The A.V. Club's Scores

For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10419 movie reviews
  1. The best that could be said of Yogi Bear is that it doesn't diminish its source material.
  2. If you've ever wanted to see Queen Latifah fatally attacked by jellyfish at the bottom of the ocean, Sphere is the movie for you. If you're looking for more, you're not going to find it here.
  3. Through this ambitious two-part series (which reportedly has three or possibly six more installments in the offing), Snyder has labored over his influences to the degree that watching it will be a riot for the devoted and feel like work for everyone else. Either way, Snyder’s passion remains his strength.
  4. Beyond being unable to decide what kind of Musketeers movie it wants to be, Anderson's adaptation seems determined to underachieve as both heavy spectacle and light adventure. It's two mediocrities for the price of one.
  5. I Spy confirms Wilson's ability to turn mediocre, mercenary endeavors into fun crowd-pleasers. Of course, Wilson starring in I Spy is like Phil Jackson coaching a junior-high basketball team, but as long as the results are this entertaining, it's doubtful audiences will care.
  6. Directed to resemble rather than act, Eastwood comes across as stiff and unemotive, though Diablo doesn’t even have the sense to let its star get upstaged by the overqualified supporting cast.
  7. The Wedding Ringer has so many gay jokes that some of them apparently didn’t even make the final cut.
  8. It’s unchallenging fun for a younger crowd, but adults might feel like they’re staring down a colorful 24-piece board puzzle, trying to figure out how such a simple activity could be drawn out over 90 minutes.
  9. There’s a germ of a smart biopic in Diana; the problem is that it’s tucked away behind a clunky structure and even clunkier dialogue.
  10. Even the occasional funny line grows wearying, because nothing in this movie happens for any real reason. The details that labor to appear random, the big slapstick plot turns, and the predetermined character arcs are all equally meaningless, unchecked byproducts of filmmakers emptying their joke files with Superbad playing on a loop in the background.
  11. Director Peter Webber can't do much about what's missing from the story: a soul or a sense of purpose.
  12. It probably shouldn’t star Ryan Reynolds, who is generally likable, but frequently miscast. Only Kingsley’s bizarre, severely mannered performance seems to be following the undercurrents of the material.
  13. There certainly are labored stretches and groan-inducing gags, but between the suggestive names (Melvin Jerkovski, Bootsie Goodhead, Principal Stuckoff), the deliberately broad characterizations (the Richie Rich type carries his tennis racket everywhere he goes), and the air of unbridled permissiveness, the film feels about as wholesome as a T&A-fest could possibly be. It makes a strong case for being the definitive work of a disreputable subgenre.
  14. Farrelly’s film wanders aimlessly without being driven by anything absurd or outrageous enough to conjure a Hangover-like reaction, nor anything with enough humanity to justify the occasional heart-to-heart conversations between Brad and Elijah.
  15. The situation plays out in a haze of shouting and debauchery so excessive that it becomes silly. The movie looks great and sounds great--apart from what the people in it do and say.
  16. There’s a lot of “this was really important,” and “this changed us,” but very little in the way of specifics. Maybe they couldn’t put their fingers on it, and that’s fine, but there’s no sense that they even considered digging deeper. Still, several live performances and some powerful fly-on-the-wall moments make it tough to dismiss Reflektor Tapes entirely.
    • 34 Metascore
    • 58 Critic Score
    While the film may not have led to a desired franchise or any sort of success for anyone involved, it has certainly left an indelible mark on many hearts of those who love cheesy action flicks.
  17. Bewitched piles miscalculation upon miscalculation, beginning by casting the iron-willed Kidman, one of film's gutsiest and most fearless actresses, as a regressive pre-feminist dumb-blonde doormat, a sort of mildly retarded amalgam of Marilyn Monroe, Renée Zellweger, and Meg Ryan.
  18. A film divided against itself. It’s really two movies, one silly and one serious. Too bad neither is particularly compelling.
  19. It has no clue what it’s going for.
  20. Director Greg Mottola deserves some credit for trying to give the film a little bit of cinematic flair, something that’s lacking in many Hollywood comedies these days.
  21. This film adaptation, however, never succeeds in settling on a tone at all, veering ineptly from flippant goofiness to maudlin sentiment and back again.
  22. What results are surprises without sustenance.
  23. The Messengers, dutifully cobbles together a pastiche of successful horror films past--"The Grudge," "The Sixth Sense," "The Birds," "The Amityville Horror," and "The Shining"--without asserting a single original idea of its own.
  24. One hundred minutes of snooze-inducing troubled romance eventually gives way to a strange, interesting backstory. It doesn’t manage to recast the preceding feature’s worth of movie in a different light, but instead makes the viewer wish the film had gotten to the end sooner.
  25. It’s a five-day toss-off that’s simultaneously an impressive feat and business as usual.
  26. The movie seems to be conceived as a slow burn, but it's more like a faucet dripping lukewarm water.
  27. Even if it weren’t about an atrocity, this training-wheels Doctor Zhivago would still be lame.
  28. At least Douglas has a good time bringing the smarminess that McConaughey so studiously avoids.
  29. Even as sequels to bad comedies go, Miss Congeniality 2 seems completely at a loss for fresh ideas.

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