The A.V. Club's Scores

For 10,427 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10427 movie reviews
    • 60 Metascore
    • 67 Critic Score
    That slow reveal is Good Neighbors' finest quality: It finds tension in stilted hallway interactions, unwanted dinner parties, and complaints about the wanderings of pets.
  1. There's nothing particularly distinctive or engaging about Wetzel's fly-on-the-wall style, which feels like second-hand Frederick Wiseman. But for hardcore foodies, El Bulli offers a clear, unvarnished look at the master at work.
  2. If nothing else, Life In A Day serves as a fine time capsule, recording some of what life was like on Earth in 2010.
  3. Witnessing outreach workers intervening in these situations is inspiring enough, but their subtlety and nuance in neutralizing people of different backgrounds and temperaments is especially impressive.
  4. Dominic Cooper is electrifying yet stiff in The Devil's Double; he's simultaneously the film's biggest asset and its greatest flaw.
  5. Focusing the film on Gleeson was certainly the right choice. His performance is equal parts funny and unnerving, and he keeps viewers guessing about what drives the man and what he'll do next.
  6. Attack The Block turns its modest budget into a virtue by focusing on character, especially the surprisingly charged, complicated dynamic between enemies-turned-allies Whittaker and Boyega.
  7. The Future's main characters are, undeniably, dopes. But July and Linklater turn their ineptitude into a funny running joke, which becomes surprisingly affecting in the second half.
  8. Actual kids may find this fun, but for adults, watching The Smurfs may feel a little too much like trying to wrangle an overcrowded kiddie birthday party.
  9. Gosling and Stone, too, have wonderful chemistry; their all-night "seduction" sequence is the film's highlight, witty and effortlessly sexy.
    • The A.V. Club
  10. You want cowboys and aliens in the same movie? This one's for you. If you want anything beyond what the title promises, look elsewhere. And that means even anything resembling a clever mash-up of established genres.
    • The A.V. Club
  11. For the most part, it manages to balance laughs, genuinely rousing moments, and a fully packed agenda into something fleet enough to keep running under the weight of its rich ambitions.
  12. The Woman With The 5 Elephants isn't flawless; as articulate and fascinating as Geier could be, she was also dry at times. But Jendreyko cleverly parcels out her personal history, and he isn't afraid to break up the talkiness with long silences and luminous images.
  13. It's difficult to figure out exactly where the film might be heading at any given point, since it follows the loping, meandering rhythms and casualness of a character study rather than conforming to the conventions of any particular genre.
  14. It's a film where the feelings and experiences of young people are highly specific in detail, yet fundamentally universal and timeless.
  15. Veers in and out of conventionality, and ultimately sinks into it at the end. But first, it deals with old types in new ways, raising issues as it raises hackles.
  16. It's an ambitious premise and a risky approach, but Cahill and his cast execute it beautifully.
  17. Romantic comedies - and this is one, in spite of its phony irreverence - turn largely on star power, and theirs is transcendent, whether they're casually trading one-liners on the streets or doing running commentary on their sexual escapades. They'd have been better off staying in bed.
  18. Salvation Boulevard doesn't seem to have any higher aspiration than illustrating how religious people can be hypocrites. (Gosh, who knew?)
    • 32 Metascore
    • 16 Critic Score
    Viewers are left to wonder if it's all actually some sort of vehicle for subliminal messaging.
  19. Yes, the idea that the tree/father is literally tearing this family apart is way too blunt, but Gainsbourg and Davies sell it by playing the scenes naturally, with minimal histrionics.
    • 65 Metascore
    • 67 Critic Score
    The ending, which offers a hint of relief, is unfiltered, frankly unbelievable melodrama, but something grimmer and more measured would be intolerable after everything that comes before.
    • 42 Metascore
    • 50 Critic Score
    This latest film aims for "The Joy Luck Club's" crossover appeal but ends up stilted and emotionally remote.
  20. Winnie The Pooh is a storybook brought to life with intelligence, wit, and palpable affection; where so many kids' films try desperately to come off as hip and timely that they often feel tacky and instantly dated, Winnie The Pooh is bravely quiet, old-fashioned, and wry.
  21. McKinney may well be a madwoman, but Morris connects so deeply to her obsessions that the film's tone never seems exploitative or mocking.
  22. This is the most epic of the Harry Potter movies, the one that finally dispenses with side-quests and open-ended plotlines and offers up all the final payoffs.
    • The A.V. Club
  23. Poignant and powerful, complex and melancholy, the film ends with rehearsals for yet another money-grubbing comeback tour.
  24. The Ledge is a sometimes-fascinating, often-aggravating chamber thriller that works best when it's doubling as an inquiry into faith.
  25. The movie's gathering of third-rank action heroes provides sufficient brawn but precious little onscreen charisma, although Brian Cox's reliable bluster lights up his handful of scenes as a bellicose baron.
    • 50 Metascore
    • 75 Critic Score
    The setup and storyline are absurd, but the angst underneath is as earnest as a campfire confession.

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