As I've previously maintained, these games' worth can only really be determined if you have loads of people handy, and people who can think of entertaining answers at that. Sadly, the price point is far too much for what it is - you're going to need to fork out about £100 for all four of the packs. The sum of the parts isn't worth what's being charged for the whole.

Bury Me, My Love lacks the necessary amount of player interaction that it needs for its message of compassion for the plight of Syrian refugees. The story wasn’t engaging enough to retain the attention once the game reached the halfway mark.

Skylanders Imaginators feels tired. A game that either needs a significant break or possible retirement, it's difficult to recommend to anyone but younger gamers - and parents would probably prefer to avoid it due to the additional character cost. There are plenty of other games more worthy of your cash, and if you desperately must have this game, buy it on another system where the starter pack will be cheaper.

Though the content and concept of My Time at Portia is sublime, having the potential to enslave your attention for months to come, the Switch port lacks the polish and love it so desperately deserves. Should quality of life fixes be implemented, this will certainly be worth sinking your time into. For now, not so much.

Spellbreak is the perfect example of a great game let down by lacklustre performance on the Nintendo Switch. Unique gameplay mechanics aside, being often unable to play the game due to technical issues limits any potential enjoyment to be found.

Monster Rancher 1 & 2 DX is a disappointing package made worse by its presence on the Switch. The main gimmick has lost all its wonder and both games feel like the exact same experience, roughly slapped together by uninteresting and sparse gameplay.

If you can power through the dull and repetitive design of God Wars: The Complete Legend you'll find plenty of content. Sadly, this doesn't make up for otherwise lackluster title.

Glyph styles itself as one type of genre but desperately wants to be thought of as another. This jamboree of various platforming ideas never quite works, even if some players might find joy in its tranquil collectible hunting.

Black Hole is a dull title that lacks any lasting appeal. It works and runs well but bad design decisions just leave the core gameplay loop far from ideal.

Nuclien attempts to offer up an addicting arcade puzzle game but unfortunately the experience is too boiled down and fails to offer up anything overly interesting to anyone not explicitly chasing the top spot on leader boards.

Sky Force Anniversary is a visually stunning game, but it can’t make up for the shallowness of its mechanics. With a superior sequel available on the Switch for the same price, it is hard to justify bothering with this release.

Infernium delivers a strong visual representation of Hell that bucks the standard trend in entertainment media. Sadly, the game also plays like hell with poor controls and frustratingly obtuse design choices.

Battle for Bikini Bottom felt as much a battle to play at times as it did to defeat those robots. It’s great to see a cult classic get a fresh lick of paint, but style over substance just isn’t enough.

Crysis Remastered can be a good-looking FPS. It’s just a shame that the act of actually playing it can feel like a chore thanks to a repetitive first half, poorly implemented stealth and unsatisfying gunplay.

VSR: Void Space Racing is difficult to control, and takes a lot of effort to get to grips with. If you’ve got the time, then great – but attention spans are short these days with so much games appearing on the Switch’s eShop.

Tennis in the Face is a good game heavily stifled by borrowed ideas and an insultingly short length. Its cheap price may entice you to pick it up in between bigger releases, but at the rate the Switch's eShop is expanding, you're best off saving your pennies for something more worthwhile.

Heroland is very much a good concept rather than a good game, far too many shortcomings and and a lack of active gameplay make this a tough one to recommend. Unless you’re starved for things to play, look elsewhere.

Dead or School often intrigues in appearance, but never quite capitalises on the unique blend of the mundane. Technical issues bog down the core experience, and the lack of restriction or respect for the rest of the content sours what could have been a thoroughly enjoyable romp through the underground.

Gekido Kintaro’s Revenge is a very simple beat-em-up which probably didn’t warrant a physical release on Switch. Unfair gameplay, unsatisfying visuals and sloppy proofing work mean this is one to miss.

WRC 9 is representative of what happens when development teams are stretched too thin and care little about the platform they are developing for. Here’s to hoping this is a one-off and we see a return to form soon.

Cobra Kai: The Saga Continues is a slavish love letter to the TV show it’s based on, but movie call backs and fan-favourite moments only goes so far. There are far more competent and creative brawlers on Switch.

Brakes Are For Losers lives up to the promise of being a totally different kind of racer, but sadly these differences are all too often more infuriating than they are fun.

Cat Girl Without Salad: Amuse-Bouche originated as a joke, but ultimately ends up as a bore. Yes, there’s some fun to be found within those two ends of the spectrum, but those moments are fleeting and never quite justify your time spent with it.

Windbound promises so much with beautiful Zelda-like visuals, but visuals alone do not make for a great game. The survival and rogue-like aspects detract from this game’s personality, and a miserable, repetitive search across each level make the game a bore.

Go Vacation boasts an impressive number of sporty mini-games, but sadly its focus on quantity over quality makes for an entirely forgettable experience.

Although not original when it comes to the use the rogue-like template, Tallowmere could have taken form as an enjoyable 2D platform game if it wasn’t for its messy layout choices and poor art style.

With its eerie atmosphere and interesting mechanics, Neverout has potential, but it doesn’t do enough to deliver. If you happen to be in the market for a good first-person puzzler, you’ll probably want to steer clear.

Littered with microtransactions, Galak-Z: Variant S quickly becomes too much to bear. Fortunately there are a lot of levels to take on, but you won't be able to smash through them all in a day unless you fancy getting your credit card out.