy is capable of generating hilarity out of thin air and Best Defense gives him nothing to work with. Even with Murphy inside the tank the film sorely lacks urgency and momentum.
  4. Too incompetent to work as an underdog dance flick, but not nearly weird enough to qualify as howling camp, Battle Of The Year is destined to please only bad movie buffs desperate for a fix of awful dialogue, blatant product placement, and clunky exposition.
  5. The movie is 105 minutes long and would feel stretched thin even if cut down to the cutscene bookends of a music video. It is a thing you can see, technically.
  6. The difference here — aside from the fact that the jokes aren’t as funny and that John Cusack is nowhere to be found — is the lack of a motivating factor.
  7. A tasteless, witless, mindlessly perfunctory bloodbath that has the discourtesy to take itself seriously. Pitting aliens against predators may be the height of frivolity, but God forbid anyone have fun with it.
  8. It would take a true visionary not to borrow from Alien Vs. Predator's predecessors, but Anderson lifts more than most will consider polite, borrowing to the point where some viewers may wonder whether he simply edited in footage from the old movies (or even, at one point, "Jurassic Park").
  9. At least Christensen seems to have the right idea: She gives her character a look that's part lust, part thousand-yard stare, and part Machiavelli in tight sweaters and form-fitting skirts. It's not exactly acting, but it's not predictable, either, which makes it stand out all the more.
  10. No Stranger Than Love offers an accidental lesson: Attempts to write poetry ought to be preceded by attempts to read it and, preferably, understand it.
  11. If this uninspired fight-fest had been delayed out of existence, it's unlikely anyone would have missed it.
  12. There was a time when the very presence of someone like John Cusack could enliven otherwise normal movies, and lift worthier ones onto a higher plane. But films like Drive Hard are too slapdash to even allow for coherent performances, let alone movie-saving heroics.
  13. The few effective scenes in The Quiet suggest that the film might have worked as a kinked-up Hitchcockian thriller rather than the drab, serious drama it turns out to be.
  14. Like a lot of entertainment pitched at the family matinee audience, it sits at the zero point of watchability.
  15. For a film with such a promising premise, it turns out to be a plodding example of how to squander potential.
  16. Tennant keeps his extravagantly stupid new comedy breezing along affably on the strength of photogenic locales, obscenely beautiful stars, a laid-back soundtrack, and a wholesale unwillingness to take itself the least bit seriously.
  17. After all the ponderous heavy breathing, it has nothing more profound to say than “artists should not neglect their families in pursuit of excellence.” Which might not ring so false if Bentley didn’t constantly look on the brink of devouring his family alive.
  18. Doesn’t even remotely qualify as flavorful. Among other demerits, this is the rare foodie movie that doesn’t seem to care much about food.
  19. The main difference is that while the "Twilight" films strive for straight-faced grimness, Red Riding Hood often verges on outright florid hilarity. It isn't laughing at itself, but that needn't stop the audience.
  20. It’s "Ishtar" with the passion and sincerity replaced with a surface-level shrug.
  21. Bright gestures vaguely at an allegory about police brutality and race, which may have been more impactful in the original script. It’s hard to tell. For his part, Landis has largely disowned the final product, which buries some glimmers of interesting ideas under a thick layer of adolescent tough-guy posturing.
  22. There’s more existential wisdom in five random, zombie-infested minutes of Shaun Of The Dead than in the full two hours of this feel-good folly.
  23. It certainly isn’t Polish’s intention to make any grand political statements with his action thriller, but expecting empathetic connection with a callous white cop is a big ask in today’s climate. And it sours what’s otherwise just a lackluster B movie drowned in buckets of rain.
  24. Just My Luck, a lazy spitballing session of karmic humor, hinged on the sort of generic rom-com contrivances that keep movies like these from ending at a reasonable time.
  25. Snow Dogs never comes close to transcending its own inherent silliness, but Coburn, Gooding, and a genial tone help make the movie harmless tomfoolery the whole family can tolerate.
  26. It's hard to imagine a more ill-advised choice of source material.
  27. If you’re a Chris Pine super-fan looking to live inside the actor’s head for a little while, Poolman just might be for you. But if you’re pretty much anyone else—even someone looking for some so-bad-it’s-good fun—take a lesson from the walkouts and stay out of the splash zone.
  28. Ultimately, the glacial pace kills Pulse. What was dreadful and trance-like in the original feels here like nothing-much-at-all sandwiched between some stock horror jolts.
  29. Old Fashioned — a deathly dull small-town drama with the marketing smarts to bill itself as the conservative Evangelical answer to "Fifty Shades Of Grey" — is all about the importance of sexual chastity, which is another way of saying that it’s all about sex.
  30. After watching, you may well wish that Peter Pan could be re-copyrighted to be kept out of the hands of anyone inclined to make this much of a mess of it.

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