The A.V. Club's Scores

For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10419 movie reviews
  1. A witless, bloody, unpleasant mismatched-buddy movie.
  2. 21 & Over seems particularly redundant, since a film already exists that’s exactly like "The Hangover," only not as good: It was called "The Hangover Part II." 21 & Over is so slavish in imitating its screenwriters’ big claim to fame that it even ends by teasing a sequel, to which the only sane response is a polite but firm, “Thank you, no.”
  3. The cutaways to this cop-on-the-edge plot are jarring and lacking in conviction, and when the whole tortured mess comes together in a twist-filled third act, Safe Haven becomes a full-blown calamity.
  4. Director Graham Baker has little gift for atmosphere, and apart from one inspired sequence, I suspect I'll forget every aspect of this movie in a couple of days.
  5. Yes, yes, this is a kids’ movie, so it hardly matters that none of it makes one lick of sense, even on its own terms.
  6. Save for the diminished allure of drunk, naked hotties, there's nothing of worth in The Real Cancun.
  7. The new Point Break drops the original’s Zen-like balance of macho mysticism and camp in favor of dour humorlessness.
  8. Growing up, Smith relates, he thought Halston - born Ray Halston Fenwick in Des Moines, Iowa - "was the coolest," which sets the tone for the movie's googly-eyed viewpoint.
  9. Erased is a snoozy, sputtering Euro chase flick—a sort of poor man’s Liam Neeson revenge movie.
  10. The role needs a steely, inhuman reserve, and Garner's innate likeability works against her.
    • 34 Metascore
    • 16 Critic Score
    Digital projection has made it easier than ever to get no-budget movies onto theater screens. That might sound wonderfully egalitarian, but it mostly just leads to more shoulda-gone-straight-to-DVD clunkers like Scenic Route.
  11. The Mummy is crippled by a failure of imagination.
  12. In a self-conscious moment late in the action, one character says she feels like she's in a bad horror movie. No kidding.
  13. Although it isn’t actually a comedy, Iron Mask qualifies, in substantial stretches, as one of the funniest films of the year.
  14. Somewhere between a reboot and a remake, Return To Silent Hill is the worst film of the franchise so far, and a reminder that you can’t go home again—even if your home is the haunted hamlet of Silent Hill.
  15. It’s just a middling cover of a pretty good old song, adrift in the present day.
  16. Love Hurts proves that honest emotions aren’t everything; sometimes you can just buy yourself enough goodwill to get by with last-minute junk.
  17. Like its lead character, The Lifeguard is stuck in a rut. After establishing Bell’s frustration within the first five minutes, the movie continually reiterates it.
  18. Even if the characters on screen didn’t become better artists during the pandemic, then Apatow at least should have. With The Bubble, he seems to have mistaken jokes about moviemaking for moviemaking that shouldn’t be taken seriously.
  19. Dane Cook plays a smug jerk in the dismal comedy My Best Friend's Girl. Strike that: He's only ACTING like a smug jerk.
  20. Every once in a while, a film limps into theaters so stitched together, it's a wonder it doesn't rip apart in the projector. Jonah Hex is such a film.
  21. In a way, Collateral Damage is redeemed by its implausibility, because the closer it comes to reality, the more disturbing it gets. For once, viewers have reason to be grateful for having their intelligence insulted.
  22. Dreadful.
  23. Had this moronic part been given to almost anybody else — including folks as talented as, say, Robin Williams or Jim Carrey — the result would very likely have been an unmitigated disaster. Greenwood, however, commits to it wholeheartedly, much the way that Naomi Watts’ struggling actress character treated her hackneyed soap-opera dialogue in Mulholland Drive.
  24. A terrific cast, stylish direction, and elegantly choreographed mayhem help make it far better than it might have been -- Though ultimately silly, Equilibrium's shopworn but stylish synthesis of ammo and ideas is surprisingly engrossing.
  25. Despite a novel premise and an appealing, energetic cast, Full Of It seldom finds magic in its supernatural whimsy.
  26. This sort of global co-production is becoming more and more common, but it’s rarely quite so calculated; you can practically see the scale being used to ensure that each location receives equal narrative weight, as characters take actions that make sense only according to that metric.
  27. Kids don’t need the Chipmunks movies to take them somewhere cheap. They deserve a comedy or a musical or a cartoon — none of which The Road Chip quite is — that’s more than a high-pitched distraction.
    • 33 Metascore
    • 33 Critic Score
    Much like the lager that gives the film its name, Kidnapping Mr. Heineken is bland on the palette and best pissed away.
  28. The Chaperone is being marketed as a comedy, though no one seems to have told anyone involved.

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