For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Carson Lund
It's a shame that the JosĂ© Luis GuerĂn film's verbal qualities far outpace its formal attributes.- Slant Magazine
- Posted Aug 26, 2016
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Reviewed by
Clayton Dillard
It insists that it's in moments of small talk, between life's larger events, that one finds vitality.- Slant Magazine
- Posted Aug 26, 2016
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Reviewed by
Elise Nakhnikian
The film's ruefully honest tone is periodically drowned out by the blare of stagey coincidences.- Slant Magazine
- Posted Aug 25, 2016
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Reviewed by
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Reviewed by
Carson Lund
Hamaguchi arranges most sequences around a handful of static, roomy medium shots that subtly suggest emotional dynamics through camera and actor positioning.- Slant Magazine
- Posted Aug 24, 2016
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Reviewed by
Oleg Ivanov
The film comes unsettlingly close to being an apologia for the kind of violence that stems from adolescent disaffection.- Slant Magazine
- Posted Aug 23, 2016
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Diego Semerene
Clea DuVall crafts an entire film out of aborted attempts at a revelation that feel completely anodyne.- Slant Magazine
- Posted Aug 23, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
The film appears to have been devised to pander to the presumptions of Western, liberal viewers.- Slant Magazine
- Posted Aug 22, 2016
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Reviewed by
Elise Nakhnikian
The Panamanian-born Roberto Duran's story has all the makings of a fascinating film, but Hands of Stone isn't it.- Slant Magazine
- Posted Aug 22, 2016
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Reviewed by
Kenji Fujishima
The film may not announce itself as hagiography, but it’s hero-worshipful to its core.- Slant Magazine
- Posted Aug 22, 2016
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Chuck Bowen
Underneath the impersonal formal beauty and good acting is a familiar moral about self-imposed limitations.- Slant Magazine
- Posted Aug 22, 2016
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Chuck Bowen
The film has been executed with a sense of formally stylish and thematically symmetric panache.- Slant Magazine
- Posted Aug 21, 2016
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Reviewed by
Ed Gonzalez
The film's sustainment of its corkscrew tension is so elegant and methodical as to feel dance-like.- Slant Magazine
- Posted Aug 21, 2016
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Reviewed by
Aaron Riccio
The film is, at least, a marvelously enticing advertisement for the upcoming Final Fantasy XV video game.- Slant Magazine
- Posted Aug 19, 2016
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Reviewed by
Oleg Ivanov
The film mostly succeeds in capturing the nuances of an event that continues to arouse passionate debate to this day.- Slant Magazine
- Posted Aug 18, 2016
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Reviewed by
Keith Watson
Ben-Hur director Timur Bekmambetov offers nothing new to the cinematic lexicon of the chariot race.- Slant Magazine
- Posted Aug 17, 2016
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Reviewed by
Eric Henderson
The film is unrepentantly cynical when it comes to the global business of warmongering, but proves unsurprisingly earnest when it comes to the lure of the American dream.- Slant Magazine
- Posted Aug 17, 2016
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Reviewed by
Nick Schager
Beginning with a series of traps before escalating into sword-to-sword skirmishes, Miike's centerpiece boasts sharp momentum and nasty muscularity.- Slant Magazine
- Posted Aug 16, 2016
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Reviewed by
James Lattimer
There's little here to suggest that the film is anything more than a hastily cobbled-together studio star vehicle.- Slant Magazine
- Posted Aug 16, 2016
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Reviewed by
Chuck Bowen
It movingly posits acting as a metaphor for the search for connection, through visceral texture rather than platitude.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Jesse Cataldo
Chad Hartigan's film is especially perceptive about the effect of external influence on personal development.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Clayton Dillard
Lars Kraume's tinkering with the historical record would be more welcome were he also shifting away from the standard biopic template.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
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Reviewed by
Matt Brennan
It recombines elements of the emigrant saga and the coming-of-age story into a searching, fresh-faced portrait.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Diego Semerene
The film's structure, however stifling, is filled with gorgeous imagery and nuanced symbolism.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Chuck Bowen
It routinely alternating between episodes that contrast exhilaration with exploitation and damnation.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Oleg Ivanov
It demonstrates both the fatal proximity and deceptive distance that can exist between the words and deeds of extremists.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
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Reviewed by
Wes Greene
Mirai Konishi's documentary inevitably reveals itself to be an elaborate infomercial for Westerners.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Oleg Ivanov
It offers a powerful metaphor for the manner in which we carry the memories of our departed inside ourselves.- Slant Magazine
- Posted Aug 12, 2016
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Reviewed by
Elise Nakhnikian
The film champions coddling people like Florence Foster Jenkins and treats critical thinking as the enemy.- Slant Magazine
- Posted Aug 11, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
Though the filmmakers may not believe in a higher power, they still maintain a faith in raunchiness as an id-blasting form of liberation from rigid norms, spiritual, sexual, or otherwise.- Slant Magazine
- Posted Aug 10, 2016
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Reviewed by
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Reviewed by
Chuck Bowen
The film shrewdly capitalizes on Mel Gibson's off-screen embarrassments and controversies.- Slant Magazine
- Posted Aug 10, 2016
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Reviewed by