Slant Magazine's Scores

For 7,767 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7767 movie reviews
  1. It highlights how the ownership of art serves as a marker of capital for distinguishing one institution over another.
  2. The film ultimately succeeds in offering a fresh female-centered perspective on its genre material.
  3. Relevant facts about each character are dutifully punched out, in earnest speeches or actions that are often wildly overdrawn.
  4. Few horror films are as insistent about the trauma mental illness inflicts on families as Lights Out, and still fewer are so insensitive about it.
  5. Stark Trek Beyond emphasizes the inter-personal dynamics of the USS Enterprise, and functions best as an extended team-building exercise.
  6. There's something to be said for a summer movie that offers up Chris Colfer as an unapologetic misogynist hairdresser.
  7. The film, whose disparate narrative threads unsurprisingly never connect, drowns in weirdness for its own sake.
  8. Brady Corbet reaches for a dreary self-importance akin to Michael Haneke’s The White Ribbon.
  9. Catherine Corsini depicts feminists in lighthearted ways, at once humorously caricatured and sensitively human.
  10. If Ice Age: Collision Course gleefully fails at being a history lesson, at least it offers an energetic recess from reality.
  11. When divorced of message-mongering, the film’s scare tactics are among the most distinctive that the zombie canon has ever seen.
  12. The documentary renders poverty a mysterious entity instead of a curable malady of systemic exclusion.
  13. It displays an intimate chemical understanding of the exhausting and unrelentingly impotent agony of failure.
  14. The film fails to lift off from this sturdy aesthetic launching pad; it never allows the characters, however stock, to evolve in their respective dealings with one another, which is the primary source of tension and escalation for a thriller set in a confined place.
  15. The film is an incoherent and aesthetically barren harangue masquerading as a revisionist history lesson.
  16. The film is premised on a radical act that it buries beneath a grueling avalanche of quirk.
  17. Demon offers a tidal wave of unrelieved longing and regret, with a devilish streak of absurdism.
  18. The filmmakers are thankfully willing to render, with unremitting vigor, how grief can batter the human heart.
  19. When it's good, this new Ghostbusters is funny, driven, sometimes even a bit scary.
  20. Its clunky incidents of exposition leave us with no real understanding of what anyone is thinking or feeling.
  21. Director Joe Berlinger essentially allows his subject to hijack the film for his own end.
  22. As clarified potently by the film, most of life is spent distracting oneself from matters of the closest personal significance.
  23. The Nanfu Wang film's noble aims are mirrored in its more frustrating and conventional qualities.
  24. Maïwenn fashions a bracing film about co-dependency, capturing the erotic contours of subservience and flattery.
  25. The doc's caginess is a weakness that results from an inherently nostalgic sense of reverie.
    • 77 Metascore
    • 63 Critic Score
    Director Alex Gibney does this vital material a disservice, giving it an air of deflated pomposity.
  26. Under the Sun's overall aesthetic identifies a willingness to settle for an easy condemnation of an obviously abysmal regime, while not doing anything challenging or enlightening with all the outstanding footage collected.
  27. The film's messy pile-up of comic diversions can be exhilarating in the moment—the chaos of an id given free rein.
  28. It's too texturally exacting in its recreation of a transitory moment in U.S. history to register as a failure.
  29. Much like with Neighbors 2, Mike and Dave’s obvious ace in the hole is its commitment to gender parity.

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