For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Clayton Dillard
It highlights how the ownership of art serves as a marker of capital for distinguishing one institution over another.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
The film ultimately succeeds in offering a fresh female-centered perspective on its genre material.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Elise Nakhnikian
Relevant facts about each character are dutifully punched out, in earnest speeches or actions that are often wildly overdrawn.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
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Reviewed by
Christopher Gray
Few horror films are as insistent about the trauma mental illness inflicts on families as Lights Out, and still fewer are so insensitive about it.- Slant Magazine
- Posted Jul 21, 2016
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Reviewed by
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Reviewed by
Sam C. Mac
Stark Trek Beyond emphasizes the inter-personal dynamics of the USS Enterprise, and functions best as an extended team-building exercise.- Slant Magazine
- Posted Jul 21, 2016
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Reviewed by
Eric Henderson
There's something to be said for a summer movie that offers up Chris Colfer as an unapologetic misogynist hairdresser.- Slant Magazine
- Posted Jul 20, 2016
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Reviewed by
Carson Lund
The film, whose disparate narrative threads unsurprisingly never connect, drowns in weirdness for its own sake.- Slant Magazine
- Posted Jul 19, 2016
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Reviewed by
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Reviewed by
Sam C. Mac
Brady Corbet reaches for a dreary self-importance akin to Michael Haneke’s The White Ribbon.- Slant Magazine
- Posted Jul 19, 2016
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Reviewed by
Diego Semerene
Catherine Corsini depicts feminists in lighthearted ways, at once humorously caricatured and sensitively human.- Slant Magazine
- Posted Jul 19, 2016
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Reviewed by
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Reviewed by
Eric Henderson
If Ice Age: Collision Course gleefully fails at being a history lesson, at least it offers an energetic recess from reality.- Slant Magazine
- Posted Jul 19, 2016
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Reviewed by
Ed Gonzalez
When divorced of message-mongering, the film’s scare tactics are among the most distinctive that the zombie canon has ever seen.- Slant Magazine
- Posted Jul 17, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
The documentary renders poverty a mysterious entity instead of a curable malady of systemic exclusion.- Slant Magazine
- Posted Jul 17, 2016
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Reviewed by
Chuck Bowen
It displays an intimate chemical understanding of the exhausting and unrelentingly impotent agony of failure.- Slant Magazine
- Posted Jul 17, 2016
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Reviewed by
Chuck Bowen
The film fails to lift off from this sturdy aesthetic launching pad; it never allows the characters, however stock, to evolve in their respective dealings with one another, which is the primary source of tension and escalation for a thriller set in a confined place.- Slant Magazine
- Posted Jul 15, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
The film is an incoherent and aesthetically barren harangue masquerading as a revisionist history lesson.- Slant Magazine
- Posted Jul 15, 2016
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Reviewed by
Keith Watson
The film is premised on a radical act that it buries beneath a grueling avalanche of quirk.- Slant Magazine
- Posted Jul 15, 2016
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Reviewed by
Chuck Bowen
Demon offers a tidal wave of unrelieved longing and regret, with a devilish streak of absurdism.- Slant Magazine
- Posted Jul 12, 2016
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Reviewed by
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Reviewed by
Wes Greene
The filmmakers are thankfully willing to render, with unremitting vigor, how grief can batter the human heart.- Slant Magazine
- Posted Jul 12, 2016
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Reviewed by
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Reviewed by
Jake Cole
When it's good, this new Ghostbusters is funny, driven, sometimes even a bit scary.- Slant Magazine
- Posted Jul 12, 2016
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Reviewed by
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Reviewed by
Elise Nakhnikian
Its clunky incidents of exposition leave us with no real understanding of what anyone is thinking or feeling.- Slant Magazine
- Posted Jul 11, 2016
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Reviewed by
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Reviewed by
Keith Watson
Director Joe Berlinger essentially allows his subject to hijack the film for his own end.- Slant Magazine
- Posted Jul 11, 2016
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Reviewed by
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Reviewed by
Carson Lund
As clarified potently by the film, most of life is spent distracting oneself from matters of the closest personal significance.- Slant Magazine
- Posted Jul 11, 2016
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Reviewed by
Christopher Gray
The Nanfu Wang film's noble aims are mirrored in its more frustrating and conventional qualities.- Slant Magazine
- Posted Jul 10, 2016
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Reviewed by
Chuck Bowen
Maïwenn fashions a bracing film about co-dependency, capturing the erotic contours of subservience and flattery.- Slant Magazine
- Posted Jul 10, 2016
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Reviewed by
Ed Gonzalez
The doc's caginess is a weakness that results from an inherently nostalgic sense of reverie.- Slant Magazine
- Posted Jul 7, 2016
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Reviewed by
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- Critic Score
Director Alex Gibney does this vital material a disservice, giving it an air of deflated pomposity.- Slant Magazine
- Posted Jul 7, 2016
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Reviewed by
Jesse Cataldo
Under the Sun's overall aesthetic identifies a willingness to settle for an easy condemnation of an obviously abysmal regime, while not doing anything challenging or enlightening with all the outstanding footage collected.- Slant Magazine
- Posted Jul 6, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
The film's messy pile-up of comic diversions can be exhilarating in the moment—the chaos of an id given free rein.- Slant Magazine
- Posted Jul 6, 2016
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Reviewed by
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Reviewed by
Carson Lund
It's too texturally exacting in its recreation of a transitory moment in U.S. history to register as a failure.- Slant Magazine
- Posted Jul 5, 2016
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Reviewed by
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Reviewed by
Eric Henderson
Much like with Neighbors 2, Mike and Dave’s obvious ace in the hole is its commitment to gender parity.- Slant Magazine
- Posted Jul 5, 2016
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Reviewed by