The A.V. Club's Scores

For 10,427 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10427 movie reviews
    • 53 Metascore
    • 33 Critic Score
    Mr. Popper's Penguins reins in its rubber-faced star, leaving most of the rote physical comedy (and overabundance of fart jokes) to his nonhuman counterparts, comprised of a combination of CGI and real penguins.
  1. A film so utterly lacking in conviction, it needs a 25-year-old Tom Cruise vehicle just to keep its spine straight.
  2. The trolls are the best part of Troll Hunter; they're funny and creepy.
  3. A fine enough piece of work, but it's a shame Werner Herzog didn't get to Gunther Hauk first.
  4. The subtitles and period setting conjure a smattering of respectability, but in essence, this is arthouse pap, particularly for older audiences, turning the past into a concatenation of worn-out tropes that comforts as it distorts. Think of it as instant mashed potatoes for the soul.
    • 71 Metascore
    • 91 Critic Score
    One Lucky Elephant would make an affecting pairing with James Marsh's upcoming "Project Nim," another film about an animal treated like a human until its essential wildness made that impossible.
    • 65 Metascore
    • 75 Critic Score
    Frenetic, sleazy, and entertaining as all hell, Viva Riva! is a stylish and (save for the NC-17 it'd certainly earn) multiplex-worthy crime drama from, of all unexpected places, the Democratic Republic Of The Congo.
  5. The key mistake was Ahmed's choice to direct it himself; it's promotional when it might be revealing of impasses (and commonalities) between cultures and the complex tactics comedians use to address it.
  6. Not that anything in Judy Moody is meant to be taken seriously - or could be, even if it was meant to - but even for sugary neon fluff, it's awfully lightweight.
  7. Make no mistake: The Trip is a fine, funny movie. But there's no reason why it couldn't have been even finer and funnier.
  8. The tone and subject at times recall David Lynch's "Lost Highway" and "Mulholland Dr.," but the approach is Hellman's own.
  9. Its pleasures are borrowed, but durable.
  10. The smartest move that McGlynn makes in Rejoice And Shout is to let those old performances run on at length.
  11. The result is a film that's long and choppy, with little narrative momentum. And yet at times, Mr. Nice is frustratingly close to brilliant.
    • 13 Metascore
    • 25 Critic Score
    The "romantic" half of Love, Wedding, Marriage's romantic comedy doesn't work, but that isn't nearly as problematic as the film's profound unfunniness.
  12. There's something grating about the way The Last Mountain keeps returning to picket-line confrontations between environmental activists.
  13. Submarine is the film "Youth In Revolt" should have been, an achingly sad yet ribald account of a hyper-verbal oddball's ascent/descent into manhood.
  14. Like its fellow crowd-depressor "Blue Valentine," Beautiful Boy offers the antithesis of escapism: a claustrophobic, punishingly intense, beautifully measured exploration of the depths of human despair.
  15. Doing some of his best work in years, Ewan McGregor plays Mills' alter ego as a prickly, not altogether noble loner in his late 30s who initially doesn't take the news of his father's coming-out well.
  16. The great Kôji Yakusho stars as a revered samurai who decides that enough is enough, and sets about assembling the assassins of the title like a men-on-a-mission movie.
  17. Another crowd-pleasing comic-book film designed to bring in new fans while gratifying the old ones.
  18. More about well-observed moments of everyday life than it is about heightened melodrama.
    • 66 Metascore
    • 75 Critic Score
    Though the film reaches a seemingly artificial either/or scenario with regard to the competitive puzzling, its conclusion is pleasing and not at all pat, a portrait of a woman who's learned she deserves to keep some things for herself.
    • 58 Metascore
    • 67 Critic Score
    Though it can occasionally seem like an indie-dramedy answer to "The Grudge," structured to pack in the maximum moments of whimsical connection instead of supernatural kills, the film does find something deeper in its treatment of Smith and Lloyd.
  19. In terms of scale, The Tree Of Life recalls the mammoth ambition of Stanley Kubrick's "2001: A Space Odyssey," but it's also more intimate and personal than Malick's previous films, rooted in vivid memories of growing up in '50s Texas.
  20. Never as edgy as it imagines itself to be. Bangkok may swallow innocents whole, but director Todd Phillips has a lucrative franchise to protect, so the film's flirtation with the comic abyss gets compromised into something that looks more like a rock-solid mainstream comedy with a prominent dark side.
  21. The sequel remains visually beautiful and strikingly designed, but otherwise, it's a surprise in all the wrong ways.
  22. It's a lousy movie, but it has spunk.
  23. Louder Than A Bomb is a different kind of high-school movie, brimming with life and hope instead of social-climbing, bullying, and furtive first kisses.
  24. So sleepy and understated that when John Goodman shows up to yell his way through an angrily sarcastic segment called "Ask A New Orleanian," it's incredibly jarring.

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